France And Islam In West Africa 1860 1960

A major contribution to the social, political and intellectual history of the French West African Federation.

Exploring the history and religious community of a group of Muslim Sufi mystics who came largely from socially marginal backgrounds in colonial French West Africa, this study shows the relationship between religious, social, and economic change in the region. It highlights the role that intellectuals - including not only elite men, but also women, slaves, and the poor - played in shaping social and cultural change and illuminates the specific religious ideas on which Muslims drew and the political contexts that gave their efforts meaning. In contrast to depictions that emphasize the importance of international networks and anti-modern reaction in twentieth-century Islamic reform, this book claims that, in West Africa, such movements were driven by local forces and constituted only the most recent round in a set of centuries-old debates about the best way for pious people to confront social injustice. It argues that traditional historical methods prevent an appreciation of Muslim intellectual history in Africa by misunderstanding the nature of information gathering during colonial rule and misconstruing the relationship between documents and oral history. -- Description from http://www.amazon.com (April 24, 2012).

The colonial era in Africa, spanning less than a century, ushered in a more rapid expansion of Islam than at any time during the previous thousand years. In this groundbreaking historical investigation, Brian J. Peterson considers for the first time how and why rural peoples in West Africa "became Muslim" under French colonialism. Peterson rejects conventional interpretations that emphasize the roles of states, jihads, and elites in "converting" people, arguing instead that the expansion of Islam owed its success to the mobility of thousands of rural people who gradually, and usually peacefully, adopted the new religion on their own. Based on extensive fieldwork in villages across southern Mali (formerly French Sudan) and on archival research in West Africa and France, the book draws a detailed new portrait of grassroots, multi-generational processes of Islamization in French Sudan while also deepening our understanding of the impact and unintended consequences of colonialism.

The mobilization of local ideas about racial difference has been important in generating, and intensifying, civil wars that have occurred since the end of colonial rule in all of the countries that straddle the southern edge of the Sahara Desert. From Sudan to Mauritania, the racial categories deployed in contemporary conflicts often hearken back to an older history in which blackness could be equated with slavery and non-blackness with predatory and uncivilized banditry. This book traces the development of arguments about race over a period of more than 350 years in one important place along the southern edge of the Sahara Desert: the Niger Bend in northern Mali. Using Arabic documents held in Timbuktu, as well as local colonial sources in French and oral interviews, Bruce S. Hall reconstructs an African intellectual history of race that long predated colonial conquest, and which has continued to orient inter-African relations ever since.

Exploring the history and religious community of a group of Muslim Sufi mystics in colonial French West Africa, this study shows the relationship between religious, social and economic change in the region. It highlights the role that intellectuals played in shaping social and cultural change and illuminates the specific religious ideas and political contexts that gave their efforts meaning. In contrast to depictions that emphasize the importance of international networks and anti-modern reaction in twentieth-century Islamic reform, this book claims that, in West Africa, such movements were driven by local forces and constituted only the most recent round in a set of centuries-old debates about the best way for pious people to confront social injustice. It argues that traditional historical methods prevent an appreciation of Muslim intellectual history in Africa by misunderstanding the nature of information gathering during colonial rule and misconstruing the relationship between documents and oral history.

"Extending Edward Said's study of the Orientalist tradition in Western scholarship, Bangura traces the origins of contemporary misunderstandings of African Islam to the discourse of colonial literature. Western critics and writers, he observes, typically without access to Islam except through the colonialist tradition, have perpetuated unfounded, politically motivated themes.".

In this book Ousman Kobo analyzes the origins of Wahhabi-inclined reform movements in two West African countries. Commonly associated with recent Middle Eastern influences, reform movements in Ghana and Burkina Faso actually began during the twilight of European colonial rule in the 1950s and developed from local doctrinal contests over Islamic orthodoxy. These early movements in turn gradually evolved in ways sympathetic to Wahhabi ideas. Kobo also illustrates the modernism of this style of Islamic reform. The decisive factor for most of the movements was the alliance of secularly educated Muslim elites with Islamic scholars to promote a self-consciously modern religiosity rooted in the Prophet Muhammad’s traditions. This book therefore provides a fresh understanding of the indigenous origins of “Wahhabism.”

"Strategically located on the Atlantic Ocean at the westernmost point of the continent, Senegal is well-known as an epicenter of Africa's modernities, modernisms, and liberation movements. It was also one of the countries where the daguerreotype first arrived in sub-Saharan Africa before circulating inland and across the region. At that time, Senegal did not exist as a nation state; local kingdoms were still in power and the French presence was limited to trading posts along the coast. The pioneers of photography in the 1840s were not exclusively Europeans, but also African, African-American, and Asian entrepreneurs. In the decades that followed, amateurs and professionals working in rural areas continued to explore and expand photography's possibilities. Senegal's photographic histories thrived as part of a global visual economy during and despite the colonial experience. Its works emerged as an integral part of the history of this medium, which unlike any other was a global enterprise from the very beginning. Portrait and place offers the first history of photography in this important country, from its first iterations, photographers, and patrons of the 1840s to photographers such as Oumar Ka (b. 1930) and Mama Casset (1908-1992), who were were active in the 1960s during the transition from the colonial to the postcolonial era. Giulia Paoletti presents close studies of photographs, firmly anchoring these objects, their authors, and their consumers in a global context that extends across West Africa, the Black Atlantic, and the greater Islamic community-in other words, beyond the borders of colonial empire. Based on over ten years of field and archival research in Senegal, this book features almost exclusively new, previously unpublished visual material and explores both professional and amateur artists working in a wide variety of genres, from landscape to portraiture, and in media such as daguerreotypes and glass paintings. As the first book to focus exclusively on Senegal's photographic histories, Portrait and place expands the notions of what the medium has been and can be, from a Eurocentric model to one that is decidedly-insistingly-larger and more inclusive"--