Frank Lloyd Wright And San Francisco

An unprecedented look at Frank Lloyd Wright's storied relationship with San Francisco and the Bay Area, highlighting local masterpieces as well as a remarkable body of unbuilt works

Frank Lloyd Wright's romanza-as he termed his California work-covers a span of more than fifty years and includes twenty-four finished edifices that are as varied and striking as the landscape itself.

An Architectural Guidebook to San Francisco and the Bay Area is the definitive guide to the history and architecture of the nine San Francisco Bay Area counties. This compendium has been written and photographed by Susan Cerny and twelve Bay Area experts and provides a historic record of how the area developed to became what it is today, and discusses transportation systems, city and suburban landscape plans, public parkland, California history, and economic, social, and political influences. Included are San Francisco Victorians, civic buildings, churches, parks, grand Period Revivals, and rustic Arts and Crafts homes, as well as significant vernacular buildings in less publicized neighborhoods and towns. Features include: Buildings by all major San Francisco Bay Area architects from the 1860s to the present. More than 2,000 entries. Architectural landmarks in every Bay Area county, arranged by chapter: San Francisco, San Mateo, Santa Clara, Alameda, Contra Costa, Solano, Napa, Sonoma, and Marin. More than 100 cities, towns, and neighborhoods. A history of architectural styles popular in the Bay Area. More than 20,000 copies sold of our previous architecture guide to the Bay Area.

Discusses the history and design of public buildings designed by Frank Lloyd Wright.

Frank Lloyd Wright’s buildings on the West Coast have not been thoroughly covered in print until now. Between 1909 and 1959, Wright designed a total of 38 structures up and down the West Coast, from Seattle to Southern California. These include well-known structures such as the Marin County Civic Center and Hollyhock House in Los Angeles, and many lesser-known gems such as the 1909 Stewart House near Santa Barbara. MARK ANTHONY WILSON is an architectural historian who has been writing and teaching about architecture for more than thirty-five years. He holds a B.A. in history from UC Berkeley and an M.A. in history and media from California State University, East Bay. He has written four previous books about architecture, including Julia Morgan: Architect of Beauty (Gibbs Smith, 2007) and Bernard Maybeck: Architect of Elegance (Gibbs Smith, 2011). His articles have appeared in the New York Times, Los Angeles Times, San Francisco Chronicle, Christian Science Monitor, USA Today, and elsewhere. Mark lives in Berkeley, California, with his wife, Ann, and his daughter, Elena. With more than 200 photographs by veteran architectural photographer Joel Puliatti and 50 archival images (many of which have never been seen in print before), this comprehensive survey of Wright’s West Coast legacy features background information on the clients’ relationships with Wright, including insights gleaned from correspondence with the original owners and interviews with many of the current owners.

Book Description: Frank Lloyd Wright's mammoth contribution to architecture is universally acknowledged, but his graphic work has been largely overlooked in the existing literature about this seminal architect. His designs for typography, books, posters, murals, and magazines have remained relatively obscure, even though they are key components of his oeuvre. Penny Fowler has thoroughly investigated the artist's innovative graphic work and placed it within the context of various aesthetic movements, from Arts and Crafts to Bauhaus and De Stijl. Wright's publications - including The House Beautiful and An Autobiography - his delineations for the Wasmuth Portfolio, and his mural designs for Midway Gardens and the Imperial Hotel are explored, and one chapter is devoted to the festive covers Wright created for Liberty magazine. (Wright's designs were considered far too radical from the current trends, so Liberty turned them down.) Now this important part of the artist's work has been succinctly reviewed and amply illustrated. The ten chapters - carefully annotated with endnotes - explore Wright's foray into the world of graphic design, including book design; his influence by international sources; and his visits to Japan and Europe. Exhibitions and publications are included in the last chapter. Frank Lloyd Wright: Graphic Artist suggests that the man's genius simply knew no bounds.

New Deal Book Award 2022 Honourable Mention Frank Lloyd Wright’s Fallingwater explores the relationship between the economic tumult in the United States in the 1930s, Frank Lloyd Wright, and the construction of his most famous house, Fallingwater. The book reinterprets the history of this iconic building, recognizing it as a Depression-era monument that stands as a testimony to what an American architect could achieve with the right site, client, and circumstance, even in desperate economic circumstances. Using newly available resources, author Catherine W. Zipf examines Wright’s work before and after Fallingwater to show how it was influenced by the economic climate, public architectural projects of the Great Depression, and America’s changing relationship with Modernist style and technology. Including over 50 black-and-white images, this book will be of great interest to students, historians, and researchers of art, architecture, and Frank Lloyd Wright.