Forms Of Faith In Sixteenth Century Italy

The sixteenth century was a period of tumultuous religious change in Italy as in Europe as a whole, a period when movements for both reform and counter-reform reflected and affected shifting religious sensibilities. Cinquecento culture was profoundly shaped by these religious currents, from the reform poetry of the 1530s and early 1540s, to the efforts of Tridentine theologians later in the century to renew Catholic orthodoxy across cultural life. This interdisciplinary volume offers a carefully balanced collection of essays by leading international scholars in the fields of Italian Renaissance literature, music, history and history of art, addressing the fertile question of the relationship between religious change and shifting cultural forms in sixteenth-century Italy. The contributors to this volume are throughout concerned to demonstrate how a full understanding of Cinquecento religious culture might be found as much in the details of the relationship between cultural and religious developments, as in any grand narrative of the period. The essays range from the art of Cosimo I's Florence, to the music of the Confraternities of Rome; from the private circulation of religious literature in manuscript form, to the public performances of musical laude in Florence and Tuscany; from the art of Titian and Tintoretto to the religious poetry of Vittoria Colonna and Torquato Tasso. The volume speaks of a Cinquecento in which religious culture was not always at ease with itself and the broader changes around it, but was nonetheless vibrant and plural. Taken together, this new and ground-breaking research makes a major contribution to the development of a more nuanced understanding of cultural responses to a crucial period of reform and counter-reform, both within Italy and beyond.

Reforms of Christian Life presents a new narrative of the role of the Barnabites and Angelics, the Ursulines and the Somascans (founded in Northern Italy in the 1530s by Battista da Crema, Angela Merici, and Girolamo Miani) within sixteenth-century Italian reform movements. While historiography has considered these companies under the category of ‘Catholic Reformation,’ this book argues that they promoted an ‘unconventional’ view of perfection and of the Church that was alternative to both Roman Catholicism and Lutheranism and through which they wanted to reform society, rather than the ecclesiastical institution. By highlighting the complex articulation of perceptions of ‘Christian life,’ and by exploring neglected connections among devout milieus, Mazzonis considers the sodalities in continuity with a fifteenth-century ascetic-mystical current and in relation to contemporary institutes such as the Jesuits and the Oratorians, irenic reforming circles like that of Juan de Valdés, and post-Tridentine ecclesiastical reformers including Charles Borromeo. This volume shows that reforming trends were more varied and fluid than previously thought and contributes to cultural and gender analyses of the religious mentality of the period. Reforms of Christian Life is a useful tool for students and scholars of medieval and early modern religious and cultural history.

Reprint of the original, first published in 1842.

Focusing on artists and architectural complexes which until now have eluded scholarly attention in English-language publications, Apostolic Iconography and Florentine Confraternities in the Age of Reform examines through their art programs three different confraternal organizations in Florence at a crucial moment in their histories. Each of the organizations that forms the basis for this study oversaw renovations that included decorative programs centered on the apostles. At the complex of Ges? Pellegrino a fresco cycle represents the apostles in their roles as Christ?s disciples and proselytizers. At the oratory of the company of Santissima Annunziata a series of frescoes shows their martyrdoms, the terrible price the apostles paid for their mission and their faith. At the oratory of San Giovanni Battista detta dello Scalzo a sculptural program of the apostles stood as an example to each confratello of how Christian piety had its roots in collective effort. Douglas Dow shows that the emphasis on the apostles within these corporate groups demonstrates how the organizations adapted existing iconography to their own purposes. He argues that their willful engagement with apostolic themes reveals the complex interaction between these organizations and the church?s program of reform.

Holiness Pope Paul III, 1537 -- The Benefieio di Christo, 1543 -- A treatise concerning baptism and the Lord's Supper, ca. 1547 / Camillo Renato.

Leading scholars from Italy and the United States offer a fresh and nuanced image of the religious reform movements on the Italian peninsula in the sixteenth and seventeenth centuries. United in their conviction that religious ideas can only be fully understood in relation to the particular social, cultural, and political contexts in which they develop, these scholars explore a wide range of protagonists from popes, bishops, and inquisitors to humanists and merchants, to artists, jewelers, and nuns. What emerges is a story of negotiations, mediations, compromises, and of shifting boundaries between heresy and orthodoxy. This book is essential reading for all students of the history of Christianity in early modern Europe.