French Intellectuals Against The Left

Christofferson argues that French anti-totalitarianism was the culmination of direct-democratic critiques of communism & revisions of the revolutionary project after 1956. He offers an alternative interpretation for the denunciation of communism & Marxism by the French intellectual left in the late 1970s.

Lacan, Althusser, Derrida, Foucault - the currency of these names in the world of modern thought is widespread. But all too often in the English-speaking world their work and ideas are considered without reference to the context in which they were produced, and this is the gap that this new study sets out to fill. The major revaluation of what constituted the 'political', set in train by the 1968 events is a key theme here, and the work of the best-known French intellectual figures of the time both illuminates and is illuminated by it. But it is not just a new reading of already familiar figures that the reader will find in this work. Writers little-known in the English-speaking world, or hitherto not extensively treated in English, receive similar contextualising attention, so that the recent upsurge in sociology or the impact of a dissident Marxist such as Henri Lefebvre take their place alongside better-known figures in the first book-length English-language survey of one of the most exciting, and often bewildering, periods in European intellectual history.

The notion of French exceptionalism is deeply embedded in the nation's self-image and in a range of political and academic discourses. Recently, the debate about whether France really is "exceptional" has acquired a critical edge. Against the background of introspection about the nature of "national identity," some proclaim "normalisation" and the end of French exceptionalism, while others point out to the continuing evidence that France remains distinctive at a number of levels, from popular culture to public policy. This book explores the notion of French exceptionalism, places it in its European context, examines its history and evaluate its continuing relevance in a range of fields from politics and public policy to popular culture and sport.

He then addresses the period between 1968 and 1981, when the idea of revolution came under attack, and the impact of Francois Furet's revisionist historiography of the French Revolution, which decisively undermined the very idea of revolution in France.

Resentment and the Right: French Intellectual Identity Reimagined, 1898-2000 examines a century-long struggle between cultural spokesmen on the extreme right and left to dominate and define the concept of “the intellectual.” This struggle began with the introduction of the “intellectual” during the Dreyfus Affair of 1898 and continues even today among the intellectuals of the Nouvelle Droite. This struggle to monopolize the public perception of intellectual identity, and the status of moral and political guide the title conferred, consumed the intellectual leaders of the extreme right and left and saturated their engagement in political affairs. Because the left was the first to claim the title of intellectual in 1898, they defined the concept according to their own values and experiences. Hereafter, when intellectuals of the extreme right felt called to engage in public affairs, they portrayed their struggle for recognition as one of an oppressed and ostracized minority against a hegemonic left. Their resentment of this perceived repression became integral to their linguistic tropes, professional trajectories, cultural practices, and their self-conceptualization as intellectuals. The book is organized around the argument that at each perceived national crisis throughout the century, when intellectuals felt called to engage, the right-wing struggle to define true intellectual identity for the public followed a similar cycle: self-identification as intellectuals, perception of exclusion by the intellectual left, resentment of this ostracism and development of linguistic tropes of left-wing hegemony and right-wing repression, differentiation, revaluation, and reappropriation of cultural values, self-imposed segregation of social networks and professional trajectories, internalization and revaluation of their perceived role as intellectual pariahs, and eventual isolation, alienation, and radicalization from the mainstream intellectual and political world. All together this has resulted in a very different experience of intellectual life and a distinctive understanding of what it means to be an intellectual over the century.

This book explores a series of challenging new perspectives on the origins, development, and legacy of France's 'liberal moment' during the second half of the twentieth century. It surveys a significant shift in interest regarding socio-political philosophy and culture, with the 1970s emergence of a blossoming French curiosity about liberalism and liberal thought. While liberalism had played an important role in French political debate prior to this period, liberal voices were often disregarded. It was not until this newfound fascination with liberalism by French intellectuals—spanning from the second left to the new right—that a French liberal revival truly occurred. In Search of the Liberal Moment addresses this revival, its resultant resuscitation of nineteenth-century authors like Tocqueville and Constant, its relationship with the contemporary rise of neoliberalism in Britain and the US, and how its adherents used liberalism to rethink the past, present, and future of modern democracy.

Michel Foucault, Jean-Paul Sartre, Julia Kristeva, Phillipe Sollers, and Jean-Luc Godard. During the 1960s, a who’s who of French thinkers, writers, and artists, spurred by China’s Cultural Revolution, were seized with a fascination for Maoism. Combining a merciless exposé of left-wing political folly and cross-cultural misunderstanding with a spirited defense of the 1960s, The Wind from the East tells the colorful story of this legendary period in France. Richard Wolin shows how French students and intellectuals, inspired by their perceptions of the Cultural Revolution, and motivated by utopian hopes, incited grassroots social movements and reinvigorated French civic and cultural life. Wolin’s riveting narrative reveals that Maoism’s allure among France’s best and brightest actually had little to do with a real understanding of Chinese politics. Instead, it paradoxically served as a vehicle for an emancipatory transformation of French society. Recounting the cultural and political odyssey of French students and intellectuals in the 1960s, The Wind from the East illustrates how the Maoist phenomenon unexpectedly sparked a democratic political sea change in France.