Foreign Women Women In Foreign Lands

The volume presents a collection of papers read during three workshops held in Leipzig (2016), Jerusalem (2017), and Vienna (2018). International scholars from different disciplines and methodological approaches explored gender-specific constructions of foreignness/strangeness in the Old Testament, Egypt, and Mesopotamia from their particular perspectives. They showed that when combined, strangeness/foreignness and gender can take on very different forms. Various processes of the "othering" of women are of importance, which differ from the "othering" of men. The contributions investigate specific questions, individual female figures and individual phenomena as model cases. The basic question was when, where, how and for what purpose the categories of foreignness and gender were connected and activated in literary tradition. The collection is a preliminary and basic work for further study of gender-specific concepts of foreignness/strangeness in the ancient Mediterranean cultures of the first millennium BCE.

The volume presents a collection of papers read during three workshops held in Leipzig (2016), Jerusalem (2017), and Vienna (2018). International scholars from different disciplines and methodological approaches explored gender-specific constructions of foreignness/strangeness in the Old Testament, Egypt, and Mesopotamia from their particular perspectives. They showed that when combined, strangeness/foreignness and gender can take on very different forms. Various processes of the "othering" of women are of importance, which differ from the "othering" of men. The contributions investigate specific questions, individual female figures and individual phenomena as model cases. The basic question was when, where, how and for what purpose the categories of foreignness and gender were connected and activated in literary tradition. The collection is a preliminary and basic work for further study of gender-specific concepts of foreignness/strangeness in the ancient Mediterranean cultures of the first millennium BCE.

This compelling work tells the stories of women who dedicated their lives to missionary work in foreign lands. From the challenges they faced in a new cultural context to the relationships they formed with the communities they served, these stories shed light on the power of faith and compassion to bring about lasting change. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Danger and Romance in Foreign Lands (HB) By: Stephen E. Eisenbraun To see the world, to report political intrigue and corruption abroad, to take the gifts of white privilege and freedom as an American citizen and do something worthwhile—these are the ambitions of Scott Higgins, a young American foreign correspondent in South Asia who becomes caught up in dramatic political events in Bangladesh and Pakistan in the 1970s. It is in India that he also makes an unexpected connection with Rakhi, a smart, savvy, and sultry woman who is also a banking professional. Together Scott and Rakhi move to Nairobi, where, even as newlyweds, their lives and welfare are seriously threatened in the exotic country of Kenya. Later, after an extravagant honeymoon in Paris, their last assignment is in London, where Rakhi’s career blossoms, but not without its severe troubles.

Galpin's memoir of her travels abroad is a fascinating look into the life of a woman adventurer in the early 20th century. The book covers Galpin's travels throughout Europe, Asia, and Africa, with vivid descriptions of the people and places she encountered along the way. Galpin's writing is engaging and lively, transporting the reader to the far corners of the world. A must-read for anyone interested in travel, history, or women's stories. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

While England has been strengthened by a proud isolationism, she has simultaneously been enriched by the economic, social, and political complexities that have emerged as people of different ethnic and cultural backgrounds have moved within her borders, or when her own citizens have emigrated among those foreigners to live or rule. This book explores the foreign element in English culture and the attempt by English writers from the early 19th to the mid 20th century to portray their complex and often ambiguous responses to that doubly foreign element among them: the foreign woman. While being foreign may begin with national or ethnic difference, the contributors to this book expand it to include other forms of alienation from a dominant culture, resulting from gender, race, class, ideology, or temperament. The many factors shaping English national identity—including British imperialism, immigration patterns, English family and social structures, and English common law—have been shaped by gender-related issues. Though not a prominent literary figure, the foreign woman in England has received increasingly critical attention in recent years as a psychological and sociological phenomenon. By beginning with Byron in the early 19th century and concluding with Lawrence Durrell in the 20th century, this study contributes to a more comprehensive vision of the foreign woman as she is portrayed by a number of British authors, including Shelley, Wordsworth, Charlotte Bronté, Elizabeth Barrett Browning, Wilkie Collins, George Eliot, Joseph Conrad, D. H. Lawrence, and Anita Brookner.

How did British colonists in Victorian Montreal come to think of themselves as “native Canadian”? This richly illustrated work reveals that colonists adopted, then appropriated, Aboriginal and French Canadian activities such as hunting, lacrosse, snowshoeing, and tobogganing. In the process, they constructed visual icons that were recognized at home and abroad as distinctly “Canadian.” This new Canadian nationality mimicked indigenous characteristics but ultimately rejected indigenous players, and championed the interests of white, middle-class, Protestant males who used their newly acquired identity to dominate the political realm. English Canadian identity was not formed solely by emulating what was British; this book shows that it gained ground by usurping what was indigenous in a foreign land.

An anthology of personal writings in which twenty-nine women who have lived in Turkey over the last forty years chronicle their experiences and share their impressions of the country.