Fresh Off The Boat

A Taiwanese American rebel restaurateur chronicles his rise to success from his difficult childhood in the American South to his decision to embrace all he had learned about food in his father's restaurants and his mother's kitchen to create his own culinary identity.

NOW AN ORIGINAL SERIES ON ABC • “Just may be the best new comedy of [the year] . . . based on restaurateur Eddie Huang’s memoir of the same name . . . [a] classic fresh-out-of-water comedy.”—People “Bawdy and frequently hilarious . . . a surprisingly sophisticated memoir about race and assimilation in America . . . as much James Baldwin and Jay-Z as Amy Tan . . . rowdy [and] vital . . . It’s a book about fitting in by not fitting in at all.”—Dwight Garner, The New York Times NATIONAL BESTSELLER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY KIRKUS REVIEWS Assimilating ain’t easy. Eddie Huang was raised by a wild family of FOB (“fresh off the boat”) immigrants—his father a cocksure restaurateur with a dark past back in Taiwan, his mother a fierce protector and constant threat. Young Eddie tried his hand at everything mainstream America threw his way, from white Jesus to macaroni and cheese, but finally found his home as leader of a rainbow coalition of lost boys up to no good: skate punks, dealers, hip-hop junkies, and sneaker freaks. This is the story of a Chinese-American kid in a could-be-anywhere cul-de-sac blazing his way through America’s deviant subcultures, trying to find himself, ten thousand miles from his legacy and anchored only by his conflicted love for his family and his passion for food. Funny, moving, and stylistically inventive, Fresh Off the Boat is more than a radical reimagining of the immigrant memoir—it’s the exhilarating story of every American outsider who finds his destiny in the margins. Praise for Fresh Off the Boat “Brash and funny . . . outrageous, courageous, moving, ironic and true.”—New York Times Book Review “Mercilessly funny and provocative, Fresh Off the Boat is also a serious piece of work. Eddie Huang is hunting nothing less than Big Game here. He does everything with style.”—Anthony Bourdain “Uproariously funny . . . emotionally honest.”—Chicago Tribune “Huang is a fearless raconteur. [His] writing is at once hilarious and provocative; his incisive wit pulls through like a perfect plate of dan dan noodles.”—Interview “Although writing a memoir is an audacious act for a thirty-year-old, it is not nearly as audacious as some of the things Huang did and survived even earlier. . . . Whatever he ends up doing, you can be sure it won’t look or sound like anything that’s come before. A single, kinetic passage from Fresh Off the Boat . . . is all you need to get that straight.”—Bookforum

Dear Peaches, America is PERFECT! I love it here. I wish you could come visit -- we could go shopping on Market Street and you could meet all my new friends. . . . Okay, so Vicenza isn't being totally honest with Peaches, her best friend back in Manila. But what fun is it being the new girl at snooty Grosvernor High? Or rooting through the Salvation Army for unholey cashmere sweaters? Or having culture-shocked, embarrassingly clueless parents? Maybe being Claude Caligari's ignored geometry partner is sort of fun, but Vicenza would rather be his girlfriend . . . or at least his date to the annual fancy-schmancy Soirée d'Hiver. But Vicenza won't be friendless, fashionless, or "fresh off the boat" for long -- it's only a matter of time before she sees what's right before her eyes and her luck begins to change.

"A collaboration between the Six-Word Memoir author at the hit ABC television show Fresh Off the Boat, this book will capture hundreds of takes on the immigration experience--from first-generation Americans to stories of our grandparents and other relatives"--Amazon

