Forgotten Movie Stars Of The 30 S 40 S And 50 S

This book provides information on 25 leading motion picture stars of the 1930's, 40's, and 50's who were relatively big stars in their heyday but are virtually unknown today to anyone under the age of 45. The book provides a biography, awards received, and a review of 4-8 of the best films of each star. Tyrone Power and Barbara Stanwyck are two of the 25 stars in the book.

In two past books that I have written, I focused on Forgotten Stars of the 1930s through the 1950s; that is stars who were pretty big movie stars in their time but that most people today would not be familiar with unless they were fans of classic Hollywood films of that era. I have also written books on great Western stars and on good and bad science fiction movies of the 1950s. In this book, however, I am concentrating on my favorite 100 movies of the 1930s, 1940s, and 1950s. I have focused on American films only, with a few British films included also. (I am not an expert on foreign language films, so there are none in here.) Please note that this means that they are MY favorite films, not the BEST films of those three decades. For example, Citizen Kane (along with Casablanca) are generally regarded as the best two American films of the classic era. However, while I like Citizen Kane, it is just not one of my favorite films, and I'm not really sure why. Perhaps I never thought it really justified its ranking, so I dropped it from my list altogether. The same thing would apply to Vertigo, although I have two other Hitchcock films in the list. I will also admit that I am partial to certain genres of films, in particular the following: -Westerns-Film noir-Monster movies-Horror movies -Mysteries, particular those of Alfred Hitchcock-Swashbucklers-musicals

With no formal training as an actor, Welsh-born Ray Milland (1907-1986), a former trooper in the British Army's Household Cavalry, enjoyed a half-century career working alongside some of the great directors and stars from the Golden Age of cinema. He won the Academy Award for Best Actor for his performance as the alcoholic writer in The Lost Weekend (1945), a defining moment that enabled him to break free from romantic leads and explore darker shades of his debonair demeanor, such as the veiled menace of his scheming husband in Hitchcock's Dial M For Murder (1954). A consummate professional with wide range, Milland took the directorial reins in several of his starring vehicles in the 1950s, most notably in the intelligent Western A Man Alone (1955). He comfortably slipped into most genres, from romantic comedy to adventure to film noir. Later he turned to science fiction and horror movies, including two with cult filmmaker Roger Corman. This first complete filmography covers the actor's screen career, with a concise introductory biography and an appendix listing his extensive radio and television credits.

Bette Davis as a madam. Orson Welles hosting The Twilight Zone. Mae West voicing a cartoon character. Shirley Temple playing a social worker. While Hollywood stars like Lucille Ball, Loretta Young and Donna Reed successfully transitioned to television in its early days, many others tried and failed to become TV regulars. Drawing on contemporary interviews and other sources, this book profiles more than 50 actors--including Joan Crawford, Barbara Stanwyck, Gary Cooper, Alan Ladd and Buster Keaton--and their unsuccessful pilots and short-lived series roles.

My previous books on Forgotten Movie Stars of the 1930s through 1950s have focused on the leading men and women of that era. While those individuals are pretty much the movie stars that we remember, their films would have gone nowhere without the contributions of supporting actors and actresses who made their movies great. After all, what would Casablanca have been without Claude Rains? The Manchurian Candidate without Angela Lansbury? The leading ladies and leading men could get by with their good looks, charisma, and not always great acting ability. On the other hand, supporting actors and actresses HAD to know how to act. And so, this book is a tribute to some of the greatest supporting actors of the classic film era in Hollywood from the 1930s through 1950s. Again, as in all my books, the people selected are based on my personal preferences. There are some people who probably should be in the book - Beulah Bondi comes to mine - but I just have not seen enough of her films to include her. You, the reader, may agree with some and disagree with others. That is your prerogative. I also never make a claim to have seen every film or actors from that era, but these are just the folks that have appealed to me. For each of these individuals, I have included some biographical information, including how they got their start in films: my favorite films of each individual; and other interesting notes about the person.

From outlaw biker and bodyguard for Evel Knievel to sailing on the Flagship for Green Peace that had no engine and used kerosene running lights. Experience a hurricane in Cabo San Lucas where 27 boats went up on the beach. Then sail across the pacific with nothing but a sextant, make an 800 mile error and then end up arriving as a volcano is erupting! By the author and creator of Latitudes & Attitudes, Cruising Outpost, Biker Lifestyle and Tattoo Magazines. This is Bob's 8th book, and it's all, true (well, how he remembers it anyway!) Sail thru miles of man o war jellyfish, and then see what happens when you wrap a fishing net on your prop in 40° water! See why a man had to be tied to the mast entering San Francisco Bay, and see how to move from boat to boat, until ending up with that just right boat. Includes BB's 10 Rules for Happy Cruising. See how to stop dreaming your life, and start living your dreams!

While there has been a significant outpouring of scholarship on Steven Spielberg over the past decade, his films are still frequently discussed as being paternalistic, escapist, and reliant on uncomplicated emotions and complicated special effects. Even those who view his work favorably often see it as essentially optimistic, reassuring, and conservative. James Kendrick takes an alternate view of Spielberg's cinema and proposes that his films-even the most popular ones that seem to trade in easy answers and comforting, reassuring notions of cohesion and narrative resolution-are significantly darker and more emotionally and ideologically complex than they are routinely given credit for. Darkness in the Bliss-Out demonstrates, through close analysis of a wide range of Spielberg's films, that they are only reassuring on the surface, and that their depths embody a complex and sometimes contradictory view of the human condition.