For The Nation

From the acclaimed historian and New Yorker writer comes this urgent manifesto on the dilemma of nationalism and the erosion of liberalism in the twenty-first century. At a time of much despair over the future of liberal democracy, Jill Lepore makes a stirring case for the nation in This America, a follow-up to her much-celebrated history of the United States, These Truths. With dangerous forms of nationalism on the rise, Lepore, a Harvard historian and New Yorker staff writer, repudiates nationalism here by explaining its long history—and the history of the idea of the nation itself—while calling for a “new Americanism”: a generous patriotism that requires an honest reckoning with America’s past. Lepore begins her argument with a primer on the origins of nations, explaining how liberalism, the nation-state, and liberal nationalism, developed together. Illiberal nationalism, however, emerged in the United States after the Civil War—resulting in the failure of Reconstruction, the rise of Jim Crow, and the restriction of immigration. Much of American history, Lepore argues, has been a battle between these two forms of nationalism, liberal and illiberal, all the way down to the nation’s latest, bitter struggles over immigration. Defending liberalism, as This America demonstrates, requires making the case for the nation. But American historians largely abandoned that defense in the 1960s when they stopped writing national history. By the 1980s they’d stopped studying the nation-state altogether and embraced globalism instead. “When serious historians abandon the study of the nation,” Lepore tellingly writes, “nationalism doesn’t die. Instead, it eats liberalism.” But liberalism is still in there, Lepore affirms, and This America is an attempt to pull it out. “In a world made up of nations, there is no more powerful way to fight the forces of prejudice, intolerance, and injustice than by a dedication to equality, citizenship, and equal rights, as guaranteed by a nation of laws.” A manifesto for a better nation, and a call for a “new Americanism,” This America reclaims the nation’s future by reclaiming its past.

Widely thought of as the best book Terry Pratchett ever wrote, this is a story of a Nation, a story of a friendship, a story of growing up and the truths we must learn. It is epic in every sense . . . Prepare for the world to be turned upside down . . . For Mau, halfway between boy and man, it happens when a great wave destroys his entire village. For Daphne, it’s when the same wave crashes her ship into the island that was once Mau’s home. Everything they once had is now so far away, lost to distance and time. But when Daphne stops trying to shoot Mau (she did apologise for it), and instead uses a salvaged invitation card to invite him to tea, they discover a new home can be theirs. And then people start arriving on the island – some very good, some very bad. And it’s soon clear that Daphne and Mau must fight for their Nation. Then a discovery is made that will change the entire world forever . . .

The Strength of the Nation is an excerpt from another manuscript, The Angel of the Lord, which will be published soon. Therefore, how do we make our nation great and strong? We do this by entering the same mindset of the prophets of old because the brilliance of discovery and the wisdom, knowledge, and understanding are not our own but of the spiritual power above. Yes, indeed! We need to make America great and strong not only for our own sake but also for the sake of all the nations on Earth. And we need to see ourselves as the beacon of hope for humanity as the founders of this great nation did. From the events of September 11, 2001, we have learned that our international problems cannot be solved exclusively by diplomacy or military interventions. Instead, the major solutions are to be found in the Religious arena. Then we discover that, by closing our Mexican border with a great wall, we offer a safe environment for the Jewish and Arab populations to go back to their root, Abraham, and reconcile after thousands of years of conflict and strife. And the Jewish people in Israel will take it from here, for they will repent for having killed their King, Jesus Yeshua, and prepare for the Second Coming while assembling the Kingdom of the Lord.

This new collection of key authors on nationalism presents the latest thinking on this fundamental aspect of Politics, International Relations and Sociology. John Breuilly, Walker Connor, Steven Grosby, Eric Hobsbawm, Anthony D Smith and Pierre van den Berghe comprehensively explain and address the key contemporary question in nationalism studies of 'when is the nation?' , or what point in a nation's history is it born, with authority and freshness. Our world is still deeply imbedded in the language and practice of nations and nationalism and they remain central parts in understanding human society. This comparison and contrast of the main approaches reveals their strengths and weaknesses. This new text: * introduces the main schools of thought with clarity and concision * tackles the most pertinent questions in nationalism * delivers both theoretical and empirical perspectives * uses an innovative new interactive debate format with questions and answers * presents key case studies bringing theory to life The inclusion of case studies gives the reader fresh insight into specific nations and national groups, including The United States, Greece, England and Fiji. The accessible debate format puts main theories and thinkers to the test, enabling the reader to interact with the issues directly. This unique volume is an invaluable resource for students and scholars of nationalism, ethnicity and global conflict.

