Flowing With The Pearl River Autobiography Of A Red China Girl

Flowing with the Pearl River: Autobiography of a Red China Girl is a young adult memoir about Amy Chan Zhou and her family's struggles to survive in China from the time the Communists took power in 1949 through the end of the Mao era in 1976. Narrated through the eyes and voice of Chan Zhou, Flowing with the Pearl River is an insightful, accurate, and in-depth look at the devastating impact the many political campaigns and revolutions had on multiple generations of her family. As the Communists take control of the country in 1949, we follow the harrowing experiences of Chan Zhou's great-grandparents, grandparents, father, and mother during the branding of landlords, business owners, and scholars as "bad elements" and "class enemies." The author and her family members were among those whose lives were shattered and who suffered from the political campaigns and revolutions. The struggles continue as the Communist political leaders pit people against people and breed fear and distrust by coercing informants to turn on innocent citizens, forcing re-education in labor camps and instigating the Cultural Revolution. Chan Zhou's personal observations and emotional experiences are at the heart of the story from her childhood and middle school years in China to her father's escape to Hong Kong and Chan Zhou's eventual immigration to the United States at age 14. Chan Zhou's childhood stories as a wild child growing up in the countryside with primitive conditions are marked by the family's everyday struggle to obtain food, the hardship that resulted when Chan Zhou's school became a child labor camp, and the horror of attending "public denouncing" meetings and witnessing relatives being tortured on a stage. However, Chan Zhou's childhood also featured rural beauty and the simple joys of raising farm animals or catching fish in a local river. When Chan Zhou sells vegetables in the black market, she is accused of being a "little capitalist trader"; the death of Mao ultimately saves her from being sent to a detention center, and her family's destiny is forever altered by Deng Xiaoping's reform that allowed Chan Zhou's family to reunite in Hong Kong and their subsequent immigration to the USA. A blend of Wild Swans and The Red Scarf Girl, Flowing with the Pearl River presents rich and detailed depictions of one family's painful experiences during Communism and the Cultural Revolution in China. It is a comprehensive and vividly accurate portrayal of the impact of those events on Chinese culture and society that remains largely unknown to modern readers and risks being forgotten. Flowing with the Pearl River aims to ensure that this history and the memories of millions of families similar to Chan Zhou's remain alive and remembered for eternity.

Amy Chan Zhou’s searing memoir about growing up in rural Communist China features descriptions of pastoral beauty and tales of the simple joys of raising farm animals or catching fish in a local river. However, her childhood is scarred by the primitive conditions, her family’s everyday struggle to obtain food, and the horror of witnessing relatives being tortured on a stage during “public denouncing” meetings. As the Communists take control of China in 1949, we follow the harrowing experiences of Chan Zhou’s great-grandparents, grandparents, father, and mother during the 1950s, ’60s, and ’70s when landlords, business owners, artists, and scholars were branded as “bad elements” and “class enemies.” As a teenager in the 1970s, while selling vegetables on the black market, Chan Zhou is accused of being a “little capitalist trader.” The death of Mao ultimately saves Chan Zhou from being sent to a detention center, and her family’s destiny is forever altered by Deng Xiaoping’s reform that allows her family to reunite in Hong Kong, and subsequently emigrate to the United States. A blend of Wild Swans and The Red Scarf Girl, Flowing with the Pearl River is a vividly accurate portrayal of one family’s painful experiences during Communism and the Cultural Revolution in China, and their eventual escape to freedom.

The author recounts her early childhood, education, military life, and career as a writer, and explains how she tried to circumvent the restrictions of Chinese culture and tradition

Tells the story of a girl growing up during China's Cultural Revolution, and the hard decisions she had to make when her father wasarrested.

“A fascinating novel, similar to Arthur Golden’s Memoirs of a Geisha . . . A revisionist portrait of a beautiful and strong-willed woman” (Houston Chronicle). A San Francisco Chronicle Best Book of the Year From Anchee Min, a master of the historical novel, Empress Orchid sweeps readers into the heart of the Forbidden City to tell the fascinating story of a young concubine who becomes China’s last empress. Min introduces the beautiful Tzu Hsi, known as Orchid, and weaves an epic of the country girl who seized power through seduction, murder, and endless intrigue. When China is threatened by enemies, she alone seems capable of holding the country together. In this “absorbing companion piece to her novel Becoming Madame Mao,” readers and reading groups will once again be transported by Min’s lavish evocation of the Forbidden City in its last days of imperial glory and by her brilliant portrait of a flawed yet utterly compelling woman who survived, and ultimately dominated, a male world (The New York Times). “Superb . . . [An] unforgettable heroine.” —People “A sexually charged, eye-opening portrayal of the Chinese empire . . . with heart-wrenching scenes of desperate failure and a sensuality that rises off its heated pages.” —Elle

One of the twentieth century’s most extraordinary Americans, Pearl Buck was the first person to make China accessible to the West. She recreated the lives of ordinary Chinese people in The Good Earth, an overnight worldwide bestseller in 1932, later a blockbuster movie. Buck went on to become the first American woman to win the Nobel Prize for Literature. Long before anyone else, she foresaw China’s future as a superpower, and she recognized the crucial importance for both countries of China’s building a relationship with the United States. As a teenager she had witnessed the first stirrings of Chinese revolution, and as a young woman she narrowly escaped being killed in the deadly struggle between Chinese Nationalists and the newly formed Communist Party. Pearl grew up in an imperial China unchanged for thousands of years. She was the child of American missionaries, but she spoke Chinese before she learned English, and her friends were the children of Chinese farmers. She took it for granted that she was Chinese herself until she was eight years old, when the terrorist uprising known as the Boxer Rebellion forced her family to flee for their lives. It was the first of many desperate flights. Flood, famine, drought, bandits, and war formed the background of Pearl’s life in China. "Asia was the real, the actual world," she said, "and my own country became the dreamworld." Pearl wrote about the realities of the only world she knew in The Good Earth. It was one of the last things she did before being finally forced out of China to settle for the first time in the United States. She was unknown and penniless with a failed marriage behind her, a disabled child to support, no prospects, and no way of telling that The Good Earth would sell tens of millions of copies. It transfixed a whole generation of readers just as Jung Chang’s Wild Swans would do more than half a century later. No Westerner had ever written anything like this before, and no Chinese had either. Buck was the forerunner of a wave of Chinese Americans from Maxine Hong Kingston to Amy Tan. Until their books began coming out in the last few decades, her novels were unique in that they spoke for ordinary Asian people— "translating my parents to me," said Hong Kingston, "and giving me our ancestry and our habitation." As a phenomenally successful writer and civil-rights campaigner, Buck did more than anyone else in her lifetime to change Western perceptions of China. In a world with its eyes trained on China today, she has much to tell us about what lies behind its astonishing reawakening.