Flying Feet

When Jinho meets an unscrupulous mixed martial arts trainer, he turns his back on the code of honor he learned in tae kwon do.

When Charlie hears that special buzz in his head, he knows it means one thing: an idea for a new invention. But Charlie's ideas tend to backfire—such as the flying feet that don't really fly. If only Charlie could make his inventions work, people might think he's as special as his older brother, Larry. Then the Zigzag afternoon center organizes a Come as a Character Day, and Charlie gets his chance to shine.

Based on a true tale, two master dancers compete for the chance to teach the people of Ballyconneely, Ireland, how to dance.

When Charlie hears that special buzz in his head, he knows it means one thing: an idea for a new invention. But Charlie's ideas tend to backfire—such as the flying feet that don't really fly. If only Charlie could make his inventions work, people might think he's as special as his older brother, Larry. Then the Zigzag afternoon center organizes a Come as a Character Day, and Charlie gets his chance to shine.

After losing yet another tae kwon do tournament, Jinho gives in to his anger and breaks his opponent's fingers. While this gets him barred from competing at his dojang, it also gets him scouted by Austin, a trainer for an underground mixed martial arts club. At first the prospect of fighting without boundaries appeals to Jinho, but the more involved he gets, the more disturbing he finds it and the harder it is to find a way out. Unlike legal MMA, which has rules and regulations, underground MMA is a free-for-all: there are no weight classes and no referees to stop the fight should it go too far. When Jinho is set up to fight a boy known as The Ripper, he realizes that he doesn't belong in this world, but the only thing that can save him is the ancient code of tae kwon do.

This is my true story about how a young man turned his emotional and learning disabilities that cast him as a failure in society into natural advantages. He overcame one challenge after another in his quest to fulfill his dream to fly. At the age of 17 he earned his Private Pilots Certificate, at 18 his Commercial and at 19 he becomes one of the Army’s youngest helicopter aircraft commanders in Vietnam. He endures the horrors of war and returns home, now much older than his 20 years. He continues his love of flight as a civilian. After years of flight, his past comes back to haunt him. He now must face his greatest challenges yet: Cancer brought on by Agent Orange and PTSD (Post Traumatic Stress Disorder). The FAA grounds him. Is there one more fight left in him, “for the love of flight?"

What is form? Why does form matter? In this imaginative and ambitious study, Angela Leighton assesses not only the legacy of Victorian aestheticism, and its richly resourceful keyword, 'form', but also the very nature of the literary. She shows how writers, for two centuries and more, have returned to the idea of form as something which contains the secret of art itself. She tracks the development of the word from the Romantics to contemporary poets, and offers close readings of, among others, Tennyson, Pater, Woolf, Yeats, Stevens, and Plath, to show how form has provided the single most important way of accounting for the movements of literary language itself. She investigates, for instance, the old debate of form and content, of form as music or sound-shape, as the ghostly dynamic and dynamics of a text, as well as its long association with the aestheticist principle of being 'for nothing'. In a wide-ranging and inventive argument, she suggests that form is the key to the pleasure of the literary text, and that that pleasure is part of what literary criticism itself needs to answer and convey.