Framing The Penal Colony

This book examines the representation of penal colonies both historically and in contemporary culture, across an array of media. Exploring a range of geographies and historical instances of the penal colony, it seeks to identify how the 'penal colony' as a widespread phenomenon is as much 'imagined' and creatively instrumentalized as it pertains to real sites and populations. It concentrates on the range of 'media' produced in and around penal colonies both during their operation and following their closures. This approach emphasizes the role of cross-disciplinary methods and approaches to examining the history and legacy of convict transportation, prison islands and other sites of exile. It develops a range of methodological tools for engaging with cultures and representations of incarceration, detention and transportation. The chapters draw on media discourse analysis, critical cartography, museum and heritage studies, ethnography, architectural history, visual culture including film and comics studies and gaming studies. It aims to disrupt the idea of adopting linear histories or isolated geographies in order to understand the impact and legacy of penal colonies. The overall claim made by the collection is that understanding the cultural production associated with this global phenomenon is a necessary part of a wider examination of carceral imaginaries or 'penal spectatorship' (Brown, 2009) past, present and future. It brings together historiography, criminology, media and cultural studies. Sophie Fuggle is Associate Professor of Postcolonial Studies and Cultural Heritage at Nottingham Trent University, UK, and teaches on the MA in Museum and Heritage Development programme. Charles Forsdick is James Barrow Professor of French at the University of Liverpool, UK. He has published on a range of subjects, including travel writing, colonial history, postcolonial and world literature, and the memorialisation of slavery. Katharina Massing is Senior Kecturer at Nottingham Trent University, UK and Course Leader of the MA in Museum and Heritage Development programme. .

This book examines the representation of penal colonies both historically and in contemporary culture, across an array of media. Exploring a range of geographies and historical instances of the penal colony, it seeks to identify how the ‘penal colony’ as a widespread phenomenon is as much ‘imagined’ and creatively instrumentalized as it pertains to real sites and populations. It concentrates on the range of ‘media’ produced in and around penal colonies both during their operation and following their closures. This approach emphasizes the role of cross-disciplinary methods and approaches to examining the history and legacy of convict transportation, prison islands and other sites of exile. It develops a range of methodological tools for engaging with cultures and representations of incarceration, detention and transportation. The chapters draw on media discourse analysis, critical cartography, museum and heritage studies, ethnography, architectural history, visual culture including film and comics studies and gaming studies. It aims to disrupt the idea of adopting linear histories or isolated geographies in order to understand the impact and legacy of penal colonies. The overall claim made by the collection is that understanding the cultural production associated with this global phenomenon is a necessary part of a wider examination of carceral imaginaries or ‘penal spectatorship’ (Brown, 2009) past, present and future. It brings together historiography, criminology, media and cultural studies.

Why are newspapers and television programmes filled with stories about crime and criminals? Is their portrayal of crime accurate? How do the media transform our attitudes to crime? Is fear of crime, for example, really created by the media? The relationships between crime and the media have long been the subject of intense debate. From the earliest days of the printing press to the explosion of cyberspace chat rooms, there have been persistent concerns about the harmful criminogenic effects of the media. At the same time, the media are fascinated with crime – on the news, in films and on television there are countless stories about crime, both real and imagined. In this innovative and accessible new book, Eamonn Carrabine carefully untangles these debates, and grapples with the powerful dynamics of fear and desire that underlie our obsession with crime. Chapter-by-chapter the book introduces the different ways in which relationships between crime and the media have been understood, including classic debates about the media’s effects, news production, and moral panics, as well as more cutting-edge studies of the representation of crime in the contemporary media. Combining empirical research findings with the latest theoretical developments, the book will appeal to advanced undergraduates and graduate students across the social sciences, especially those taking courses in criminology and media studies.

Through Jennifer Yee's close reading of the great novelists of the French realist and naturalist canon - Balzac, Flaubert, Zola, Maupassant - she reveals that the colonies play a role at a distance even in the most apparently metropolitan texts.

This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. It is funded by the University of Leicester. Between 1415, when the Portuguese first used convicts for colonization purposes in the North African enclave of Ceuta, to the 1960s and the dissolution of Stalin's gulags, global powers including the Spanish, Dutch, Portuguese, British, Russians, Chinese and Japanese transported millions of convicts to forts, penal settlements and penal colonies all over the world. A Global History of Convicts and Penal Colonies builds on specific regional archives and literatures to write the first global history of penal transportation. The essays explore the idea of penal transportation as an engine of global change, in which political repression and forced labour combined to produce long-term impacts on economy, society and identity. They investigate the varied and interconnected routes convicts took to penal sites across the world, and the relationship of these convict flows to other forms of punishment, unfree labour, military service and indigenous incarceration. They also explore the lived worlds of convicts, including work, culture, religion and intimacy, and convict experience and agency.

Sentenced for a murder he did not commit, Anthony John Routledge is sent to Sert, a penal island off the Cornish coast, where he must forget the rules of civilized life in order to survive

Including his most widely recognized short works, as well as two new stories, this translation of Franz Kafka’s writings illuminate one of the century’s most controversial writers. Translated by PEN translation award-winner Joachim Neugroschel, The Metamorphosis, In the Penal Colony, and Other Stories has garnered critical acclaim and is widely recognized as the preeminent English-language anthology of Kafka's stories. Neugroschel’s translation of Kafka's work has made this controversial and monumental writing accessible to a whole new generation. This classic collection of forty-one great short works—including such timeless pieces of modern fiction as "The Judgment" and "The Stoker"—now includes two new stories, "First Sorrow" and "The Hunger Artist."

Framing Places is an account of the nexus between place and power, investigating how the built forms of architecture and urban design act as mediators of social practices of power. Explored through a range of theories and case studies, this examination shows how lives are 'framed' within the clusters of rooms, buildings, streets and cities. These silent framings of everyday life also mediate practices of coercion, seduction and authorization as architects and urban designers engage with the articulation of dreams; imagining and constructing a 'better' future in someone's interest. This second edition has been thoroughly revised and updated to include a look at the recent Grollo Tower development in Melbourne and a critique on Euralille, a new quarter development in Northern France. The book draws from a broad range of methodology including: analysis of spatial structure discourse analysis phenomenology. These approaches are woven together through a series of narratives on specific cities - Berlin, Beijing and Bangkok - and global building types including the corporate tower, shopping mall, domestic house and enclave.