Frenzy

14-year-old Heath Lambert is spending his summer at Camp Harmony in the picturesque Cascade Mountain Valley. It's the perfect place to enjoy the soothing calm of nature as he weighs a heavy decision. The camp offers distractions: his friends, Cricket and Dunbar, always up for trouble; his reluctant crush on Emily, one half of the beautiful Em & Em Twins; and hulking bullies Thumper and Floaties, who are determined to make him their punching bag for the summer. But no one rattles Heath like his creepy cabin mate, Will Stringer. Brilliant, cold and calculating, Will views the world as one big chess game, and he's always three moves ahead of everyone else. Heath soon learns there's a much bigger threat to contend with. Something's wrong with the animals in the surrounding forest. A darkness is spreading, driving them mad with rage. Wolves, bears, mountain lions???even the chipmunks are infected, spurred on in droves by one horrific goal: hunt and kill every human they find. Heath and a ragtag band of campers are faced with a choice: follow Will's lead and possibly survive, or follow the camp staff and die. But how do you trust a leader when you suspect he's more dangerous than the animals you're running from? Heath came to Camp Harmony to be surrounded by nature. He's about to get his wish.

He Used A Claw Hammer. . . Frankie Cochran knew her boyfriend, David Gerard, was possessive, controlling, and prone to violent rages. When she tried to break up with him, Gerard threatened her with a hammer. One week later, he used it to club her in the head. Again. And again. Then he stabbed her in the throat--and left her for dead. . . And A Sharp Knife. . . Miraculously, Frankie survived--but cops began to suspect Gerard of other vicious crimes. One of his previous girlfriends had died in a house fire, along with her children and her mother. A local prostitute's brutalized body was found in a pool of blood. But it was the unsolved murder of another woman--repeatedly run over on a country road--that finally exposed Gerard as a rage-driven monster out of control. . . To Unleash His Rage Justice finally caught up with Gerard. Hounded by the tireless efforts of detectives and incriminated by DNA evidence as well as up-to-date forensics that matched the tire marks at a crime scene to Gerard's car, one of the Pacific Northwest's most dangerous killers was finally locked behind bars. With 16 pages of shocking photos!

Ken Russell has made some of the most daring, disturbing, and beautifully photographed films of all time. Drawing from a wealth of historic and literary references, Russell's subjects are astounding: deranged Ursuline nuns in a 17th-century French province, the inner demons of Mary Shelley and Lord Byron, the sexual angst of Tchaikovsky, the emotionally drained life of Rudolph Valentino, the messianism of a pinball wizard, the fury of lesbian vampires, the introspections of prostitutes. Russell's movies offer not just brazen sensationalism but food for thought; they horrify yet inspire. And through it all, Russell maintains a simultaneously impish and intellectual sense of humor. The first full biography of the director, Phallic Frenzy is far from a dry, film-by-film analysis. It shows how Russell's real life has often been as engaging and vibrant as his film scenarios. Here you'll learn how Alan Bates and Oliver Reed compared their penis sizes for the nude wrestling scene in Women in Love; how Russell disfigured Paddy Chayevsky's script for Altered States by having the actors holler out the lines as fast as possible, accompanied by spewed food and streams of spittle; and how Russell was slated to direct Evita, starring Liza Minnelli, and the “creative differences” that ensued. A madcap tale full of wild ideas, surreal situations, and a cavalcade of colorful personalities, Phallic Frenzy is as thrilling a ride as any Ken Russell film.

What do you give a man who has everything? A yacht perhaps, or a private jet available just when and whenever you want it? Then you can drop in on the neighbours perhaps, on the Cote D'Azur or Spain, France, Gibraltar, Morocco. Maurice Glickman just wanted to be someone he had always longed to be. Already one of the nouveau riche - the Country Gent, the Squire, the man up there in the house on the hill, where people might point and say: 'There he is... that man of substance... there he goes... that's the person we must look up to, even aspire to be..." or is it!? Is he really the man anyone might look up to, even admire!? Manners mayketh man... so we are told... on his way to the top, Maurice had never learnt the more subtle and delicate arts and finer points of human contact. Pride comes before a fall and was Maurice Glickman about to meet his match, with his seemingly down-at-earth and country neighbour... someone not quite the match for Maurice and his indefinable codes and methods of operation?

Now expanded to include the story of nuclear testing and its consequences, Uranium Frenzy has become the classic account of the uranium rush that gripped the Colorado Plateau region in the 1950s. Instigated by the U.S. government's need for uranium to fuel its growing atomic weapons program, stimulated by Charlie Steen's lucrative Mi Vida strike in 1952, manned by rookie prospectors from all walks of life, and driven to a fever pitch by penny stock promotions, the boom created a colorful era in the Four Corners region and Salt Lake City (where the stock frenzy was centered) but ultimately went bust. The thrill of those exciting times and the good fortune of some of the miners were countered by the darker aspects of uranium and its uses. Miners were not well informed regarding the dangers of radioactive decay products. Neither the government nor anyone else expended much effort educating them or protecting their health and safety. The effects of exposure to radiation in poorly ventilated mines appeared over time.

