Forbidden Passages

Forbidden Passages is the first book to document and evaluate the impact of Moriscos—Christian converts from Islam—in the early modern Americas, and how their presence challenged notions of what it meant to be Spanish as the Atlantic empire expanded.

A collection of excerpts from significant publications seized at the Canadian border as sexually degrading, obscene, or politically suspect. Contains writing by authors such as bell hooks and Susie Bright, and works from publications including Hothead Paisan: Homicidal Lesbian Terrorist #7 and On Our Backs, plus images from a Tom of Finland retrospective. Introductory chapters explain the background of recent Canadian censorship and detail individual cases. Includes bandw illustrations. No index. Annotation copyright by Book News, Inc., Portland, OR

This book combines archival and rare book research with a case study of the fiction of Baltasar Gracián to investigate the degree to which the Spanish elite circumvented Inquisitorial and state publication controls in early modern Spain.

Derek's brother Ronny isn't himself. No really. Ronny's body has been taken over by the long-dead soul of a man named Virgil Black. Lucky for him, Virgil is one of the good guys. Not all of them are.

Seventeen-year-old Alex Jackson comes home from school to find that his father, a CBC news cameraman, wants to take him to China's capital, Beijing. Once there, Alex finds himself on his own in Tian An Men Square as desperate students fight the Chinese army for their freedom. Separated from his father and carrying illegal videotapes, Alex must trust the students to help him escape. Closely based on eyewitness accounts of the massacre in Beijing, Forbidden City is a powerful and frightening story.

In the beginning was the night. All light, shapes, language, and subjective consciousness, as well as the world and art depicting them, emerged from this formless chaos. In fantasy, we seek to return to this original darkness. Particularly in literature, visual representations, and film, the night resiliently resurfaces from the margins of the knowable, acting as a stage and state of mind in which exceptional perceptions, discoveries, and decisions play out. Elisabeth Bronfen follows nocturnal spaces in which extraordinary events unfold, enabling the irrational exploration of desire, transformation, ecstasy, transgression, spiritual illumination, and moral choice. She begins with classical myths depicting the creation of the world and moves through nocturnal scenes in Shakespeare and Milton, Gothic figurations, Hegel's romantic philosophy, and Freud's psychoanalysis. In modern times, she shows how literature and film, particularly film noir, transmit that piece of night the modern subject carries within. From Mozart's "Queen of the Night" to Virginia Woolf 's oscillation between day and night, life and death, and chaos and aesthetic form, Bronfen renders something visible, conceivable, and tellable from the dark realms of the unknown.