Four Kingdom Motifs Before And Beyond The Book Of Daniel

The four kingdoms motif enabled writers of various cultures, times, and places, to periodize history as the staged succession of empires barrelling towards an utopian age. The motif provided order to lived experiences under empire (the present), in view of ancestral traditions and cultural heritage (the past), and inspired outlooks assuring hope, deliverance, and restoration (the future). Four Kingdom Motifs before and beyond the Book of Daniel includes thirteen essays that explore the reach and redeployment of the motif in classical and ancient Near Eastern writings, Jewish and Christian scriptures, texts among the Dead Sea Scrolls, Apocrypha and pseudepigrapha, depictions in European architecture and cartography, as well as patristic, rabbinic, Islamic, and African writings from antiquity through the Mediaeval eras.

"The four kingdoms motif enabled writers of various cultures, times, and places, to periodize history as the staged succession of empires barrelling towards an utopian age. The motif provided order to lived experiences under empire (the present), in view of ancestral traditions and cultural heritage (the past), and inspired outlooks assuring hope, deliverance, and restoration (the future). Four Kingdoms Motifs Before and Beyond the Book of Daniel includes thirteen essays that explore the reach and redeployment of the motif in classical and ancient Near Eastern writings, Jewish and Christian scriptures, texts among the Dead Sea Scrolls, Apocrypha and pseudepigrapha, depictions in European architecture and cartography, as well as patristic, rabbinic, Islamic, and African writings from antiquity through the Mediaeval eras"--

Positions Revelation within an ancient Jewish context and demonstrates how the author used humor to resist Roman power.

*NOW A NETFLIX LIMITED SERIES—from producer and director Shawn Levy (Stranger Things) starring Mark Ruffalo, Hugh Laurie, and newcomer Aria Mia Loberti* Winner of the Pulitzer Prize and National Book Award finalist, the beloved instant New York Times bestseller and New York Times Book Review Top 10 Book about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II. Marie-Laure lives with her father in Paris near the Museum of Natural History where he works as the master of its thousands of locks. When she is six, Marie-Laure goes blind and her father builds a perfect miniature of their neighborhood so she can memorize it by touch and navigate her way home. When she is twelve, the Nazis occupy Paris, and father and daughter flee to the walled citadel of Saint-Malo, where Marie-Laure’s reclusive great uncle lives in a tall house by the sea. With them they carry what might be the museum’s most valuable and dangerous jewel. In a mining town in Germany, the orphan Werner grows up with his younger sister, enchanted by a crude radio they find. Werner becomes an expert at building and fixing these crucial new instruments, a talent that wins him a place at a brutal academy for Hitler Youth, then a special assignment to track the Resistance. More and more aware of the human cost of his intelligence, Werner travels through the heart of the war and, finally, into Saint-Malo, where his story and Marie-Laure’s converge. Doerr’s “stunning sense of physical detail and gorgeous metaphors” (San Francisco Chronicle) are dazzling. Deftly interweaving the lives of Marie-Laure and Werner, he illuminates the ways, against all odds, people try to be good to one another. Ten years in the writing, All the Light We Cannot See is a magnificent, deeply moving novel from a writer “whose sentences never fail to thrill” (Los Angeles Times).

Few passages in the Old Testament are as enigmatic as Daniel 9:24-27. It makes sense, therefore, that a myriad of interpretations surround these four verses. Expanding on Brevard Childs's brief work on Daniel, Haydon responds to this question with a canonical approach to Dan 9:24-27: reading a text that is shaped to include future generations of faithful interpreters. The first part lays the groundwork for a canonical approach. Whereas most biblical scholars read Daniel 9 through the lens of historical- and composition-critical tools, Childs and his readers frame the chapter within the larger theological message of the book. The second section is an interpretation of 9:24-27 in its canonical context, doing exegetical and theological work in tandem. Daniel 9:24-27 is, of course, an apocalyptic text leading the reader through the Antiochene crisis and beyond. The theology of the chapter, however, asks us to look back to the Law and the Prophets: Leviticus 25-26 and Jeremiah 25-29 are integral to Daniel 9. Traditions begun in the preceding corpora--rest, sin-debt, and kingdom (Lev 26:34-35; Jer 25:10-12, 29:10-14)--find their culmination in Dan 9:24-27. Haydon's study brings these texts to bear on the "seventy sevens" in Daniel 9:24. After a careful study of the phrase's background, we discover that the construction refers to more than a number or even a single event. This time-image points to a larger pattern of rulership wherein leaders rise and fall (vv. 25-26), while the Ancient of Days remains the true King. Ambiguity also plays a part: Daniel 9:24-27 lacks historical detail for a reason--namely, to create an interpretive space that a faith community can occupy. The final form of Dan 9:24-27 is a theological construct allowing multiple generations to live in expectation of God's rule. A biblical theology of Daniel 9:24-27, moving into the New Testament and contemporary Christian reception, concludes Haydon's study.

The first half of the book of Daniel contains world-famous stories like the Writing on the Wall. These stories have mostly been transmitted in Aramaic, not Hebrew, as has the influential apocalypse of Daniel 7. This Aramaic corpus shows clear signs of multiple authorship. Which different textual layers can we tease apart, and what do they tell us about the changing function of the Danielic material during the Second Temple Period? This monograph compares the Masoretic Text of Daniel to ancient manuscripts and translations preserving textual variants. By highlighting tensions in the reconstructed archetype underlying all these texts, it then probes the tales’ prehistory even further, showing how Daniel underwent many transformations to yield the book we know today.

This book brings to light how the genealogies in the Bible are a developing genre, flexible in both patterns and deviations, allowing the inclusion of otherwise absent family members like mothers and daughters.

The mythical story of fallen angels preserved in1 Enochand related literature was profoundly influential during the Second Temple period. In this volume renowned scholar Loren Stuckenbruck explores aspects of that influence and demonstrates how the myth was reused and adapted to address new religious and cultural contexts. Stuckenbruck considers a variety of themes, including demonology, giants, exorcism, petitionary prayer, the birth and activity of Jesus, the Holy Spirit, the conversion of Gentiles, "apocalyptic" and the understanding of time, and more. He also offers a theological framework for the myth of fallen angels through which to reconsider several New Testament texts the Synoptic Gospels, the Gospel of John, Acts, Paul's letters, and the book of Revelation."