Flower Net The Interior And Dragon Bones Three Red Princess Mysteries

The bestselling Red Princess thrillers aren’t just riveting crime stories; they’re novels of emotional depth and savvy insight into modern China. At the heart of Lisa See’s dynamic, suspenseful trilogy is the relationship between detective Liu Hulan and American attorney David Stark, two characters caught in the crush of international affairs. Now the entire series is available in one handy eBook bundle: FLOWER NET “See brings a cool, knowing eye to Chinese-American relations while crafting a nifty tale of suspense.”—Chicago Tribune In the waning days of Deng Xiaoping’s reign, the U.S. ambassador’s son is found entombed in a frozen lake. Off the coast of California, Assistant U.S. Attorney David Stark discovers the corpse of a Red Prince, a scion of China’s political elite. With the Chinese and American governments joining forces to see justice done, David teams up with unorthodox police detective Liu Hulan in Beijing. As their investigation sparks an intense connection, David and Hulan uncover a web linking human trafficking to the drug trade and to governmental treachery—a web reaching from the Forbidden City to Los Angeles and, like the wide flower net used by Chinese fishermen, threatening to ensnare all within its reach. THE INTERIOR “Immediate, haunting and exquisitely rendered.”—San Francisco Chronicle As David Stark opens a law office in Beijing, Liu Hulan receives an urgent message imploring her to investigate the death of an old friend’s daughter, who worked for a toy company about to be sold to a new client of David’s. Despite his protests, Hulan goes undercover at the toy factory in a rural village deep in the heart of China, a place that forces her to face a past she has long been running from. Suddenly Hulan and David find themselves on opposing sides: one trying to expose a rogue company, the other bound to protect his client. As pressures mount, they uncover universal truths about good and evil, right and wrong—and the sometimes subtle lines that distinguish them. DRAGON BONES “Stays with you long after the conventional thriller is forgotten.”—The Washington Post Book World Liu Hulan and David Stark are traveling to one of the most beautiful places on earth: the Three Gorges, where China’s biggest engineering project since the Great Wall is taking place. Hulan is there to investigate the death of an American archaeologist found in the Yangzi River; David is trying to figure out who’s stealing artifacts and selling them on the international art market. Haunting the investigation is the possibility that an artifact has been found that could very well alter the history of civilization. Together, David and Hulan unearth more scandals and revive tragic memories as they struggle to solve a mystery as big, unruly, and complex as China itself. Praise for Lisa See and her Red Princess mysteries “One of the classier practitioners of . . . the international thriller . . . She draws her characters . . . with convincing depth, and offers up documentary social detail that reeks of freshly raked muck. See’s China is as vivid as Upton Sinclair’s Chicago.”—The New York Times Book Review “A graceful rendering of two different and complex cultures . . . The starkly beautiful landscapes of Beijing and its surrounding countryside are depicted with a lyrical precision.”—Los Angeles Times Book Review

“Lisa See begins to do for Beijing what Sir Arthur Conan Doyle did for turn-of-the-century London or Dashiell Hammett did for 1920s San Francisco: She discerns the hidden city lurking beneath the public facade.” –The Washington Post Book World In the depths of a Beijing winter, during the waning days of Deng Xiaoping’s reign, the U.S. ambassador’s son is found dead–his body entombed in a frozen lake. Around the same time, aboard a ship adrift off the coast of Southern California, Assistant U.S. Attorney David Stark makes a startling discovery: the corpse of a Red Prince, a scion of China’s political elite. The Chinese and American governments suspect that the deaths are connected and, in an unprecedented move, they join forces to see justice done. In Beijing, David teams up with the unorthodox police detective Liu Hulan. In an investigation that brings them to every corner of China and sparks an intense attraction between the two, David and Hulan discover a web linking human trafficking to the drug trade to governmental treachery–a web reaching from the Forbidden City to the heart of Los Angeles and, like the wide flower net used by Chinese fishermen, threatening to ensnare all within its reach. “A graceful rendering of two different and complex cultures, within a highly intricate plot . . . The starkly beautiful landscapes of Beijing and its surrounding countryside are depicted with a lyrical precision.” –Los Angeles Times Book Review “Murder and intrigue splash across the canvas of modern Chinese life. . . . A vivid portrait of a vast Communist nation in the painful throes of a sea change.” –People “Fascinating . . . that rare thriller that enlightens as well as it entertains.” –San Diego Union-Tribune A Finalist for the Edgar Award for Best First Mystery A NEW YORK TIMES NOTABLE BOOK

When the body of an American archaeologist is found floating in the Yangzi River, Ministry of Public Security agent Liu Hulan and her husband, American attorney David Stark, are dispatched to Site 518 to investigate. As Hulan scrutinizes this death—or is it a murder?—David, on behalf of the National Relics Bureau, tries to discover who has stolen from the site an artifact that may prove to the world China’s claim that it is the oldest uninterrupted civilization on earth. This artifact is not only an object of great monetary value but one that is emblematic of the very soul of China. Everyone—from the Chinese government, to a religious cult, to an unscrupulous American art collector—wants this relic, and some, it seems, may be willing to kill to get it. At stake in this investigation is control of China’s history and national pride, and even stability between China and the United States. The troubled Hulan must overcome her own fears of failure, while David tries desperately to break through the shell that has built up around his wife. As Hulan and David are enmeshed in international schemes for power and the turbulence of their own relationship, these hunters after the truth become the hunted—in a fast-driving narrative set against the backdrop of the building of the Three Gorges Dam, the largest and most expensive project China has undertaken since the Great Wall and the subject of great international debate. It is here, in the heart of the Three Gorges, that David and Hulan will battle their enemies and their own natures to see who will win China’s dragon bones. Dragon Bones combines ancient myth with contemporary anxieties concerning religious fanaticism and terrorism to tell a story of love, betrayal, history, ecology, greed—and gory murder.

