Forms

Filling in a form may be an everyday experience, yet as an aspect of design that affects all our lives, forms are quite often overlooked. This is a handbook on form design for designers, students and anyone interested in improving client communication and information handling.

A radically new way of thinking about form and context in literature, politics, and beyond Forms offers a powerful new answer to one of the most pressing problems facing literary, critical, and cultural studies today—how to connect form to political, social, and historical context. Caroline Levine argues that forms organize not only works of art but also political life—and our attempts to know both art and politics. Inescapable and frequently troubling, forms shape every aspect of our experience. Yet, forms don't impose their order in any simple way. Multiple shapes, patterns, and arrangements, overlapping and colliding, generate complex and unpredictable social landscapes that challenge and unsettle conventional analytic models in literary and cultural studies. Borrowing the concept of "affordances" from design theory, this book investigates the specific ways that four major forms—wholes, rhythms, hierarchies, and networks—have structured culture, politics, and scholarly knowledge across periods, and it proposes exciting new ways of linking formalism to historicism and literature to politics. Levine rereads both formalist and antiformalist theorists, including Cleanth Brooks, Michel Foucault, Jacques Rancière, Mary Poovey, and Judith Butler, and she offers engaging accounts of a wide range of objects, from medieval convents and modern theme parks to Sophocles's Antigone and the television series The Wire. The result is a radically new way of thinking about form for the next generation and essential reading for scholars and students across the humanities who must wrestle with the problem of form and context.

Malleable Forms is a book of forty-seven essays, rich and broad in ideas and subjects as far-ranging as art, architecture, literature, family, place, dogs, spirituality, birds, rabbits, and whimsy. However it isn?t just about the subjects presented in the essays but the way in which Walsh has made connections within them. A piece, for example, that looked at the memoir of Sonic Youth?s Kim Gordon takes the reader on a trip that includes surprising links between Gordon and Ab Ex painter Robert Motherwell. Another essay finds correspondences among critics as disparate as Linda Nochlin, Dave Hickey, and John Berger. Another measures the poetic sensibilities of Rainer Maria Rilke, Cynthia Ozick and Vladimir Nabokov, and another describes the romantic tale of a courtship between a woman and a blue jay.For 30 years Meeka Walsh has been the Editor of Canada?s leading art magazine, ?Border Crossings?. A selection of her much admired essays published in each issue of that magazine have been selected for this substantial book. Noted international critic and art writer, Barry Schwabsky has written an introductory essay. The persistent engagement of memory winds through the book and resonant is EM Forster?s dictum, ?only connect?. Walsh makes her particular kind of connections throughout. What the collection reveals is that in being a uniquely astute reader and observer, Walsh becomes just such a writer.

Essential project management forms aligned to the PMBOK® Guide—Sixth Edition A Project Manager's Book of Forms is an essential companion to the Project Management Institute's A Guide to the Project Management Body of Knowledge. Packed with ready-made forms for managing every stage in any project, this book offers both new and experienced project managers an invaluable resource for thorough documentation and repeatable processes. Endorsed by PMI and aligned with the PMBOK® Guide, these forms cover all aspects of initiating, planning, executing, monitoring and controlling, and closing; each form can be used as-is directly from the book, or downloaded from the companion website and tailored to your project's unique needs. This new third edition has been updated to align with the newest PMBOK® Guide, and includes forms for agile, the PMI Talent Triangle, technical project management, leadership, strategic and business management, and more. The PMBOK® Guide is the primary reference for project management, and the final authority on best practices—but implementation can quickly become complex for new managers on large projects, or even experienced managers juggling multiple projects with multiple demands. This book helps you stay organized and on-track, helping you ensure thorough documentation throughout the project life cycle. Adopt PMI-endorsed forms for documenting every process group Customize each form to suit each project's specific needs Organize project data and implement a repeatable management process Streamline PMBOK® Guide implementation at any level of project management experience Instead of wasting time interpreting and translating the PMBOK® Guide to real-world application, allow PMI to do the work for you: A Project Manager's Book of Forms provides the PMBOK®-aligned forms you need to quickly and easily implement project management concepts and practices.

What do ideas look like? This clairvoyant view of the shape, color, and atmospheric effect of mental energy includes black-and-white drawings and color plates to convey a graphic representation of the power of thought. Prominent Theosophists Annie Besant and C. W. Leadbeater were pioneers in asserting that thoughts are, indeed, things. Originally released in 1901, Thought-Forms is a seminal work on what thoughts “look” like. It had an impact far beyond the circle of its primary readers and greatly influenced leading artists such as Piet Mondrian and Wassily Kandinsky. Simple in style and clearly written, Thought Forms is a classic of the Theosophical tradition that has as much to say in our own day as it did a century ago. It lucidly sets forth a way to conceive of the invisible realms within and around us, with implications both for how we view the world and how we act in it. Discussion includes the meaning of color, thought forms built by music, and the nature of helpful thoughts. Based on the authors’ clairvoyant vision, its illustrations suggest the form thoughts take in relation, for instance, to anger, fear, intellect, sympathy, devotion, and a meditative state. Annie Besant herself describes the book’s purpose as being to “serve as a striking moral lesson to every reader, making him realize the nature and power of his thoughts, acting as a stimulus to the noble and a curb to the base. With this belief and hope we send it on its way.”

Classic Forms is an indispensable resource for turners, craftspeople, architects & designers. Topics and designs include mouldings, columns, pedestals, vases (Kraters, tazzas, bowls and urns), balusters, sun dials, basins, tables, candlesticks, lamps, stair rails, table & chair legs, finials, handles, feet and cord pulls, How to turn an object from a design and Improving a design. Highly visual, Classic Forms contains over 90 photographs, and more than 500 line drawings which can easily be used in making artefacts. It brings together in a new way foundational concepts from Ancient Greece and Rome and the extensive range of designs in many materials which have evolved from them. It will be invaluable in workshop, studio, design office or study.

Forms make or break the most crucial online interactions: checkout (commerce), registration (community), data input (participation and sharing), and any task requiring information entry. In Web Form Design, Luke Wroblewski draws on original research, his considerable experience at Yahoo! and eBay, and the perspectives of many of the field's leading designers to show you everything you need to know about designing effective and engaging Web forms.

This monograph introduces two approaches to studying Siegel modular forms: the classical approach as holomorphic functions on the Siegel upper half space, and the approach via representation theory on the symplectic group. By illustrating the interconnections shared by the two, this book fills an important gap in the existing literature on modular forms. It begins by establishing the basics of the classical theory of Siegel modular forms, and then details more advanced topics. After this, much of the basic local representation theory is presented. Exercises are featured heavily throughout the volume, the solutions of which are helpfully provided in an appendix. Other topics considered include Hecke theory, Fourier coefficients, cuspidal automorphic representations, Bessel models, and integral representation. Graduate students and young researchers will find this volume particularly useful. It will also appeal to researchers in the area as a reference volume. Some knowledge of GL(2) theory is recommended, but there are a number of appendices included if the reader is not already familiar.