Footbook Of Zombie Walking

A book about despair, climate change, zombie films, multiple apocalypses, the everyday, city-dwelling, zombies, walking and walk-performance, imperialism, sex, zombie literature, refugees, popular culture and zombies.

In this Footbook, Phil Smith (Mytho, Crab Man) extends his critical account of the gentle walking arts to the predatory lurch of the living dead. A keen observer of the zombie mythos for the past 35 years, he draws on the multitude of plots, images and metaphors swarming from movies and comics to describe a groundbreaking way to have presence in everyday life. Invoking slowness, fragmentary consciousness, thickness and thingness, the author describes in strategic theory and a horde of tactics, how to walk from Night to Day and away from the old Dawn into a radical nothingness. Gorehounds will never see the zombie the same way again. Drawing examples from across the spectum of the living dead product, with plenty from its margins, Phil Smith celebrates and berates the zombie; then turns it into a meditation, a manifesto, a dance score and the herald of a social movement. Shambling around the three key principles of Interiority, Carnival and an End to Ends, the Footbook of Zombie Walking is a way back to a vital Life and an art of Living. It is the next step, beyond Mythogeography, to ending media predations, putting subjectivities back on the streets and coming to be present in everday life. The Footbook is a toolkit for anyone who wants to make their every gentle step or crawl an uprising against the apocalypse and a march to real life over the remains of a spectacle. 'When Humanity is fed up, then the living walk the Earth.'

This book traces how The Walking Dead franchise narratively, visually, and rhetorically represents transgressions against heteronormativity and the nuclear family. The introduction argues that The Walking Dead reflects cultural anxiety over threats to the family. Chapter 1 examines the destructive competition created by heteronormativity, such as the conflict between Rick and Shane. Chapter 2 focuses on the actual or attempted participation of characters such as Carol and Negan in queer relationships. Chapter 3 interprets zombies as queer antagonists to heteronormativity, while Chapter 4 explores the incorporation of zombies into the lives of characters such as the Governor and the Whisperers. The conclusion asserts that The Walking Dead presents both queer alternatives to and damaging contradictions within the traditional heterosexual family model, helping to question this model and to consider the struggle of queer American families. Overall, this study holds special interest for students and scholars of queerness, zombies, and the family.

An email conversation between a noted poet.walker and a noted performance.walker about being temporarily prevented from walking "e;normally"e; by illness/surgery. Their reflections cover cultural perceptions and personal values associated with walking, personal anecdotes, philosophical reflection, practices for daily-life and an alphabet of falling.

This practical, accessible and far-reaching guide to making site-specific theatre and performance emphasises the diversity of approaches to the practice, and explores key principles of space and site. Phil Smith draws on a wide range of interdisciplinary and international performance examples, and uses an innovative variety of exercises, to show students and aspiring performance-makers how to find a site and generate a performance beyond the theatre building.

A dark novel set in the 'Lovecraft Villages' of Devon, spanning several thousand years, from the time it was occupied by the Dumnonii, through the 19th century to its more contemporary occupation by holiday park dwellers, marketing professionals, doggers and other romantics.

A poetry pamphlet with one shoreline essay and one riverbank essay

an extraordinary, wide-ranging, funny, clever account of 40 years in the life of the most successful touring theatre company of all time.