The National Assessment of Educational Progress (NAEP), known as the nation's report card, has chronicled students' academic achievement in America for over a quarter of a century. It has been a valued source of information about students' performance, providing the best available trend data on the academic achievement of elementary, middle, and secondary school students in key subject areas. NAEP's prominence and the important need for stable and accurate measures of academic achievement call for evaluation of the program and an analysis of the extent to which its results are reasonable, valid, and informative to the public. This volume of papers considers the use and application of NAEP. It provides technical background to the recently published book, Grading the Nation's Report Card: Evaluating NAEP and Transforming the Assessment of Educational Progress (NRC, 1999), with papers on four key topics: NAEP's assessment development, content validity, design and use, and more broadly, the design of education indicator systems.

The book explores the nexus of intellectual activity and nation-building from a critical discourse-analytical perspective. By examining how public intellectuals from Serbia, Croatia, and Bosnia and Herzegovina commented on key national events in editorials and opinion pieces, it offers unique insights into contemporary nation-building discourses in an enlarging Europe. Through a detailed reconstruction of the debates concerning the selected events, the book also provides fresh empirical evidence of the implications and challenges of post-socialist transition, post-conflict reconciliation, democratisation and European integration in the post-Yugoslav region. Its versatile framework, which innovatively combines sociological and linguistic approaches to the discursive positioning of intellectuals, may be readily applied to the analysis of intellectual engagement with current affairs and public life in general.

George Washington was an affluent slave owner who believed that republicanism and social hierarchy were vital to the young country’s survival. And yet, he remains largely free of the “elitist” label affixed to his contemporaries, as Washington evolved in public memory during the nineteenth century into a man of the common people, the father of democracy. This memory, we learn in The Property of the Nation, was a deliberately constructed image, shaped and reshaped over time, generally in service of one cause or another. Matthew R. Costello traces this process through the story of Washington’s tomb, whose history and popularity reflect the building of a memory of America’s first president—of, by, and for the American people. Washington’s resting place at his beloved Mount Vernon estate was at times as contested as his iconic image; and in Costello’s telling, the many attempts to move the first president’s bodily remains offer greater insight to the issue of memory and hero worship in early America. While describing the efforts of politicians, business owners, artists, and storytellers to define, influence, and profit from the memory of Washington at Mount Vernon, this book’s main focus is the memory-making process that took place among American citizens. As public access to the tomb increased over time, more and more ordinary Americans were drawn to Mount Vernon, and their participation in this nationalistic ritual helped further democratize Washington in the popular imagination. Shifting our attention from official days of commemoration and publicly orchestrated events to spontaneous visits by citizens, Costello’s book clearly demonstrates in compelling detail how the memory of George Washington slowly but surely became The Property of the Nation.

A provocative and bracing send-up of modern masculinity, from the author of Class and The Story of My Purity Marcello, an editor and poet, is on the brink of his forties. Like everyone in his life, including his sister-in-law, he’s writing a novel. This novel. This novel will be about women. Love. Growing older. Maybe even taking responsibility. But unfortunately for Marcello, the women in his life resist definition. They flit and flicker constantly between archetype and actuality: sirens and saviors, subordinates and savants, vixens and villains. So Marcello cannot write plainly about love. Instead, he tries to write into the complexities of his many relationships: Eleonora, the junior editor, his former protegeé and sometime lover; Barbara, his claustrophobic girlfriend; his estranged gay sister; his elegant mother. Fresh, frank, and painfully cool, Francesco Pacifico’s The Women I Love dives nakedly into gender, sex, and power. Set in a vivid and alcoholic Italy, it acknowledges and subverts the narrow ways canonical male writers gaze at, and somehow fail to see, women—illuminating the possibility of equity between people in love, in bed, in work, and in life.