Forgotten Games Of The Old West

Faro and Monte were the most popular gambling games of the Old West. Today, most of us have no idea about Faro and Monte. Why? Whenever a gambling game is depicted in a western saloon it is Poker - whether it's television, movies, or novels we are led to believe that there were no other games, other than Poker. Why is that? Because it's easy to see a player with a full house of aces and eights is probably going to win the pot sitting on the table in front of him. We look through the blinders of our currant vision of gambling (which does not offer Faro and Monte.) What were these forgotten games, how they were played, why were they so popular, and why aren't they played in casinos today? This is the true story of Faro and Monte - readers will come to know the real story behind the games that ruled the gambling saloons of the Old West.

Gambling played a major role in the lives of the men that drove the western movement of Americans across the continent during the nineteenth century. Games of chance were dear to the hearts of not only cowboys but also gold miners, plantation owners, bankers, merchants, soldiers, trappers, buffalo hunters, muleskinners, and most of the other men of the American West, even including some preachers. Wherever there were men with money there was gambling – and most of it was crooked. Whether it was rigged, fixed, double-dealt, cold-decked, braced or otherwise manipulated - very little was left to luck and skill. Though there were some gamblers who were known as "on-the-square" or "legitimate", if that word can be used when referring to the players of the day, most used some form of "advantage" to win much more often than they lost. Some were not gamblers at all but mere con men skinning suckers as fast as they could find them. With this in mind, exactly what were the casino games of chance played during the wild days of the West, what were the rules, and how were they played? Who were the major players and where did they ply their trade? How did they employ "tricks" to cheat the other players without being detected? Why did most of the games of the western frontier pass into oblivion and why are these same games not played in gambling casinos today? Though most of us think we have a fairly good running knowledge of Old West gambling, largely provided by the westerns of television and movies, this book takes a closer look at this integral facet of our history that provokes both condemnation and revelry. Whether it was a game of poker played on a blanket or a faro bet placed in an elegant saloon, it is a safe bet to say that gambling fulfilled one of the basic needs of the early frontiersman – liquor, lust, and luck. Most settlements started with a small clump of buildings (quite often little more than tents) that usually included a general mercantile store, a livery stable or wagon yard, and a saloon. Then as the settlement grew, a few more business sprung up and more often than not additional saloons crowded in to provide the major form of entertainment available to the men of that era – games of chance. Unlike today with the plethora of entertainment choices provided by television, movies, computers and other technological devices, the frontiersman had very few choices as a diversion from his everyday toils. Most often, he was reduced to reading a book, chatting with friends, or playing a game. Books were often hard to come by and any game worth playing was worth wagering. As western saloons evolved, a typical layout usually followed along these lines: an entrance foyer, the bar area with maybe a few card tables and billiards tables in the back. Traditionally, saloons were housed in a building that was longer than it was wide, with an overhanging awning covering the front entrance. Contrary to most of our movie images of saloons, they quite often did not have bat-wing doors; instead, one or more standard wooden doors with glass panels provided access from the street. Once inside the door, customers usually saw a long bar running down the right wall. The bar was usually a massive work of oak with a brass rail that provided a foot prop while standing for a drink. Here and there, a few spittoons enabled tobacco chewers to deposit their chaws before downing a shot of redeye. To the left were a few card tables and chairs strictly meant for gambling – all drinking was done standing up. When you could not manage the upright position any longer, you were told that you had had enough and go sleep it off. Over time, a class distinction developed among saloons in which there were "low dives" and "first class saloons" Gamblers were interested in the upscale saloons while conmen and sharps operated in the "skin houses" where drunks were sometimes allowed to sleep on the floor after having their pockets cleaned out. Usually the mark of a better saloon was the addition of gambling rooms to the rear or a gambling hall located in a second story above the saloon. This accommodated the serious gamblers where large amounts of cash exchanged hands over the green cloth tables. As it evolved, saloon owners offered someone, usually a noted gambler, the gambling concession - with the saloon getting a percentage of the take. The better the location, the more well-heeled the customers, and the professional expertise of an efficient gambling operation could mean sizeable profits for the owner. Besides location, reputation was everything in the saloon business. From the Mississippi River to the Barbary Coast of California one saloon tried to top the others with what they offered and who gambled there. Big name gamblers drew a crowd and this translated into bigger profits from liquor sales and gambling. Wyatt Earp, Bat Masterson, Doc Holliday, Luke Short, Ben Thompson, Swiftwater Bill Gates, Dick Clark, Rowdy Joe Lowe, and the rest of the old west's gambling superstars ran the gaming operations in most of the better saloons of the era. This book is the first volume of the Hip-Pocket History of the Old West (Series) providing a compact, concise accounts that cover odd or little-known facets of the American West. Historically accurate, but told in an easy to read format, with just a twist of humor. Informative, yet entertaining, the Hip-Pocket History series provides little nuggets without having to wade through a 400-page book of dry academic ostentatiousness.

