Freud V 1

A response to the veritable renaissance in Freud studies, Freud: Appraisals and Reappraisals presents the readers with the fruits of recent scholarship on Freud, the man and scientist, and the origins and development of the psychoanalytic movement spawned by his work. The premier volume of this series offers three major essays embodying different tributaries of contemporary Freud research. Peter Swales, drawing on extensive archival research, reveals the identity and explores the life and times of the woman Freud terms his first "teacher," but presented to his readers only as the "Frau Caecilie M" of the Studies on Hysteria. Barry Silverstein brings together complementary strands of textual analysis and psychobiographical reconstruction in his provocative reconsideration of the circumstances surrounding Freud's lost papers on metapsychology. Finally, Edwin Wallace's integrative review of Freud's scattered remarks on ethics and morality, combined with his appraisal of Freud's personal ethics, yield a measured and scholarly account of Freud as "ethicist." Briefer essays on Freud and the oral tradition (Patrick Mahony), Freud's psychology of religion (Paul Stepansky), and recent assessments of Freud's character (John Gedo) round out a volume that is destined for a place of distinction in the secondary literature on Freud. Collectively, these essays represent a most auspicious debut for the new series; they admirably bear out Paul Stepansky's intent of "presenting readers with original articles that embody high scholarship an a thought-provoking and imaginative use of the fruits of this scholarship."

Volume 2 of the Freud: Appraisals and Reappraisals series bears out the promise of the acclaimed premier volume, a volume whose essays "breathe new life into the study of Freud," embodying research that "appears to be impeccable in every case" (International Review of Psychoanalysis). It begins with Peter Homan's detailed reeexamination of the period 1906-1914 in Freud's life. Looking to Freud's relationahips with Jung as the central event of the period, he finds in Freud's idealization and subsequent de-idealization of Jung a psychological motif that gains recurrent expression in Freud's later writings and personal relationships. Richard Geha offers a provocative protrait of Freud as a "fictionalist." Anchoring his exegesis in Freud's famous case of the Wolf Man, he argues that the yield of Freud's clinical inquiries, epistemologically, is a species of the fictionalism of Friedrich Nietzsche and Hans Vaihinger. But, pursuing the argument, Geha goes on to advance little-noted biographical evidence that Freud understood himself to be an artist whose clinical productions were ultimately artistic. Finally, Patricia Herzog organizes and interprets Freud's seemingly conflicting remarks about philosophy and philosophers en route to the claim that the long-held belief that Freud was an "anti-philosopher" is a myth. In fact, she claims, "Freud was in no doubt as to the philosophical nature of his goal." In an introductory essay titled "Pathways to Freud's Identity," editor Paul E. Stepansky brings together the essays of Homans, Geha, and Herzog as complementary inquiries into Freud's putative self-understanding and, to that extent, as reconstructive, historical continuations of the self-analysis methodically begun by Freud in the late 1890s. "Each contributor," writes Stepansky, "in his or her own way, seeks to understand Freud better in the spirit in which Freud might have better understood himself. Together, the contributors offer vistas to an enlarged self-analytic sensibility."

The Standard Edition of the complete works of the father of psychoanalysis - the only definitive paperback edition on the market. Translated from the German under the General Editorship of James Strachey; in collaboration with Anna Freud; assisted by Alix Strachey and Alan Tyson.

In this fully updated second edition, the author clearly introduces and assesses all of Freud's thought, focusing on those areas of philosophy on which Freud is acknowledged to have had a lasting impact. These include the philosophy of mind, free will and determinism, rationality, the nature of the self and subjectivity, and ethics and religion. He also considers some of the deeper issues and problems Freud engaged with, brilliantly illustrating their philosophical significance: human sexuality, the unconscious, dreams, and the theory of transference. The author's approach emphasizes the philosophical significance of Freud’s fundamental rule – to say whatever comes to mind without censorship or inhibition. This binds psychoanalysis to the philosophical exploration of self-consciousness and truthfulness, as well as opening new paths of inquiry for moral psychology and ethics. The second edition includes a new Introduction and Conclusion. The text is revised throughout, including new sections on psychological structure and object relations and on Freud’s critique of religion and morality.

This is the first comprehensive text to address addiction and its multiple effects on and extensions into art, literature, philosophy, and psychology. Most research into addiction has taken place within the disciplines of medicine, criminology, politics, and social psychology. When seen from a broad cultural perspective, however, addiction emerges directly alongside modernity, haunting its various discourses of digression, dissent, and the transcendence of the commonplace. Who could even imagine modern writing without the addictive, visionary excesses of writers like Baudelaire, DeQuincey, Poe, Burroughs, or Artaud? Or, for that matter, modern culture without its "outsiders," its incorrigible addicts, its defaced subjects: smokers, users, overeaters, alcoholics, the insane? Taking a cultural studies approach to addiction, High Culture offers a readable and accessible collection of essays on these socially marginalized practices and discourses so central to modernity.

This work presents a complete history of psychoanalysis from its origins in 19th-century medical science to the end of the 20th century. The origins of psychoanalysis as well as the more immediate influences on Freud are explored, as is the way the discipline he founded has developed and changed.Joseph Schwartz first lays out the late Victorian approaches to mental illness and health and explains the context in which Freud's revolution took place. He traces the evolution of Freud's own thought, then shows how and why the rifts and shifts in the analytic community occurred. He then focuses on Freud's colleagues, rivals, successors and detractors - Jung, Adler, Sullivan, Melanie Klein, Erich Fromm to name a few. For once we see how the different schools and interpretations fit together - how they grew in response to each other, and what separate contributions each pioneer made over the last hundred years to create an effective understanding of the world of human subjective experience.