For An Audience Of One

The creator of the Unmistakable Creative podcast makes a counterintuitive argument: By focusing your creative work on pleasing yourself, you can increase your productivity, happiness, and (eventually, paradoxically) the size of your audience. Creating for your own pleasure--whether you're writing a novel, composing songs, or painting a landscape--can seem pointless. It's tempting to focus on pursuing money and fame, rather than the process itself. But as Srini Rao warns, creating then turns into a chore that can harm your self-esteem and suck the pleasure out of life, rather than being a source of joy. Rao, host of the podcast The Unmistakable Creative, argues that we should counter this thinking by intentionally creating art for ourselves alone--an audience of one. In this book he shares the fascinating true stories of creatives who took this path, along with actionable tips and the research of creativity experts. You'll learn, for example: • How Oprah's intentional focus on her own work rather than the opinions of everyone else catapulted her into one of the most popular talk shows of all time. • How being process-driven can not only help you produce more work, but can make you happier outside of your creative time. • How to put together a creative "team of rivals" whose feedback can help you hone your craft and filter out useless feedback. By playing to an audience of one, we can find more happiness, increased productivity, and a greater sense of community.

One of the Top 10 Politics and Current Events Books of Fall 2019 (Publishers Weekly) An incisive cultural history that captures a fractious nation through the prism of television and the rattled mind of a celebrity president. Television has entertained America, television has ensorcelled America, and with the election of Donald J. Trump, television has conquered America. In Audience of One, New York Times chief television critic James Poniewozik traces the history of TV and mass media from the Reagan era to today, explaining how a volcanic, camera-hogging antihero merged with America’s most powerful medium to become our forty-fifth president. In the tradition of Neil Postman’s masterpiece Amusing Ourselves to Death, Audience of One shows how American media have shaped American society and politics, by interweaving two crucial stories. The first story follows the evolution of television from the three-network era of the 20th century, which joined millions of Americans in a shared monoculture, into today’s zillion-channel, Internet-atomized universe, which sliced and diced them into fractious, alienated subcultures. The second story is a cultural critique of Donald Trump, the chameleonic celebrity who courted fame, achieved a mind-meld with the media beast, and rode it to ultimate power. Braiding together these disparate threads, Poniewozik combines a cultural history of modern America with a revelatory portrait of the most public American who has ever lived. Reaching back to the 1940s, when Trump and commercial television were born, Poniewozik illustrates how Donald became “a character that wrote itself, a brand mascot that jumped off the cereal box and entered the world, a simulacrum that replaced the thing it represented.” Viscerally attuned to the media, Trump shape-shifted into a boastful tabloid playboy in the 1980s; a self-parodic sitcom fixture in the 1990s; a reality-TV “You’re Fired” machine in the 2000s; and finally, the biggest role of his career, a Fox News–obsessed, Twitter-mad, culture-warring demagogue in the White House. Poniewozik deconstructs the chaotic Age of Trump as the 24-hour TV production that it is, decoding an era when politics has become pop culture, and vice versa. Trenchant and often slyly hilarious, Audience of One is a penetrating and sobering review of the raucous, raging, farcical reality show—performed for the benefit of an insomniac, cable-news-junkie “audience of one”—that we all came to live in, whether we liked it or not.

Seek honor and praise from God and not people. This book will help you to stop being motivated by the approval of others and instead start living for the validation that comes from God alone. Respected author and theologian R. T. Kendall shares a profound revelation of the meaning of John 5:44, the scripture that has guided his life for more than sixty years. Early in his ministry the wise counsel of two mentors brought this scripture to light, and he has determined to live by it ever since. Now he passes on the same wise counsel to his readers. In For an Audience of One, Kendall explores what it means to truly live for Christ alone. Many Christians believe in God and claim that Jesus is their Lord and Savior, but sadly their actions betray them. They are more concerned about the approval of people. They avoid truly following God's leading or taking a bold stand for righteousness if they fear they might lose a friend. Because they are more worried about what people think than what God thinks, they miss out on what God is doing. It's time to learn what a life truly surrendered to God--and God alone--looks like. Readers can live the life He has purposed for them! They can stop being motivated by fear of others and addicted to their approval. For an Audience of One shows readers how to start living for the honor and praise that comes from God alone! Also Available in Spanish ISBN: 978-1-62999-313-3 OTHER BOOKS BY R. T. KENDALL: 40 Days to Total Forgiveness (2019) ISBN: 978-1629996318 More of God (2019) ISBN: 978-1629995847 Popular in Heaven Famous in Hell (2018) ISBN: ​978-1629995519

"Reminiscent of Zadie Smith and Michael Chabon, this "gorgeous, wildly funny and, above all, profoundly moving and humane" (Peter Orner, author of Am I Alone Here) coming-of-age tale follows a young man who is forced to flee his homeland of Rwanda during the Civil War and make sense of his reality"--

Jeremy and Connie Sinnott share insights that they have learned about worship--the unique expression of love from a son and daughter to their Father God. They reveal a new dimension to worship--its passion, intimacy, and love for the Father. (Christian)

Combining historical and biographical research with feminist theory, Carrie Hintz considers Osborne's vision of letter writing, her literary achievement, and her literary influences.

In 1997, Atlanta businessman Os Hillman began writing a daily e-mail devotional featuring 4-minute meditations on faith and work life. For men and women in the workplace, this was just what they needed: practical help in applying their faith to their work life; encouragement to live out their faith; empowerment to be more effective in their jobs; support to become powerful witnesses at work; and examples of others who experienced the presence of God at work. It has since become one of the fastest growing e-mail devotions on line. Now Hillman has written his second book of devotions. TGIF includes 365 all-new daily meditations, plus a bonus topical index to find devotions that relate to specific topics such as motives, handling disappointments, adversity, integrity, finances, decision making and much more. Whether for individual quiet times, Bible study groups or workplace groups, these daily devotions will help men and women fulfill God's call on their lives in the workplace.

Joan Clark’s An Audience of Chairs opens with Moranna MacKenzie living alone in her ancestral Cape Breton farmhouse, waging a war with the symptoms of bipolar disorder and grieving the loss of her two daughters, taken from her over thirty years previously. There are few people remaining in her life, as Moranna cannot help but tax the patience of nearly everyone she encounters. Her long-suffering brother Murdoch has her best interests at heart, though he is fatigued by her enormous needs and pressured by his ambitious wife to invest less time in her. Pastor Andy politely sloughs off the peculiarly intelligent yet unpalatable sermons Moranna pens for him. Her neighbour Lottie knows what it is to be an eccentric and can be counted on to come through in a pinch. The local RCMP constabulary smooths over her legal scrapes. And her lover Bun, who lives with her when not working on the ferries between Cape Breton and Newfoundland, knows how to give her a wide berth on her “foul weather” days. Thanks to the assistance of these sometimes reluctant guardian angels, as well as to the carefully planned inheritance left by her father (not to mention her own sheer ingenuity), Moranna has managed to get by all these years despite small-town gossips and tormenting youths. Through a series of flashbacks, we learn more about the devastating effects of Moranna’ s mental illness on her life and that of her family. But An Audience of Chairs also gives us a glimpse into the mind of a true iconoclast and wild spirit, who has managed despite overwhelming odds to keep hope alive. Of An Audience of Chairs, Quill and Quire said: “Elegantly written and deeply grounded in place, this moving, compassionate novel is far more than a story of mental illness. Moranna’s quest is for peace, joy, and connection–the same yearnings that drive us all.”