Four Mighty Ones Are In Every Man

"The dissertation focuses on one of the most debated prophecies of Blake, The Four Zoas. The approach is basically psychological and, before the main thesis is elaborated, a brief survey is given about the most frequently studied parallels, such as Freud and Jung. The dissertation then proceeds to examine a new aspect: a parallel is drawn between the hypotheses of Lipot Szondi, disciple to Freud, and Blake's visionary universe. Szondi's System of Drives helps illuminate several questionable passages of Blake's dream vision, furthermore, as the parallel points out, an interesting change is discernible in Blake's concepts about Enlightenment and Rationalism, whereby the previously rejected ideas become integrated into a fourfold world of wholeness and intellectual sanity."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

This reference book contains ALL 14 Neville Goddard Books published between 1939 and 1966. This book is - The Complete Collection of Neville Goddard - on Manifesting with the Law of Assumption. This includes all of Neville Goddard's original books, the transcripts of his 1948 course lectures, the 1951 radio lectures, and the Neville Goddard Book: The Creative Use of the Imagination by Margaret Ruth Broome, a personal student of Neville Goddard. The full contents of this reference book by Neville Goddard are as follows: - At Your Command (1939) - Your Faith Is Your Fortune (1941) - Freedom For All (1942) - Feeling Is The Secret (1944) - Prayer - The Art Of Believing (1945) - The Search (1946) - Master Class - Five Lessons (1948) - Out Of This World (1949) - Radio Lectures - Station KECA (1951) - The Creative Use Of Imagination (1952) - The Power Of Awareness (1952) - Awakened Imagination (1954) - Seedtime And Harvest (1956) - I Know My Father (1960) - The Law And The Promise (1961) - He Breaks The Shell (1964) - Resurrection (1966) Possessing a self-educated and uncommonly sharp intellect, Neville Lancelot Goddard espoused a spiritual vision that was bold and total: Everything you see and experience, including other people, is the result of your own thoughts and emotional states. Each of us dreams into existence an infinitude of realities and outcomes. When you realize this, Neville Goddard taught, you will discover yourself to be a slumbering branch of the Creator clothed in human form, and at the helm of limitless possibilities. - Mitch Horowitz - Neville Goddard is best described as an enlightened mystic and hermetic. His knowledge was so deep and all-encompassing that any seeker will find what they're looking for with him! There is nothing like him in knowledge and depth! Neville Goddard's wish was to make people aware of their creative power. He was not only concerned with manifestation, but also with re-understanding and consciously applying the profound mechanisms of our existence. And this knowledge can be fully understood and consciously applied using this reference book by Neville Goddard. When man begins to discover this power within him, he never plays the part that he formerly played. He doesn't turn back and become just a reflector of life; from here on in he is the affector of life. - Neville Lancelot Goddard - The categories of this Neville Goddard Book are: - Neville Goddard Collection and Books - Manifestation and Manifesting

"Imagining Creates Reality" Those words sum up the application of Neville's work to our world. This work compiles the ten books written and published by Neville during his lifetime into a single ready reference for your use. All texts are arranged in order of first published. The 1948 Class Lectures are then added as an additional learning device so you can internalize his teachings more readily. The work here was to duplicate his prose as accurately as possible so you can read it in its original format. As you study these, look within and find the comparatives in your own life. And as the Master said, "He that believeth in me... greater works than these shall he do." Scroll Up and Get Your Copy Now.

Study of William Blake's radical thought in light of his major works, such as Jerusalem (1804-20).

This book offers the first systematic study of madness and its significance for the poetry of William Blake. Blake's reputation as an artist was long clouded by suspicions of madness. Although the great victory of his modern critics has been to see his work clearly, unobstructed by this prejudice, criticism now runs the risk of vindicating Blake the poet at the expense of understanding certain elements of his poetry. In Madness and Blake's Myth, Paul Youngquist argues that, in its thematic content and dramatic method, Blake's myth is about madness. From the early lyrics to the late epic-prophecies, Blake repeatedly dramatizes the dissociation of a unified mind in a manner that comes increasingly to resemble the major symptoms of mental illness. Drawing upon recent clinical and philosophical inquiries, Youngquist shows how Blake makes poetry out of mental suffering; madness comes to operate in his myth as a metaphor for the Fall. For all its literary sophistication, however, Blake's mythology serves specific psychological needs, acquiring a therapeutic function for Blake personally as a defense against the madness it dramatizes. Madness and Blake's Myth is a challenging reexamination of both a sophisticated literary achievement and the mind that conceived it.

On its first appearance English Poetry of the Romantic Period was widely praised as on of the best introductions to the subject. This edition includes updated material in the light of recent work in Romanticism and Romantic poetry. The book discusses the concerns that linked the Romantic poets, from their responses to the political and social upheavals around them to their interest in the poet's visionary and prophetic role. It includes helpful and authoritative discussions of figures such as Blake, Clare, Coleridge, Crabbe, Keats, Scott, Shelley and Wordsworth.

The twenty contributors to this volume offer a new perspective on the relationship between Blake's poetry and his visionary forms. Their illustrated discussions explore and debate the nature of Blake's mixed art and the energetic interaction of text and design. Originally published in 1971. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.