Folk Treasures Of Mexico

In his foreword, former New York governor and vice president of the United States Nelson A. Rockefeller remembers his first trip to Mexico in 1933 and his subsequent, life-long fascination with the Mexican people and their popular art. Rockefeller's collection of more than 3,000 pieces of Mexican folk art is widely considered to be the most exceptional in the U.S., and Folk Treasures of Mexico celebrates these icons, created from the eighteenth to the twentieth centuries, with more than 150 photos of the pieces, many of which are quite rare. This updated edition of the long out-of-print book focusing on this stunning collection of Mexican folk art contains a new foreword by Rockefeller's daughter, Ann Rockefeller Roberts, and a new prologue by Marion Oettinger, Jr., the director of the San Antonio Museum of Art, who wrote the principal text about the collection. Oettinger describes the objects according to function: utilitarian, ceremonial, decorative, or for play. Among the many noteworthy objects are a wooden-carved centurion helmet mask from the eighteenth century depicting a Roman guard, which is one of the few remaining masks of this type in existence, and a nineteenth century ceramic pitcher from Oaxaca that combines many stylistic techniques. Other objects include a variety of children's toys, clothing, and items for eating and drinking. First published in 1990, the book also contains the original preface by Rockefeller's daughter, who was instrumental in finding permanent homes for her father's collection, which can now be found in the San Antonio Museum of Art and the Mexican Museum in San Francisco. Including a glossary, bibliography, and chronology, Folk Treasures of Mexico is a must-read for anyone interested in Latin American art, culture, and history.

Provides a detailed look at the political and artistic climate in Mexican-American relations through an examination of the folk art collection amassed by Dwight and Elizabeth Morrow when he was U.S. ambassador to Mexico in the late 1920s.

After Mexico’s revolution of 1910–1920, intellectuals sought to forge a unified cultural nation out of the country’s diverse populace. Their efforts resulted in an “ethnicized” interpretation of Mexicanness that intentionally incorporated elements of folk and indigenous culture. In this rich history, Rick A. López explains how thinkers and artists, including the anthropologist Manuel Gamio, the composer Carlos Chávez, the educator Moisés Sáenz, the painter Diego Rivera, and many less-known figures, formulated and promoted a notion of nationhood in which previously denigrated vernacular arts—dance, music, and handicrafts such as textiles, basketry, ceramics, wooden toys, and ritual masks—came to be seen as symbolic of Mexico’s modernity and national distinctiveness. López examines how the nationalist project intersected with transnational intellectual and artistic currents, as well as how it was adapted in rural communities. He provides an in-depth account of artisanal practices in the village of Olinalá, located in the mountainous southern state of Guerrero. Since the 1920s, Olinalá has been renowned for its lacquered boxes and gourds, which have been considered to be among the “most Mexican” of the nation’s arts. Crafting Mexico illuminates the role of cultural politics and visual production in Mexico’s transformation from a regionally and culturally fragmented country into a modern nation-state with an inclusive and compelling national identity.

The country of Mexico has long been a popular travel destination. But there's much more to enjoy and appreciate than just sunshine and warm temperatures when exploring this region with its ancient history and proud traditions. Enjoy an A-Z tour of our neighbor to the south in P is for Piñata: A Mexico Alphabet. Young readers can visit the tomb of a Mayan king, experience the life of the vaquero (Mexican cowboy), attend the world-famous Ballet Folklórico de Mèxico, and sample the everyday treat that was once known as the "food of the gods." From folk art to famous people to the original "hot dog," the treasures of Mexico are revealed in P is for Piñata. Vibrant artwork perfectly captures the flavor, texture, and spirit of its landscape and culture.To find recipes, games, interactives maps and much more for this title visit www.discovertheworldbooks.com! Tony Johnston's love for Mexico started when her husband's job took them to Mexico City; they then lived there for fifteen years. While in Mexico, Tony wrote in Spanish and had several stories commissioned by the Mexican government. She has published more than 70 books for children and lives in San Marino, California. Award-winning illustrator and designer John (Juanito) Parra studied at Art Center College of Design in Pasadena. His clients include United Airlines, Macmillan/McGraw-Hill, PBS, and the L.A. Weekly. John's first children's book was My Name is Gabriela, about the life of the Nobel Prize-winning poet Gabriela Mistral. He lives in New York City.

Presents folktales of Mexico dealing with saints, sinners, men, and beasts

The aim of this book is to engender Mexican folk art and locate women at its centre by studying the processes of creation, distribution, and consumption, as well as examining iconographic aspects, and elements of class and ethnicity, from the perspective of gender. The author will demonstrate that the topic provides unique insights into Mexican culture, and has enormous relevance within and without the country, given the fact that much folk art is made for the United States and Europe, either in terms of the tourists who buy it on coming to Mexico, or that which is exported.