On 6 May 2014, two reports condemning the conduct of Alan Shatter, Minister for Justice, Equality and Defence, were delivered to government buildings in Dublin. Shatter resigned from cabinet the next day under pressure from Taoiseach Enda Kenny, his reputation destroyed and his political career in tatters. The GSOC bugging scandal had precipitated an avalanche of Garda corruption allegations and Shatter was in the eye of the storm. He was savaged by the media, and accusations of his covering up espionage and of ignoring the concerns of whistle blowers such as Maurice McCabe were widely accepted. Damaged by false narratives and political maneuvering by Enda Kenny, he then lost his Dáil seat in 2016, another casualty of the ongoing wave of scandals. Pilloried and demonized by opposition politicians, commentators, and even cabinet colleagues, Shatter was also accused of undermining the administration of justice and of misusing his position to spy on political opponents. From the first phone-tapping allegations to the explosive Charleton Report, this is the phenomenal story of a cataclysmic period in Irish politics from Alan Shatter's unique perspective. Compelling, sardonic and searingly honest, Frenzy and Betrayal is the sensational, unprecedented and forensic inside-story of a political assassination, the Irish 'Post-Truth' media, and one of the most turbulent political controversies to rock the Irish political system in decades.

In June of 1878, the British Empire acquired the small Mediterranean island of Cyprus, after a secret agreement with the Ottoman Empire. The occupation of Cyprus was officially announced by the British government about a month later and what followed was an unprecedented mania with the island, which manifested itself through the publication of dozens of books and articles, the composition of poems, novels, and music pieces, the staging of operas and ballets, the appearance of dozens of advertisements in newspapers, the dispatch of special correspondents to the island, the announcement of forthcoming tours, etc. This book examines the “Cyprus Frenzy” of 1878 and the way it was expressed in both major and provincial newspapers in Victorian Britain. It follows the six main special correspondents who were commissioned to cover the occupation and who traveled to the island for that purpose: Archibald Forbes (The Daily News), St. Leger Algernon Herbert (The Times), John Augustus O’Shea (The London Evening Standard), Edward Henry Vizetelly (The Glasgow Herald), Samuel Pasfield Oliver (The Illustrated London News), and Hepworth Dixon (for several provincial newspapers). What is pertinent in the investigation of Victorian journalistic practices is the relationship between these correspondents and the military establishment, which was tasked with the duty of forming the first British government on the island. In this context, General Garnet Wolseley, who served as the island’s first High Commissioner, and his famous clique of associates are central characters in the story of Cyprus’ colonization. The book further considers the role of advertisements in propagating colonial discourse and it examines “Letters to the Editor,” published in major newspapers of the time, as a tool in the investigation of the Victorian readers’ reception and response to the occupation. By concentrating on the history of a very particular event—the British occupation of Cyprus in 1878—this book aspires to scrutinize colonial practices through a close examination of the mechanisms that they put in motion, the networks they utilize, and the fantasies they stir.

Werner Schroeter was a leading figure of New German Cinema. In more than forty films made between 1967 and 2008, including features, documentaries, and shorts, he ignored conventional narrative, creating instead dense, evocative collages of image and sound. For years, his work was eclipsed by contemporaries such as Wim Wenders, Rainer Werner Fassbinder, Werner Herzog, and Alexander Kluge. Yet his work has become known to a wider audience through several recent retrospectives, including at the Museum of Modern Art, New York. Written in the last years of his life, Days of Twilight, Nights of Frenzy sees Schroeter looking back at his life with the help of film critic and friend Claudia Lenssen. Born in 1945, Schroeter grew up near Heidelberg and spent just a few weeks in film school before leaving to create his earliest works. Over the years, he would work with acclaimed artists, including Marianne Hopps, Isabelle Huppert, Candy Darling, and Christine Kaufmann. In the 1970s, Schroeter also embarked on prolific parallel careers in theater and opera, where he worked in close collaboration with the legendary diva Maria Callas. His childhood; his travels in Italy, France, and Latin America; his coming out and subsequent life as an gay man in Europe; and his run-ins with Hollywood are but a few of the subjects Schroeter recalls with insights and characteristic understated humor. A sharp, lively, even funny memoir, Days of Twilight, Nights of Frenzy captures Schroeter’s extravagant life vividly over a vast prolific career, including many stories that might have been lost were it not for this book. It is sure to fascinate cinephiles and anyone interested in the culture around film and the arts.