Folklore From Iowa

This early works is a comprehensive and informative collection of folk-songs and current beliefs in Iowa. Practically all of the material in this collection was gathered during the fall and winter of 1931. Many of the earliest books, particularly those dating back to the 1900's and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Read 24 chilling ghost stories about reportedly true encounters with the supernatural in Iowa. A mysterious ghost communicates by knocking. The spirit of a witch tries to lure children into the basement of an abandoned home. A love triangle ends with three tragic deaths—and one tormented ghost. Iowa is among the most haunted states in America, and this collection of stories presents the creepiest, most surprising of them all. Authors Ruth D. Hein and Vicky L. Hinsenbrock grew up in Iowa. Both developed a fascination for things that go bump in the night. As adults, the professional writers spent countless hours combing the region for the strangest and scariest run-ins with the unexplained. Horror fans and history buffs will delight in these 24 terrifying tales about haunted locations. They’re based on reportedly true accounts, proving that Iowa is the setting for some of the most compelling ghostly tales ever told. The short stories are ideal for quick reading, and they are sure to captivate anyone who enjoys a good scare. Share them with friends around a campfire, or try them alone at home—if you dare.

This state-by-state collection of folksongs describes the history, society, culture, and events characteristic of all fifty states. Unlike all other state folksong collections, this one does not focus on songs collected in the particular states, but rather on songs concerning the life and times of the people of that state. The topics range from the major historical events, such as the Boston Tea Party, the attack on Fort Sumter, and the California Gold Rush, to regionally important events such as disasters and murders, labor problems, occupational songs, ethnic conflicts. Some of the songs will be widely recognized, such as Casey Jones, Marching Through Georgia, or Sweet Betsy from Pike. Others, less familiar, have not been reprinted since their original publication, but deserve to be studied because of what they tell about the people of these United States, their loves, labors, and losses, and their responses to events. The collection is organized by regions, starting with New England and ending with the states bordering the Pacific Ocean, and by states within each region. For each state there are from four to fifteen songs presented, with an average of 10 songs per state. For each song, a full text is reprented, followed by discussion of the song in its historical context. References to available recordings and other versions are given. Folksongs, such as those discussed here, are an important tool for historians and cultural historians because they sample experiences of the past at a different level from that of contemporary newspaper accounts and academic histories. These songs, in a sense, are history writ small. Includes: Away Down East, The Old Granite State, Connecticut, The Virginian Maid's Lament, Carry Me Back to Old Virginny, I'm Going Back to North Carolina, Shut up in Cold Creek Mine, Ain't God Good to Iowa?, Dakota Land, Dear Prairie Home, Cheyenne Boys, I'm off for California, and others.

This classic book offers a lively and penetrating analysis of what the overland journey was really like for midwestern farm families in the mid-1800s. Through the subtle use of contemporary diaries, memoirs, and even folk songs, John Mack Faragher dispels the common stereotypes of male and female roles and reveals the dynamic of pioneer family relationships. This edition includes a new preface in which Faragher looks back on the social context in which he formulated his original thesis and provides a new supplemental bibliography. Praise for the earlier edition: "Faragher has made excellent use of the Overland Trail materials, using them to illuminate the society the emigrants left as well as the one they constructed en route. His study should be important to a wide range of readers, especially those interested in family history, migration and western history, and women's history."--Kathryn Kish Sklar "An enlightening study."--American West "A helpful study which not only illuminates the daily life of rural Americans but which also begins to compensate for the male orientation of so much of western history."--Journal of Social History

Much has been written about the songs gathered in North America in the first half of the 20th century. However, there is scant information on those individuals responsible for gathering these songs. The Ballad Collectors of North America: How Gathering Folksongs Transformed Academic Thought and American Identity fills this gap, documenting the efforts of those who transcribed and recorded North American folk songs. Both biographical and topical, this book chronicles not only the most influential of these "song catchers" but also examines the main schools of thought on the collection process, the leading proponents of those schools, and the projects that they shaped. Contributors also consider the role of technology--especially the phonograph--in the collection efforts. Chapters organized by region cover such areas as Appalachia, the West, and Canada, while others devoted to specialized topics from the cowboy tune and occupational song to the commercialization of folk music through song collections and anthologies. Ballad Collectors investigates the larger role of the ballad in the development of American identity, from the national appreciation of cowboy songs in popular culture to the use of Appalachian song forms in radio broadcasts to the role of dustbowl ballads in the urban folk revival of the 1950s and 1960s. Finally, this collection assesses the changing role of songs and song texts in the academic fields of folklore, anthropology, musicology, and ethnomusicology. Scholars and students of American cultural and social history, as well as fans of North American folk and popular music, will find The Ballad Collectors of North America a fascinating story of how the American folk tradition gained greater visibility, fueling the revolutions that would follow in the writing and performance of American music.