Most of the gamblers of the Old West got their start and reputations by working the circuit of the Mississippi River boats, the railhead cattle towns of Kansas, or the boomtowns that popped up around gold or silver mining. The gunfighter Ben Thompson got his start by running the Bull's Head Saloon with partner Phil Coe in Ellsworth, Kansas. Ben's friend, Bat Masterson, also started his career in the cattle towns of Texas and Kansas. In general, these legendary gamblers were known as "legitimate" or that they played a fair game without cheating. Truth be told, all of them knew the methods employed by the "sharps" to clean the pockets of the other players at the table. They had to know these "tricks" in order to spot a cheater at their table. Did they ever use any of these advantages to increase their odds? Probably so, but the public's perception of these men was that they ran a "square game". Hip-Pocket History of the Old West (Series) This compact book that gives concise accounts of odd or little-known facets of the American West. Historically accurate, but told in an easy-to-read format, with just a twist of humor. Informative, yet entertaining, the Hip-Pocket History series provides little nuggets without having to wade through a 400-page book of dry academic ostentatiousness.

This book details the author's experiences as co-founder of West Perth Football Club's unofficial cheer squad from 1984 to 1986. The book describes ?traditional?, ?hot? support for West Perth Football Club among teenaged supporters from middle-class and working-class backgrounds. The author shows how, because of neo-liberal ideologies and the corporatization of football, the new national league (the ?expanded VFL? / AFL) relegated the WAFL to a second-tier league in 1987. This move took place over the heads of ordinary football supporters and two WAFL club presidents. Moves to bring the game closer to the people in 1984, such as holding the best-and-fairest award count night at Perth Entertainment Centre, should be seen in this light. This book will allow supporters to relive great teams, great players, and great matches from a wonderful era in WA football 1984-86 before West Coast Eagles joined the expanded VFL/AFL.

This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Contents: Introduction Story of the Cowboy Story of the Outlaw Novels & Stories Riders of the Purple Sage Saga (Zane Grey) Ohio River Trilogy Dan Barry Series (Max Brand) The Virginian (Owen Wister) Lin McLean Leatherstocking Series (James F. Cooper) Flying U Series (B. M. Bower) Cabin Fever Rimrock Trail (J. Allan Dunn) Breckinridge Elkins Series (Robert E. Howard) In a Hollow of the Hills (Bret Harte) Roughing It (Mark Twain) Outcasts of Poker Flat Call of the Wild (Jack London) Heart of the West (O. Henry) White Fang Wolf Hunters (James Oliver Curwood) Gold Hunters Last of the Plainsmen Border Legion Smoke Bellew Country Beyond Lone Star Ranger Ronicky Doone Trilogy Riders of the Silences Three Partners Man of the Forest Lure of the Dim Trails Tennessee's Partner Covered Wagon (Emerson Hough) Luck of Roaring Camp Rustlers of Pecos County Pike Bearfield Series O Pioneers! (Willa Cather) My Ántonia Log of a Cowboy (Andy Adams) Two-Gun Man (Charles Alden Seltzer) Short Cut (Jackson Gregory) Astoria (Washington Irving) Ungava (R.M. Ballantyne) Valley of Silent Men Black Jack Whispering Smith (Frank H. Spearman) A Texas Cow Boy (Charles Siringo) Trail Horde Golden Dream (Ballantyne) Blue Hotel (Stephen Crane) Long Shadow Girl from Montana (Grace Livingston Hill) Hidden Children (Robert W. Chambers) Where the Trail Divides Desert Trail (Dane Coolidge) Bride Comes to Yellow Sky Hidden Water...

The American West used to be a story of gunfights, glory, wagon trails, and linear progress. Historians such as Frederick Jackson Turner and Hollywood movies such as Stagecoach (1939) and Shane (1953) cast the trans-Mississippi region as a frontier of epic proportions where 'savagery' met 'civilization' and boys became men.During the late 1980s, this old way of seeing the West came under heavy fire. Scholars such as Patricia Nelson Limerick and Richard White forged a fresh story of the region, a new vision of the West, based around the conquest of peoples and landscapes.This book explores the bipolar world of Turner's Old West and Limerick's New West and reveals the values and ambiguities associated with both historical traditions. Sections on Lewis and Clark, the frontier and the cowboy sit alongside work on Indian genocide and women's trail diaries. Images of the region as seen through the arcade Western, Hollywood film and Disney theme parks confirm the West as a symbolic and contested landscape.Tapping into popular fascination with the Cowboy, Hollywood movies, the Indian Wars, and Custer's Last Stand, the authors show the reader how to deconstruct the imagery and reality surrounding Western history.Key Features*Uses popular subjects (the Cowboy, Hollywood westerns, the Indian Wars, and Custer's Last Stand) to enliven the text*Includes 13 b+w illustrations*Interdisciplinary approach covers film, literature, art and historical artefacts

More than a history of Western movies, The American West on Film intertwines film history, the history of the American West, and American social history into one unique volume. The American West on Film chronicles 12 Hollywood motion pictures that are set in the post–Civil War American West, including The Ox-Bow Incident, Red River, High Noon, The Searchers, The Magnificent Seven, Little Big Man, and Tombstone. Each film overview summarizes the movie's plot, details how the film came to be made, the critical and box-office reactions upon its release, and the history of the time period or actual event. This is followed by a comparison and contrast of the filmmakers' version of history with the facts, as well as an analysis of the film's significance, then and now. Relying on contemporary accounts and historical analysis as well as perspectives from filmmakers, historians, and critics, the author describes what it took to get each movie made and how close to the historical truth the movie actually got. Readers will come away with a better understanding of how movies often reflect the time in which they were made, and how Westerns can offer provocative social commentary hidden beneath old-fashioned "shoot-em-ups."