Frank Lloyd Wright Designs Sticker Book

A great American architect who lived from 1867 to 1959, Frank Lloyd Wright designed houses, office buildings, museums, churches, a doghouse, and a gas station, always insisting that architecture should be organic. Wright thought that most houses were dark and crowded and constricting: he loved sunlight and freedom of movement, and he believed that the best buildings connected to their environments. His early home designs were very linear (or rectangular), with long roofs that went with the flat expanse of the American prairie. Many of these buildings had art glass windowsmade of countless small pieces of tinted glass held in zinc or brass frames. Those windows and other designs inspired the stickers in this book. Wright was taught about shapes at an early age. He used the circle, square, triangle, and hexagon as the basic shapes to create his buildings and his graphic designs. The square became his most recognized shape, as he set his signature on a red square at the bottom right corner of each drawing he approved. Wright once said, Colors; in paste or crayon, pencil; always a thrill. To this day I love to hold a handful of manycolored pencils and open my hand to see them lying loose upon my palm, in the light. 8 page softcover book with 150 reusable paper stickers (50 different designs) featuring designs by Frank Lloyd Wright.

This book is about the Imperial hotel built by Frank Lloyd Wright in Tokyo during the Meiji era. It has been quite famous after the Kanto Big Earthquake in 1923 because it was not collapsed by the earthquake.

Book Description: Frank Lloyd Wright's mammoth contribution to architecture is universally acknowledged, but his graphic work has been largely overlooked in the existing literature about this seminal architect. His designs for typography, books, posters, murals, and magazines have remained relatively obscure, even though they are key components of his oeuvre. Penny Fowler has thoroughly investigated the artist's innovative graphic work and placed it within the context of various aesthetic movements, from Arts and Crafts to Bauhaus and De Stijl. Wright's publications - including The House Beautiful and An Autobiography - his delineations for the Wasmuth Portfolio, and his mural designs for Midway Gardens and the Imperial Hotel are explored, and one chapter is devoted to the festive covers Wright created for Liberty magazine. (Wright's designs were considered far too radical from the current trends, so Liberty turned them down.) Now this important part of the artist's work has been succinctly reviewed and amply illustrated. The ten chapters - carefully annotated with endnotes - explore Wright's foray into the world of graphic design, including book design; his influence by international sources; and his visits to Japan and Europe. Exhibitions and publications are included in the last chapter. Frank Lloyd Wright: Graphic Artist suggests that the man's genius simply knew no bounds.

Sixteen full-page designs adapted from windows in Wright buildings: Robie House, Dana House, Coonley Playhouse, many more. Geometrics, florals, etc. Color and hang near light source for glowing stained glass effects.

For coloring book enthusiasts and architecture students — 44 finely detailed renderings of Wright home and studio, Unity Temple, Guggenheim Museum, Robie House, Imperial Hotel, more.

Frank Lloyd Wright's Palmer house, built in Ann Arbor, Michigan, in the early 1950s, is one of Wright's last residential masterpieces. Working from extensive materials gathered by Ann and Leonard Eaton, and from his own fifty-two-year familiarity with the building, Grant Hildebrand crafts the story of Billy and Mary Palmer's extraordinary home. He presents in detail the events surrounding the Palmers' selection of Wright as architect; Wright's personal creation of the design; the challenges, and the craftsmanship, of its construction; the evolution of its garden and teahouse; the role of the house as a setting for the Palmers' lives; and an analysis of its remarkable formal and spatial qualities. With a rich compendium of personal information and an extensive array of photographs, plans, and diagrams created especially for this book, Frank Lloyd Wright's Palmer House offers a comprehensive exploration of a living work of art and an intimate portrait of the people who, having brought it into being, treasured its presence in their lives for half a century. Citing the particular synergies of architect and client, house and site, Hildebrand situates the heretofore little-known Palmer house within the context of Wright's overall oeuvre and presents a convincing argument for the inclusion of the Palmer house in the canon of the architect's finest residential designs.

BOOK OF LABELS - The Frank Lloyd Wright Book Of Labels features two label sizes in eight unique designs inspired by the geometric patterns of Frank Lloyd Wright. A stylish way to satisfy all your labeling needs, the Frank Lloyd Wright Book of Labels is perfect for gifts and bookplates MULTIFUNCTIONAL - Besides using the labels for books and gifts the Frank Lloyd Wright Book of Labels can be used for labeling household objects, scrapbooking, decoupage, or any craft project that requires an artistic touch. What will you create? PERFECT FOR GIFTING - From New Years all the way to Christmas, the Frank Lloyd Wright Labels provides unique and beautiful labels for addressing gifts to all your loved ones. The gorgeous printed gift label stickers will excite gift openers from start to finish! The labels will also add a touch of elegance to your bookplates or household objects that need labelling. GALISON - Since 1979, our vision at Galison has been to inspire people by bringing art into daily life with home office supplies, home décor, stationery, puzzles, and games.