Freedom S Triumph

The American Freedoms Primer is a compilation of the most historically significant speeches and writings on liberty, from the seventeenth century to the present day. Many of the declarations contained in these pages have influenced and inspired legislation, shaping United States policies on human equality and civil rights. Several works by theorists and philosophers who drove the expansion of capitalism and democracy are included, such as John Locke, Edmund Burke, and Samuel Adams. Several of this nation's founding fathers contribute seminal works as well, including, but not limited to, George Washington, Thomas Jefferson, Benjamin Franklin, and James Madison. Abraham Lincoln's Inaugural Address, Emancipation Proclamation, and his Gettysburg Address are all in here, as are the works of other nineteenth century philosophical and legal geniuses, such as Daniel Webster, Frederick Douglass, and Theodore Roosevelt. Finally, of the great twentieth-century orators and writers on civil liberties, this book draws from Woodrow Wilson, Franklin Delano Roosevelt, John F. Kennedy, Lyndon B. Johnson, Martin Luther King, Jr, and several others. This pocket-sized book will inspire and educate.

Recently freed from slavery, Gabriel is burning up the horse track as jockey and stacking up wins for his former master. When Mister Giles asks him to ride Aristo, a powerful but unpredictable horse, in the prestigious Saratoga Chase, Gabriel jumps at the chance to compete against some of the greatest jockeys in the business. But as he begins the journey to Saratoga, he finds that high-stakes horse racing can be a nasty business as he works to keep Aristo safe and fend off horse poachers and jealous jockeys. Gabriel also learns the difficult lesson that being freed is not the same as being free. More than ever, Gabriel misses his father, who is fighting with the Union Army. Who else can he trust? In the second book of the Racing to Freedom trilogy, Alison Hart continues to explore the complex relationships of the Civil War. The result is a gripping story that vividly brings to life the danger and drama of a time when war and issues of race and freedom divided the country. Background historical material and photos are included.

Noted philosopher William Hasker explores a full range of questions concerning the problem of evil. Hasker forges constructive answers in some depth showing why the evil in the world does not provide evidence of a moral fault in God, the world's creator and governor.

This volume provides an analysis of divine aseity in Karl Barth's thought and appreciates the vital role that this doctrine can play in contemporary theology. Brian D. Asbill begins by setting the general theological context, first through a broad sketch of the development of Barth's understanding of the relationship between the life of God pro nobis (pronobeity) and a se (aseity), and secondly through the examination of the basic theological convictions that guide his approach to the divine being in Church Dogmatics II/1. The second section, 'The Love and Freedom of God', turns to the dialectical pairings which guide Barth's accounts of the divine reality in his earliest dogmatic cycle (The Göttingen Dogmatics §§16-7) as well as in his most mature treatment (Church Dogmatics §§28-31). Particular attention is given to how these themes arise from revelation and relate to one another. In the final section, 'The Aseity of God', Asbill identifies this doctrine's basic features and primary functions. Divine aseity is characterized as the self-demonstration and self-movement of God's life, a trinitarian and entirely unique reality, a primarily positive and dynamic concept, and the manner and readiness of God's love for creatures. Divine aseity is said to indicate God's lordship in the act of self-binding, God's uniqueness in the act of self-revelation, and God's sufficiency in the act of self-giving.

In this thinker's guide to rock and roll, Robert Pattison contends that rock music mirrors the tradition of 19th-century Romanticism. The music is vulgar, he notes, and vulgarity is something that high culture has long despised but rarely bothered to define. This book is the first effort since John Ruskin and Aldous Huxley to describe in depth what vulgarity is, and how, with the help of ideas inherent in Romanticism, it has slipped the constraints imposed on it by refined culture and established its own loud arts.