From Black Rooms

Natalie Lindstrom has finally left the underworld behind for a new career in the art world. But there’s one world she can’t escape: the Other world of the dead. As a former Violet, an elite crime-fighter with the power to channel murder victims, Natalie is now using her paranormal gift to summon the spirits of legendary painters. But she’s about to discover how far some people will go to keep their hold on her–and others like her…. Evan Markham, her ex-lover-turned-Violet-Killer, has escaped from prison. And he’s been made an offer he can’t refuse: Natalie. But first he must help contact a deceased geneticist whose most intriguing experiment was brutally interrupted: an attempt to manufacture Violets. To protect her young daughter and herself, Natalie must search for the scientist’s only living test subject–a handsome but tortured artist to whom she is dangerously attracted. For he is caught in the grip of two opposing forces, one that wants his survival, another that wants him–and anyone connected with him–destroyed….

What do you think of when you hear about an African American Republican? Are they heroes fighting against the expectation that all blacks must vote democratic? Are they Uncle Toms or sellouts, serving as traitors to their race? What is it really like to be a black person in the Republican Party? Black Elephants in the Room considers how race structures the political behavior of African American Republicans and discusses the dynamic relationship between race and political behavior in the purported “post-racial” context of US politics. Drawing on vivid first-person accounts, the book sheds light on the different ways black identity structures African Americans' membership in the Republican Party. Moving past rhetoric and politics, we begin to see the everyday people working to reconcile their commitment to black identity with their belief in Republican principles. And at the end, we learn the importance of understanding both the meanings African Americans attach to racial identity and the political contexts in which those meanings are developed and expressed.

An inquiry into what it is about our experiences and cultures that brings out the differences and reveals the similarities in us as humans beings, in the vein of Malcolm Gladwell and Daniel Kahneman. Jacob Burak is on a quest to answer the question “are we as human beings, who are separated by different cultures and experiences, similar or different?” Through the lens of behavioural studies, we see how, while our approaches differ and often conflict, we all strive for similar things: love, acceptance, power and understanding. How to Find a Black Cat in a Dark Room offers the latest scientific studies of human behaviour alongside accessible anecdotes to examine the universal human experiences of comparing ourselves to others, the need to belong, the urge to achieve and the anxiety and uncertainty of life itself. More importantly, Burak shows us how, in understanding these behavioural patterns, we learn that we are actually more alike than we are different; that our rivals often make us stronger; and that being trusting can help us live longer. With his inquisitive nature, logical thinking and engaging style, Burak examines whether it is destiny or personality that controls our lives, through intriguing subjects such as: • What are the ten rules for happiness that are entirely under our control? • Why do smart people make stupid mistakes? • What distinguishes bureaucrats and entrepreneurs? • What are the psychological differences between liberals and conservatives? • In what circumstances is it right to surrender our privacy? • Does it pay to trust people?

In this acclaimed psychological mystery, Jinx Kingsley, a prominent photographer and millionaire’s daughter, wakes up in an exclusive hospital suffering from amnesia. Not only can she not remember the car accident that caused her memory loss, but she doesn’t remember that her impending wedding has been called off or that her former fiancé and his girlfriend have been brutally murdered in the same way her first husband had been ten years before. Now she must try to piece together her memories in order to determine her innocence. With deft psychological explorations and shocking twists, Walters brings the story to an awe-inspiring conclusion.

Ethan Tesla is afraid. The sinister Affinity Project has him bound, drugged. Untethered and separated from his Spark. Affinity wants something from Ethan. And it’s only a matter of time before he gives it to them. Black Room is a thrilling prequel to the award-winning young adult science fiction Spark series by New Zealand author Rachael Craw. Jump straight into the action with Spark (Book 1), Stray (Book 2) and Shield (Book 3), or enter the mind of a Stray in the short story Kill Switch. www.rachaelcraw.com

Like his subject, Napoleon, author Jean-Paul Kauffmann has experienced captivity, as a three-year hostage in Beirut. He brings his insider's knowledge to this moving account of the most famous French soldier's last years in seclusion on a tropical island. After his defeat at Waterloo in 1815, Napoleon was exiled and imprisoned by the British on the island of St. Helena. He became increasingly withdrawn, surviving on a diet of memories that he recounted to the few people around him. But the book -- part history, part travelogue -- portrays the leader as a prisoner also of his mind, poisoned by nostalgia for his triumphs and grief over his defeats. "A haunting, unforgettable book....Kauffmann captures the desolate atmosphere of Napoleon's last home with evocative precision." -- Boston Globe

THE SUNDAY TIMES BESTSELLER '. . . a compelling memoir. Breezy and unpretentious, The Sanest Guy in the Room is a delightful collection of memories, insider information and after-dinner anecdotes' The Times 'Brilliant stories and wonderful behind-the-scenes glimpses of a life and career in show-business . . . It's bloody brilliant . . . Read it!' Michael Ball Don Black is the songwriter's songwriter, a composer's dream collaborator, and the man behind some of the twentieth century's greatest musical numbers. Black made his first foray into the glittering world of showbiz as a stand-up, before realising his error and focusing on his lifelong passion instead - music. Shirley Bassey, Michael Jackson, Quincy Jones, Henry Mancini and Barbra Streisand are just some of the artists Black has worked with over the years - not to mention his frequent collaborator, West End legend Andrew Lloyd Webber - in what can only be described as a remarkable musical career. Yet, never one to court fame, Black has always remained what Mark Steyn coined as 'the sanest guy in the room'. Interwoven with the stories behind songs such as 'Diamonds are Forever' and 'Born Free' are vignettes of Black's life with his beloved wife Shirley, who died in March 2018, after almost sixty years of marriage. Black writes movingly about how the enormity of his grief changed his life, and how the dark days are slowly turning into dark moments. The Sanest Guy in the Room is a rich and delightful paean to a life lived through song. It reveals the essence of Black's craft, looks at those who have inspired him and allows us to understand what made those icons tick. It is also a poignant tribute to Shirley, his biggest inspiration. Told with wit, warmth and great humour, this is Don Black's astonishing musical journey and an insight into a life behind the lyrics.

So how did I get myself into this situation, you ask? Simple: desperation. When you're faced with being homeless and hungry or taking off your clothes for money, the choice is easier than you'd imagine. That doesn't make it easy, though. Oh no. I hate it, in fact. There's nothing I'd like more than to quit and never go into another bar again, never hear the techno beat pulsing in my ears again, never feel the lecherous gazes of horny men again. Then, one day, I meet a man. He's in my club, front and center. He watches me do my routine, and his gaze is full of hunger. Not the kind of desire I'm used to though. It's something different. Something hotter, deeper, and more possessive. I know who he is; of course I do. Everyone knows who Dawson Kellor is. He's People Magazine's Sexiest Man alive. He's the hottest actor in Hollywood. He's the man hand-picked for the role of Rhett Butler in the long-awaited remake of Gone With the Wind. He's the kind of man who can have any woman in the entire world with a mere crook of his finger. So what's he doing looking at me like he has to have me? And how do I resist him when he looks at me with those intoxicating, changeable, quicksilver eyes? I'm a virgin, and he's an American icon of male sexuality. I'm a stripper, and he's a man used to getting anything and everything he wants. And he wants me. I know I should say no, I know he's the worst kind of player...but what my mind knows, my body and my heart may not. And then things get complicated.