Frank Sinatra Has A Cold

Gay Talese's crystalline portrait of Frank Sinatra combined faithful fact with vivid storytelling in a triumph of New Journalism. It is now published alongside notes and correspondence from the author's archives and photographs from Phil Stern--the only photographer granted access to Sinatra over an extraordinary four decade period.First published as a signed Collector's Edition, now available in an unlimited edition

Gay Talese is the father of American New Journalism, who transformed traditional reportage with his vivid scene-setting, sharp observation and rich storytelling. His 1966 piece for Esquire, one of the most celebrated magazine articles ever published, describes a morose Frank Sinatra silently nursing a glass of bourbon, struck down with a cold and unable to sing, like 'Picasso without paint, Ferrari without fuel - only worse'. The other writings in this selection include a description of a meeting between two legends, Fidel Castro and Muhammad Ali; a brilliantly witty dissection of the offices of Vogue magazine; an account of travelling to Ireland with hellraiser Peter O'Toole; and a profile of fading baseball star Joe DiMaggio, which turns into a moving, immaculately-crafted meditation on celebrity.

Gay Talese is the father of American New Journalism, who transformed traditional reportage with his vivid scene-setting, sharp observation and rich storytelling. His 1966 piece for Esquire, one of the most celebrated magazine articles ever published, describes a morose Frank Sinatra silently nursing a glass of bourbon, struck down with a cold and unable to sing, like �Picasso without paint, Ferrari without fuel � only worse�. The other writings in this selection include a description of a meeting between two legends, Fidel Castro and Muhammad Ali; a brilliantly witty dissection of the offices of Vogue magazine; an account of travelling to Ireland with hellraiser Peter O'Toole; and a profile of fading baseball star Joe DiMaggio, which turns into a moving, immaculately-crafted meditation on celebrity.

A selection of classic high points in the illustrious career of Gay Talese. “[High Notes] reminds us of the indefatigable reporting skills and inventive use of language that made Talese a paragon of the New Journalism.” -New York Times Book Review Admired by generations of reporters, Gay Talese has for more than six decades enriched American journalism with an unmatched ability to inhabit the worlds of his subjects. From the article that germinated into Thy Neighbor's Wife, to indelible portraits of Frank Sinatra, Tony Bennett, and Lady Gaga, High Notes selects the highlights of Talese's signature mode, “the art of hanging out.” It's a bold testament to enduring literary craftsmanship and unparalleled cultural observation from "the most important nonfiction writer of his generation" (David Halberstam).

The inner workings of a writer’s life, the interplay between experience and writing, are brilliantly recounted by a master of the art. Gay Talese now focuses on his own life—the zeal for the truth, the narrative edge, the sometimes startling precision, that won accolades for his journalism and best-sellerdom and acclaim for his revelatory books about The New York Times (The Kingdom and the Power), the Mafia (Honor Thy Father), the sex industry (Thy Neighbor’s Wife), and, focusing on his own family, the American immigrant experience (Unto the Sons). How has Talese found his subjects? What has stimulated, blocked, or inspired his writing? Here are his amateur beginnings on his college newspaper; his professional climb at The New York Times; his desire to write on a larger canvas, which led him to magazine writing at Esquire and then to books. We see his involvement with issues of race from his student days in the Deep South to a recent interracial wedding in Selma, Alabama, where he once covered the fierce struggle for civil rights. Here are his reflections on the changing American sexual mores he has written about over the last fifty years, and a striking look at the lives—and their meaning—of Lorena and John Bobbitt. He takes us behind the scenes of his legendary profile of Frank Sinatra, his writings about Joe DiMaggio and heavyweight champion Floyd Patterson, and his interview with the head of a Mafia family.But he is at his most poignant in talking about the ordinary men and women whose stories led to his most memorable work. In remarkable fashion, he traces the history of a single restaurant location in New York, creating an ethnic mosaic of one restaurateur after the other whose dreams were dashed while a successor’s were born. And as he delves into the life of a young female Chinese soccer player, we see his consuming interest in the world in its latest manifestation.In these and other recollections and stories, Talese gives us a fascinating picture of both the serendipity and meticulousness involved in getting a story. He makes clear that every one of us represents a good one, if a writer has the curiosity to know it, the diligence to pursue it, and the desire to get it right.Candid, humorous, deeply impassioned—a dazzling book about the nature of writing in one man’s life, and of writing itself.

The controversial chronicle of a motel owner who secretly studied the sex lives of his guests by the renowned journalist and author of Thy Neighbor’s Wife. On January 7, 1980, in the run-up to the publication of his landmark bestseller Thy Neighbor’s Wife, Gay Talese received an anonymous letter from a man in Colorado. “Since learning of your long-awaited study of coast-to-coast sex in America,” the letter began, “I feel I have important information that I could contribute to its contents or to contents of a future book.” The man—Gerald Foos—hen divulged an astonishing secret: he had bought a motel outside Denver for the express purpose of satisfying his voyeuristic desires. Underneath its peaked roof, he had built an “observation platform” through which he could peer down on his unwitting guests. Over the years, Foos sent Talese hundreds of pages of notes on his guests, work that Foos believed made him a pioneering researcher into American society and sexuality. Through his Voyeur’s motel, he witnessed and recorded the harsh effects of the war in Vietnam, the upheaval in gender roles, the decline of segregation, and much more. In The Voyeur’s Motel. “the reader observes Talese observing Foos observing his guests.” An extraordinary work of narrative journalism, it is at once an examination of one unsettling man and a portrait of the secret life of the American heartland over the latter half of the twentieth century (Daily Mail, UK). “This is a weird book about weird people doing weird things, and I wouldn’t have put it down if the house were on fire.” —John Greenya, Washington Times

In the spirit of Mindy Kaling, Kelly Oxford, and Sarah Silverman, a compulsively readable and outrageously funny memoir of growing up as a fish out of water, finding your voice, and embracing your inner crazy-person, from popular actress, writer, and comedian Bonnie McFarlane. It took Bonnie McFarlane a lot of time, effort, and tequila to get to where she is today. Before she starred on Last Comic Standing and directed her own films, she was an inappropriately loud tomboy growing up on her parents’ farm in Cold Lake, Canada, wetting her pants during standardized tests and killing chickens. Desperate to find “her people”—like-minded souls who wouldn’t judge her because she was honest, ruthless, and okay, sometimes really rude—Bonnie turned to comedy. In her explosively funny and no-holds-barred memoir, Bonnie tells it like it is, and lays bare all of her smart (and her not-so-smart) decisions along her way to finding her friends and her comedic voice. From fistfights in elementary school to riding motorcycles to the World Famous Comic Strip, to Late Night with David Letterman, and through to her infamous “c” word bit on Last Comic Standing, You’re Better Than Me is her funny and outrageous trip through the good, bad, and ugly of her life in comedy. McFarlane doesn’t always keep her mouth shut when she should, but at least she makes people laugh. And that’s all that matters, right?

Offers a detailed look at the film actor and singer's life by his daughter