Fragments Of The City

Cities are becoming increasingly fragmented materially, socially, and spatially. From broken toilets and everyday things, to art and forms of writing, fragments are signatures of urban worlds and provocations for change. In Fragments of the City, Colin McFarlane examines such fragments, what they are and how they come to matter in the experience, politics, and expression of cities. How does the city appear when we look at it through its fragments? For those living on the economic margins, the city is often experienced as a set of fragments. Much of what low-income residents deal with on a daily basis is fragments of stuff, made and remade with and through urban density, social infrastructure, and political practice. In this book, McFarlane explores infrastructure in Mumbai, Kampala, and Cape Town; artistic montages in Los Angeles and Dakar; refugee struggles in Berlin; and the repurposing of fragments in Hong Kong and New York. Fragments surface as material things, as forms of knowledge, as writing strategies. They are used in efforts to politicize the city and in urban writing to capture life and change in the world's major cities. Fragments of the City surveys the role of fragments in how urban worlds are understood, revealed, written, and changed.

Pursuing fragments -- Pulling together, falling apart -- Knowing fragments -- Writing in fragments -- Political framings -- Walking cities -- In completion.

In the mid-nineteenth century, Jerusalem was rich with urban texts inscribed in marble, gold, and cloth, investing holy sites with divine meaning. Ottoman modernization and British colonial rule transformed the city; new texts became a key means to organize society and subjectivity. Stone inscriptions, pilgrims' graffiti, and sacred banners gave way to street markers, shop signs, identity papers, and visiting cards that each sought to define and categorize urban space and people. A City in Fragments tells the modern history of a city overwhelmed by its religious and symbolic significance. Yair Wallach walked the streets of Jerusalem to consider the graffiti, logos, inscriptions, official signs, and ephemera that transformed the city over the late nineteenth and early twentieth centuries. As these urban texts became a tool in the service of capitalism, nationalism, and colonialism, the affinities of Arabic and Hebrew were forgotten and these sister-languages found themselves locked in a bitter war. Looking at the writing of—and literally on—Jerusalem, Wallach offers a creative and expansive history of the city, a fresh take on modern urban texts, and a new reading of the Israel/Palestine conflict through its material culture.

This book explores the visual transformation of the contemporary European city, focusing on the most emblematic and visibly wounded of all European cities – Berlin. Taking as its subject the "intricately assembled, relentlessly disassembling metropolitan screen", it charts the virulent implosions of culture, the distortions and violence that give city-living its fractured and hallucinatory quality. Provocatively written as a series of inter-locking poetic fragments, the text evokes the formation of metropolitan "identity" as it ricochets between the physical surface of the city and the vulnerable but manipulating consciousness of city dwellers. Barber has discovered a powerful new vocabulary – a vocabulary charged with the visual and sonic impact of the cinema. Like the city, the text pulsates, creatively chaotic, raw and exhilarating.

The classic work on the evaluation of city form. What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion—imageability—and shows its potential value as a guide for the building and rebuilding of cities. The wide scope of this study leads to an original and vital method for the evaluation of city form. The architect, the planner, and certainly the city dweller will all want to read this book.

From the award-winning, bestselling author of Addition and Nine Days, a superbly crafted and captivating literary mystery about a lost book and a secret love.

Howard is a lonely, geeky tenth-grader dealing with a father who's had some kind of breakdown, a flaky, overprotective mother and frightening waking dreams. Then he meets Cate, a strange girl who convinces him that he is an Adept, which means he can communicate through dreams with other dimensions and, under certain circumstances, travel between them. Howard discovers that our world is only one of several dimensions swirling in time and space, and that one of the others, peopled by unimaginably powerful monsters, is approaching Earth for the first time in millennia. The last time the dimensions coincided, our world was saved by the breaking of a powerful golden mask in the Chinese city of Sanxingdui. Together, Howard and Cate travel through time and space, meeting other Adepts and avoiding lurking monsters, in a quest to find the three fragments of the golden mask and prevent it from falling into the wrong hands.

Shaking Up the City critically examines many of the concepts and categories within mainstream urban studies that serve dubious policy agendas. Through a combination of theory and empirical evidence, Tom Slater “shakes up” mainstream urban studies in a concise and pointed fashion by turning on its head much of the prevailing wisdom in the field. To this end, he explores the themes of data-driven innovation, urban resilience, gentrification, displacement and rent control, neighborhood effects, territorial stigmatization, and ethnoracial segregation. With important contributions to ongoing debates in sociology, geography, urban planning, and public policy, this book engages closely with struggles for land rights and housing justice to offer numerous insights for scholarship and political action to guard against the spread of an urbanism rooted in vested interest.