Fragments Of Anamnesia

Over 200 brief meditations on the breakthrough experience.

Memory has always been crucial to French literature and culture as a means of mediating the relationship between perception and knowledge of the individual coming to terms with his identity in time. Relatively recently, memory has also emerged as the key force in the creation of a collective consciousness in the wider perspective of French cultural history. This collection of essays, selected from the proceedings of a seminar on 'Memory' given by Dr Emma Wilson at the University of Cambridge, offers a fresh evaluation of memory as both a cultural and an individual phenomenon in modern and contemporary French culture, including literature, cinema and the visual arts. 'Anamnesia', the book's title, develops the Aristotelian concept of anamnesis: recollection as a dynamic and creative process, which includes forgetting as much as remembering, concealment as much as imagination. Memory in this extremely diverse range of essays is therefore far from being presented as a straightforward process of recalling the past, but emerges as the site of research and renegotiation, of contradictions and even aporia.

Abdelkébir Khatibi is one of the most important voices to emerge from North Africa in postcolonial studies. This book is the first to offer a thoroughgoing analysis in English of all aspects of his multifaceted thought, as it ranges from Moroccan politics to Arabic calligraphy, and from decolonisation to interculturality.

In Constructions in Analysis Freud introduces the notion of constructions, different from interpretation, and considers it necessary - under certain conditions - to reconstruct a part of the infantile history of the subject. The difference between construction and reconstruction as well as which should be the limit of the intervention of the analyst in order to avoid a proposal far removed from the patient discourse, are a part of present debates on this subject. The editors, together with the contributors to this volume, accepted the challenge to consider Freudian ideas and its implications nowadays.

Denise Riley is renowned as a feminist theorist and a poet and for her remarkable refiguring of familiar but intransigent problems of identity, expression, language, and politics. In Impersonal Passion, she turns to everyday complex emotional and philosophical problems of speaking and listening. Her provocative meditations suggest that while the emotional power of language is impersonal, this impersonality paradoxically constitutes the personal. In nine linked essays, Riley deftly unravels the rhetoric of life’s absurdities and urgencies, its comforts and embarrassments, to insist on the forcible affect of language itself. She teases out the emotional complexities of such quotidian matters as what she ironically terms the right to be lonely in the face of the imperative to be social or the guilt associated with feeling as if you’re lying when you aren’t. Impersonal Passion reinvents questions from linguistics, the philosophy of language, and cultural theory in an illuminating new idiom: the compelling emotion of the language of the everyday.

Focusing on the problems and conflicts of doing African diaspora research from various disciplinary perspectives, these essays situate, describe, and reflect on the current practice of diaspora scholarship. Tejumola Olaniyan, James H. Sweet, and the international group of contributors assembled here seek to enlarge understanding of how the diaspora is conceived and explore possibilities for the future of its study. With the aim of initiating interdisciplinary dialogue on the practice of African diaspora studies, they emphasize learning from new perspectives that take advantage of intersections between disciplines. Ultimately, they advocate a fuller sense of what it means to study the African diaspora in a truly global way.

A groundbreaking, multidisciplinary collection that rethinks our present moment and anticipates the key concepts that will shape and direct the twenty-first century. Contemporanea is a nascent lexicon for the twenty-first century edited by seasoned philosophers and authors Michael Marder and Giovanbattista Tusa. The collection showcases perspectives from a range of noteworthy thinkers in philosophy, ecology, and cultural studies, as well as artists, from across the globe, including Slavoj Zizek, Timothy Morton, Denise Ferreira Da Silva, and Vandana Shiva, who each describe what they anticipate will be the concepts shaping the trajectory of this century—everything from the world state to the nuclear taboo, automation to Teslaism, plant sexuality to arachnomancy, and ecotrauma to resonances, to name a few. This century, as the editors explain, has to date grounded itself in the debris of the preceding century, whose revolutions and struggles failed to transform our time: post-colonialism, post-fascism, and post-liberalism have morphed into neocolonialism, neoliberalism, and neofascism, often combined in a previously unimaginable mix. And, just as the political developments at the beginning of the twenty-first century revived and reshuffled those of the preceding epoch, so too have philosophical trends sought to breathe fresh life into the stillborn -isms of the past—realism, vitalism, logicism, materialism, empiricism, criticism—adding the adjective “new” and sometimes “radical” before them. To articulate a different future, another language is needed. And, to develop another language, one needs to develop fresh concepts, including the concepts proposed in this collection. Contributors Mieke Bal, Claudia Baracchi, Amanda Boetzkes, Erik Bordeleau, Anita Chari, Emanuele Coccia, Valentina Desideri, Roberto Esposito, Filipe Ferreira, Denise Ferreira da Silva, Claire Fontaine, Graham Harman, Yogi Hale Hendlin, Ranjit Hoskote, Cymene Howe, Daniel Innerarity, Joela Jacobs, Ken Kawashima, Sabu Kohso, Bogna Konior, Brandon LaBelle, Anna Longo, Artemy Magun, Michael Marder, Michael Marder, Jason Bahbak Mohaghegh, Timothy Morton, Mycelium, Jean-Luc Nancy, Bahar Noorizadeh, Kelly Oliver, Uriel Orlow, Richard Polt, Marcia Sá Cavalcante Schuback, Tomás Saraceno, Vandana Shiva, Anton Tarasyuk, Anaïs Tondeur, Giovanbattista Tusa, Sjoerd van Tuinen, Santiago Zabala, Zahi Zalloua, Slavoj Žižek