Memorable Supporting Actors And Actresses From The 1930s To 1950s

My previous books on Forgotten Movie Stars of the 1930s through 1950s have focused on the leading men and women of that era. While those individuals are pretty much the movie stars that we remember, their films would have gone nowhere without the contributions of supporting actors and actresses who made their movies great. After all, what would Casablanca have been without Claude Rains? The Manchurian Candidate without Angela Lansbury? The leading ladies and leading men could get by with their good looks, charisma, and not always great acting ability. On the other hand, supporting actors and actresses HAD to know how to act. And so, this book is a tribute to some of the greatest supporting actors of the classic film era in Hollywood from the 1930s through 1950s. Again, as in all my books, the people selected are based on my personal preferences. There are some people who probably should be in the book - Beulah Bondi comes to mine - but I just have not seen enough of her films to include her. You, the reader, may agree with some and disagree with others. That is your prerogative. I also never make a claim to have seen every film or actors from that era, but these are just the folks that have appealed to me. For each of these individuals, I have included some biographical information, including how they got their start in films: my favorite films of each individual; and other interesting notes about the person.

A study of supporting character actors and actresses in the American motion picture, 1930-1955.

Discover the diverse ways aging women attempt to deal with the universal challenges of loss, sickness, and death along with the problems of being old women in a society that values women mainly as sexual partners or producers of children. Old women are often seen as poor, powerless, and pitiful in our sexist and youth-oriented society. The truth is that women age much more successfully than do men and they are increasingly in the majority as our population ages. These truths and others are presented in Faces of Women and Aging--a collection written by women, a number of whom are themselves older women who bring their unique life experiences and personalities to the topic. This uplifting book emphasizes that middle and old age are merely stages of growth and development, not just seasons of loss and decline as the end approaches. A wealth of topics are covered in Faces of Women and Aging that broaden the reader’s awareness of the problems of women and aging including: how to maintain self-esteem in the face of sexism, ageism, and severe illness the problems of being single or divorced in the later years the problems of maintaining a good body image for older women in a society which values the young and the beautiful the additional difficulties of minority women, specifically lesbians and native American women increased dependency brought on by illness and loss of partners Faces of Women and Aging combines personal narratives that serve as reminders of the human beings behind statistics and case studies with theoretical observations which help therapists assist older women cope with the daily hardships as well as the more catastrophic problems of aging.

Shirley Temple, Clark Gable, Errol Flynn and Olivia de Havilland, Fred Astaire and Ginger Rogers, Bette Davis, Joan Crawford and Norma Shearer, Marlene Dietrich and Greta Garbo, William Powell and Myrna Loy, Jean Harlow, and Gary Cooper-Glamour in a Golden Age presents original essays from eminent film scholars that analyze movie stars of the 1930s against the background of contemporary American cultural history. Stardom is approached as an effect of, and influence on, the particular historical and industrial contexts that enabled these actors and actresses to be discovered, featured in films, publicized, and to become recognized and admired-sometimes even notorious-parts of the cultural landscape. Using archival and popular material, including fan and mass market magazines, other promotional and publicity material, and of course films themselves, contributors also discuss other artists who were incredibly popular at the time, among them Ann Harding, Ruth Chatterton, Nancy Carroll, Kay Francis, and Constance Bennett.

The Facts On File Guide to Research is a comprehensive guide to doing thorough and accurate research. It includes a detailed listing of available resources and explains general research methods and proper citation of sources. An invaluable reference, this book helps researchers make use of the many new resources available today. Divided into four sections, this easy-to-use guide helps students and general readers prepare for research papers and class studies. Step-by-step guides, detailed explanations, and valuable appendixes covering style guides, such as APA. MLA, and The Chicago Manual of Style, combine to create an incredibly authoritative accessible reference.

Although relatively small, the northern countries of Scandinavia have made a disproportionately large contribution to world cinema. Indeed, some of their films are among the best known of all times, including The Seventh Seal, Dancer in the Dark, and The Girl with the Dragon Tattoo. And Scandinavian directors are also among the best known, just to mention Ingmar Bergman and Lars von Trier. But there is much more to the cinema of Denmark, Norway, Sweden, Finland and Iceland than that, and this book shows us what they have been accomplishing over more than a century from the beginnings of cinema until the present. The Historical Dictionary of Scandinavian Cinema shows just how long and busy this history has been in the chronology, starting in 1896. The introduction then describes the situation in each one of the component countries, all of which approached and developed the field in a similar but also slightly different manner. The dictionary section, with over 400 substantial entries, looks at the situation in greater detail, with over 400 substantial entries on major actors, directors and others, significant films, various genres and themes, and subjects such as animation, ethnicity, migration and censorship. Given its contribution to world cinema it is good to finally have an encyclopedia like this which can meet the interests of the scholar and researcher but also the movie fan.

This work is a compilation of interviews with 19 film actors, directors, and producers who were all part of the studio system that made Hollywood such a powerful and illustrious city in the era of the 1950s. Each of the celebrities interviewed for this work have made lasting contributions to the film industry, and some of them continue to do so. Pat Boone, Jeff Corey, Kathryn Grayson, Beverly Garland, Samuel Goldwyn, Jr., Jane Greer, Stanley Kramer, Janet Leigh, Joan Leslie, Sheree North, Janis Paige, Luise Rainer, Paula Raymond, John Saxon, Vincent Sherman, Robert Wise, Jane Withers, Jane Wyatt and Fred Zinnemann speak candidly about their work and experiences in Hollywood and share many of their memories. Each interview is followed by a complete filmography for each film that the actor, director, or producer was a part of, giving such information as the U.S. distributor, year of release, director, producer, screenwriter, editor, composer, running time, and cast for each film.

"During the golden age of American cinema, the character actor’s contribution often goes unacknowledged or, though perhaps not forgotten, underappreciated; the unsung heroes. Hollywood studios had large stables of contract and stock players from all walks of life and in all shapes, sizes and ages. This great population of personalities formed the league of character actors. They played the sidekicks and best friends of the stars who headlined the movies in which they appeared. They also portrayed parents, grandparents, oddball relatives, wise-cracking neighbors, smart-aleck store clerks and loveable barkeeps. Lest we forget the sinister side of this society, villains also claimed a stake in this assembly of saints, sinners and every type in between. These colorful personalities were usually one-dimensional, someone to whom the star could confide secrets or vent frustrations. In many cases they carried the same persona over from one film to the next, perfecting their stereotype so that audiences knew what to expect from them in a positive and affectionate way, collecting their beloved favorites over the years. The Name Below the Title features 20 of the best and most fun examples of the Hollywood character actor during Hollywood's most famous era from the 1930s through the 1950s"--Amazon.com.