Frederike Helwig Kriegskinder

"What were my parents doing when they were as old as my son is today? What made them what they are today?" These questions are examined by the photographer Frederike Helwig in her book Kriegskinder (Children of War). People who were born in the late 1930s and early 1940s, who grew up during World War II, are now in their eighth decade of life. They look back, some of them speaking for the first time ever about what marked them: bombs, fleeing, fear, hunger, illness, death, missing fathers, overwhelmed mothers--as well as the speechlessness of the post-war era, when memories of the war and its intergenerational consequences were supposed to be forgotten. The forty-five haunting portraits--all of them taken recently with an analog camera--are contrasted with the narratives of childhood experiences told by eyewitnesses. This makes Kriegskinder a portrait of a generation whose memories will soon disappear with them.Exhibition: 2.2.-8.4.2018, f3 - freiraum für fotografie, Berlin

A historian's personal journey into the complex questions of immigration, home and nation From Ireland to London in the 1950s, Derry in the Troubles to contemporary, de-industrialised Manchester, Joyce finds the ties of place, family and the past are difficult to break. Why do certain places continue to haunt us? What does it mean to be British after the suffering of Empire and of war? How do we make our home in a hypermobile world without remembering our pasts? Patrick Joyce's parents moved from Ireland in the 1930s and made their home in west London. But they never really left the homeland. And so as he grew up among the streets of Paddington and Notting Hill and when he visited his family in Ireland he felt a tension between the notions of home, nation and belonging. Going to My Father's House charts the historian's attempt to make sense of these ties and to see how they manifest in a globalised world. He explores the places - the house, the street, the walls and the graves - that formed his own identity. He ask what place the ideas of history, heritage and nostalgia have in creating a sense of our selves. He concludes with a plea for a history that holds the past to account but also allows for dynamic, inclusive change.

Driven by a relentless obsession to translate this rather immaterial subject into images, Paolo Woods and Gabriele Galimberti have spent over two years travelling to the offshore centres that embody tax avoidance, secrecy, offshore banking and extreme wealth. Their photographs reveal a world of exploitation and privilege that distorts the financial markets and benefits those that already have the most. The book is presented as if it were an annual report and the accompanying text by author Nicholas Shaxson presents a clear insight into how these tax havens work.

In his masterful photo series Harvey Stein explores a country of incredible contrasts and contradictions.

Undertaken in the wake of the 2009 financial crisis, Jacqueline Hassink's The Table of Power 2 portrays desks and tables in the headquarters of 50 companies listed by Fortune magazine as the global market's most powerful players. This limited edition artist's book comes bound in three different kinds of wood: walnut, cherry and red gum. Each is signed and numbered in an edition of 120 copies.

North Korea uncensored and unfiltered – ordinary life in the world's most secretive nation, captured in never-before-seen ephemera. Made in North Korea uncovers the fascinating and surprisingly beautiful graphic culture of North Korea - from packaging to hotel brochures, luggage tags to tickets for the world-famous mass games. From his base in Beijing, Bonner has been running tours into North Korea for over twenty years, and along the way collecting graphic ephemera. He has amassed thousands of items that, as a collection, provide an extraordinary and rare insight into North Korea's state-controlled graphic output, and the lives of ordinary North Koreans.