In a magnificent land where myth mixes treacherously with truth, one woman is in charge of telling them apart. Liu Hulan is the Inspector in China’s Ministry of Public Security whose tough style rousts wrongdoers and rubs her superiors the wrong way. Now her latest case finds her trapped between her country’s distant past and her own recent history. The case starts at a rally for a controversial cult that ends suddenly in bloodshed, and leads to the apparent murder of an American archaeologist, which officials want to keep quiet. And haunting Hulan’s investigation is the possible theft of ancient dragon bones that might alter the history of civilization itself. Getting to the bottom of ever-spiraling events, Hulan unearths more scandals, confronts more murderers, and revives tragic memories that shake her tormented marriage to its core. In the end, she solves a mystery as big, unruly, and complex as China itself. Praise for Dragon Bones “Stays with you long after the conventional thriller is forgotten.”—The Washington Post Book World “Lisa See is one of the classier practitioners of . . . the international thriller. . . . She draws her characters . . . with convincing depth, and offers up documentary social detail that reeks of freshly raked muck. See’s China is as vivid as Upton Sinclair’s Chicago.”—The New York Times Book Review

“See paints a fascinating portrait of a complex and enigmatic society, in which nothing is ever quite as it appears, and of the people, peasant and aristocrat alike, who are bound by its subtle strictures.”—San Diego Union-Tribune While David Stark is asked to open a law office in Beijing, his lover, detective Liu Hulan, receives an urgent message from an old friend imploring her to investigate the suspicious death of her daughter, who worked for a toy company about to be sold to David’s new client, Tartan Enterprises. Despite David’s protests, Hulan goes undercover at the toy factory in the rural village of Da Shui, deep in the heart of China. It is a place that forces Hulan to face a past she has long been running from. Once there, rather than finding answers to the girl’s death, Hulan unearths more questions, all of which point to possible crimes committed by David’s client. Suddenly Hulan and David find themselves on opposing sides: One of them is trying to expose a company and unearth a killer, while the other is ethically bound to protect his client. As pressures mount and danger increases, Hulan and David uncover universal truths about good and evil, right and wrong–and the sometimes subtle lines that distinguish them. Praise for The Interior “[See] illuminates tradition and change, Western and Eastern cultural differences. . . . All this in the middle of her thriller which is also about greed, corruption, abuse of the disadvantaged, the desperation of those on the bottom of the food chain, and love.”—The Tennessean “Sophisticated . . . graceful . . . See’s picture of contemporary China’s relationship with the United States is aptly played out through her characters.”—Los Angeles Times “Immediate, haunting and exquisitely rendered.”—San Francisco Chronicle

Peony has neither seen nor spoken to any man other than her father, a wealthy Chinese nobleman. Nor has she ever ventured outside the cloistered women's quarters of the family villa. As her sixteenth birthday approaches she finds herself betrothed to a man she does not know, but Peony has dreams of her own. Her father engages a theatrical troupe to perform scenes from The Peony Pavilion, a Chinese epic opera, in their garden amidst the scent of ginger, green tea and jasmine. 'Unmarried girls should not be seen in public,' says Peony's mother, but her father allows the women to watch from behind a screen. Here, Peony catches sight of an elegant, handsome man and is immediately bewitched. So begins her unforgettable journey of love, desire, sorrow and redemption.

With the 1989 Beijing massacre fading from popular memory in the West, China from the mid-1990s to a few years ago felt more open than ever to global trade, communication, travel, and cultural and educational exchanges. There was even talk in the mainstream press that China was heading toward a more democratic future. It was during this second Sino-Western honeymoon that authors in the US, Canada, France, the UK, and elsewhere began writing mystery fiction set in contemporary China in their regional languages. These “China mysteries”—crime, detective, and mystery thriller novels that take place in China but were not written or published there—formed a new genre of popular fiction that highlighted the world’s hopes and fears after Tiananmen. The multinational and multicultural writers of China mysteries, among them ex-PRC nationals like Qiu Xiaolong, Zhang Xinxin, and Diane Wei Liang, converged on the China Mainland to negotiate political and cultural complexities through crime fiction plotlines. Their books emerged from Western lineages of the modern novel and popular genre fiction—with Chinese contributions—and depended on Western commercial publishing models shaped by cultural, national, political, and economic factors. This work examines more than a hundred China mysteries—many describing and analyzing social and economic changes at the center of modern life in China—to provide a brief history of the genre and analyze the formulaic and original elements of the mysteries, including their attention to matters of location, social content, characterization, history, and biography. It also highlights the role of “information” acquisition as a motivation for readers and authors of popular fiction, which has become a topic of discussion in Chinese literature studies. With its timely commentary on Sino-Western relations as presented through crime fiction, China Mysteries will appeal to students and scholars of contemporary Chinese literature and culture, as well as fans of crime novels and others who are curious about the global dimensions of the genre and how it complicates our understanding of “world literature.”

Lily is the daughter of a humble farmer, and to her family she is just another expensive mouth to feed. Then the local matchmaker delivers startling news: if Lily's feet are bound properly, they will be flawless. In nineteenth-century China, where a woman's eligibility is judged by the shape and size of her feet, this is extraordinary good luck. Lily now has the power to make a good marriage and change the fortunes of her family. To prepare for her new life, she must undergo the agonies of footbinding, learn nu shu, the famed secret women's writing, and make a very special friend, Snow Flower. But a bitter reversal of fortune is about to change everything.