By the winner of The Journey Prize, and inspired by a real incident, The Boat People is a gripping and morally complex novel about a group of refugees who survive a perilous ocean voyage to reach Canada – only to face the threat of deportation and accusations of terrorism in their new land. When the rusty cargo ship carrying Mahindan and five hundred fellow refugees reaches the shores of British Columbia, the young father is overcome with relief: he and his six-year-old son can finally put Sri Lanka’s bloody civil war behind them and begin new lives. Instead, the group is thrown into prison, with government officials and news headlines speculating that hidden among the “boat people” are members of a terrorist militia. As suspicion swirls and interrogation mounts, Mahindan fears the desperate actions he took to survive and escape Sri Lanka now jeopardize his and his son’s chances for asylum. Told through the alternating perspectives of Mahindan; his lawyer Priya, who reluctantly represents the migrants; and Grace, a third-generation Japanese-Canadian adjudicator who must decide Mahindan’s fate, The Boat People is a high-stakes novel that offers a deeply compassionate lens through which to view the current refugee crisis. Inspired by real events, with vivid scenes that move between the eerie beauty of northern Sri Lanka and combative refugee hearings in Vancouver, where life and death decisions are made, Sharon Bala’s stunning debut is an unforgettable and necessary story for our times.

For author Gish Jen, the daughter of Chinese immigrant parents, books were once an Outsiders' Guide to the Universe. But they were something more, too. Through her eclectic childhood reading, Jen stumbled onto a cultural phenomenon that would fuel her writing for decades to come: the profound difference in self-narration that underlies the gap often perceived between East and West. Drawing on a rich array of sources, from paintings to behavioral studies to her father's striking account of his childhood in China, this accessible book not only illuminates Jen's own development and celebrated work but also explores the aesthetic and psychic roots of the independent and interdependent self-each mode of selfhood yielding a distinct way of observing, remembering, and narrating the world. The novel, Jen writes, is fundamentally a Western form that values originality, authenticity, and the truth of individual experience. By contrast, Eastern narrative emphasizes morality, cultural continuity, the everyday, the recurrent. In its progress from a moving evocation of one writer's life to a convincing delineation of the forces that have shaped our experience for millennia, Tiger Writing radically shifts the way we understand ourselves and our art-making.

Few Westerners escape the images, expectations and misperceptions that lead us to see Asia as exotic, sensual, decadent, dangerous, and mysterious. Despite — and because of — centuries of East-West interaction, the stereotypes of Western literature, stage, and screen remain pervasive icons: the tea-pouring, submissive, sexually available geisha girl; the steely cold dragon lady dominatrix; as well as the portrayal of the Asian male as effeminate and asexual. These "Oriental" illusions color our relations and relationships in ways even well-respected professional "Asia hands" and scholars don't necessarily see. The Asian Mystique lays out a provocative challenge to see Asia and Asians as they really are, with unclouded, deeroticized eyes. It traces the origins of Western stereotypes in history and in Hollywood, examines the phenomenon of ‘yellow fever,' then goes on a reality tour of Asia's go-go bars, middle-class homes, college campuses, business districts, and corridors of power, providing intimate profiles of women's lives and vivid portraits of the human side of an Asia we usually mythologize too well to really understand. It strips away our misconceptions and stereotypes, revealing instead the fully dimensional human beings beyond our usual perceptions. The Asian Mystique is required reading for anyone with interest in or interaction with Asia or Asian-origin people, as well as any serious student or practicioner of East-West relations.

Anya could really use a friend. But her new BFF isn't kidding about the "Forever" part . . . Of all the things Anya expected to find at the bottom of an old well, a new friend was not one of them. Especially not a new friend who's been dead for a century. Falling down a well is bad enough, but Anya's normal life might actually be worse. She's embarrassed by her family, self-conscious about her body, and she's pretty much given up on fitting in at school. A new friend—even a ghost—is just what she needs. Or so she thinks. Spooky, sardonic, and secretly sincere, Anya's Ghost is a wonderfully entertaining debut graphic novel from author/artist Vera Brosgol. This title has Common Core connections. Anya's Ghost is a 2011 Kirkus Best Teen Books of the Year title. One of School Library Journal's Best Fiction Books of 2011. One of Horn Book's Best Fiction Books of 2011. Winner of the 2012 Eisner Award for Best Publication for Young Adults (Ages 12-17)