Fragments Of Fear

FBI-certified forensic artist Carrie Stuart Parks infuses her real-life expertise into her award-winning suspense novels. Evelyn McTavish’s world came crashing down with the suicide of her fiancé. As she struggles to put her life back together and make a living from her art, she receives a call that her dog is about to be destroyed at the pound. Except she doesn’t own a dog. The shelter is adamant that the microchip embedded in the canine with her name and address makes it hers. Evelyn recognizes the dog as one owned by archaeologist John Coyote because she was commissioned to draw the two of them. The simple solution is to return the dog to his owner—but she arrives only to discover John’s murdered body. As Evelyn herself becomes a target, she crosses paths with undercover FBI agent Sawyer Price. The more he gets to know her, the more personally invested he becomes in keeping her safe. Together, they’re desperate to find the links between so many disparate pieces. Stolen art. A New Mexico archaeological dig. An abandoned dog. And a secret that’s worth killing for. And the clock is ticking. Praise for Fragments of Fear: “A rollercoaster ride with a lovable protagonist and a suspenseful, twisty plot.” —Colleen Coble “Over the years, Carrie has mastered forensic art, fine art, and her own brand of offbeat humor. As a novelist she combines these skills with another: puzzle writing––scattering puzzle pieces all over her fictional universe and then dropping them into place in twists, surprises, revelations, and side-pocket whimsy until the big picture emerges, never too soon, always on the brink of disaster.” —Frank Peretti “I love Carrie Stuart Park's skill in writing characters with hysterical humor, unwitting courage, and page-turning mystery. I hope my readers won't abandon me completely when they learn about her!” —Terri Blackstock, USA TODAY bestselling author of the If I Run series “Carrie Stuart Parks has been a favorite author of mine since I read her first book. She's one of the few authors I'll give up sleep for! Without fail, she delivers stories that reel me in and keep me turning pages until I'm done and craving more. Fragments of Fear is sure to make you a Carrie Stuart Parks addict as well! #CSPaddictandproudofit” —Lynette Eason, bestselling, award-winning author

FROM THE INTRODUCTION BY JOHN LE CARRÉ "This novel comprises some of the best work of an extremely gifted and perhaps under-regarded British crime novelist.... What gave John Bingham his magic was something we look for in every writer, too often in vain: an absolute command of the internal landscape of his characters, acutely observed by a humane but wonderfully corrosive eye." "On a recuperative trip in Italy after a car accident, reporter and novelist James Compton is witness to the discovery of a murder victim, a woman who had been vacationing at the same hotel. Lucy Dawson seemed like a gentle old lady, and so the motive for her death appeared to be unmeditated assault. But when he returns to England and makes a benign inquiry into her background, Compton receives a note warning him to leave the past alone -- a note clearly written on his own typewriter, though his apartment shows no sign of a break-in. Unable to resist pursuing the unfinished story, Compton's own investigation reveals a sinister side to Lucy Dawson and a cold-blooded conspiracy she may have helped to perpetrate while alive. Suddenly Compton finds a dangerous net closing in around him: threatening phone calls, terrifying invasions of privacy, and no way of proving to the police that anyone is responsible but himself. In the tradition of Agatha Christie and Patricia Highsmith, John Bingham's writing has earned him a place amongst the great suspense writers of the twentieth century. With taut, compelling prose, A Fragment of Fear is a captivating thriller by a master storyteller at the height of his powers.

"Warning: contains adult material"--Cover

This volume contains a new translation, with a historical introduction by the translators, of two works written under the pseudonym Johannes Climacus. Through Climacus, Kierkegaard contrasts the paradoxes of Christianity with Greek and modern philosophical thinking. In Philosophical Fragments he begins with Greek Platonic philosophy, exploring the implications of venturing beyond the Socratic understanding of truth acquired through recollection to the Christian experience of acquiring truth through grace. Published in 1844 and not originally planned to appear under the pseudonym Climacus, the book varies in tone and substance from the other works so attributed, but it is dialectically related to them, as well as to the other pseudonymous writings. The central issue of Johannes Climacus is doubt. Probably written between November 1842 and April 1843 but unfinished and published only posthumously, this book was described by Kierkegaard as an attack on modern speculative philosophy by "means of the melancholy irony, which did not consist in any single utterance on the part of Johannes Climacus but in his whole life. . . . Johannes does what we are told to do--he actually doubts everything--he suffers through all the pain of doing that, becomes cunning, almost acquires a bad conscience. When he has gone as far in that direction as he can go and wants to come back, he cannot do so. . . . Now he despairs, his life is wasted, his youth is spent in these deliberations. Life does not acquire any meaning for him, and all this is the fault of philosophy." A note by Kierkegaard suggests how he might have finished the work: "Doubt is conquered not by the system but by faith, just as it is faith that has brought doubt into the world!."

A new collection of delightfully macabre tales from a master of horror manga. An old wooden mansion that turns on its inhabitants. A dissection class with a most unusual subject. A funeral where the dead are definitely not laid to rest. Ranging from the terrifying to the comedic, from the erotic to the loathsome, these stories showcase Junji Ito’s long-awaited return to the world of horror. -- VIZ Media

Tracey Berkowitz rides a bus looking for her lost ten-year-old brother as she thinks about her dysfunctional parents and the schoolmates who treat her with scorn, as she escapes into a fantasy about an imaginary boyfriend who will rescue her.