From Eve To Dawn A History Of Women In The World Volume Iv

A girl comes of age in the radical 1960s in this “beautifully written” novel by the groundbreaking author of The Women’s Room (Kate Mosse). It’s 1968 in Cambridge, Massachusetts. Jess Leighton, the daughter of a temperamental painter and a proto-feminist Harvard professor, is struggling to make sense of her world amid racial tensions, Vietnam War protests, anti-government rage, her own burgeoning sexuality, and bad relationships. With more options than her mother’s generation, but no role model for creating the life she desires, Jess experiments with sex and psychedelic drugs as she searches for happiness on her own terms. In the midst of joining and fleeing a commune, growing organic vegetables, and operating a sustainable restaurant, Jess grapples with the legacy of her mother’s generation while building a future for herself, and for the postmodern woman. “French’s meticulous and affecting tale of the forging of one woman’s conscience encompasses thoughtful portraits of ‘love children,’ from peace activists to members of unconventional families, and a forthright critique of the counterculture that puts today’s wars, struggles for equality, and environmental troubles into sharp perspective” (Booklist).

The conclusion of the “remarkable” four-volume history by the New York Times–bestselling author of The Women’s Room (Publishers Weekly). In the twentieth century, women became a force for change, in part through suffrage, and in part through mass organizing. This final volume of Marilyn French’s wide-ranging survey offers a vibrant history of multiple political revolutions as well as the century’s horrors—including genocides and the atom bomb. It ends with a thoughtful investigation into the various indigenous feminist movements throughout the world and asks what these peaceful revolutions might augur for the future. Eschewing easy answers, French suggests that the defining moral moments of the twenty-first century should, and will, build from a global human rights agenda.

ONE OF THE MOST INFLUENTIAL AND BESTSELLING NOVELS OF THE MODERN FEMINIST MOVEMENT 'It was about the need to change things from top to bottom; it was a declaration of independence' OBSERVER 'The first and last international bestseller of the women's movement' GUARDIAN 'They said this book would change lives - and it certainly changed mine' JENNI MURRAY, BBC RADIO 4 A landmark in feminist literature, The Women's Room is a biting social commentary of a world gone silently haywire. Written in the 1970s but with profound resonance today, this is a modern allegory that offers piercing insight into the social norms accepted blindly and revered so completely. It follows the transformation of Mira Ward and her circle as the women's movement begins to have an impact on their lives. A biting social commentary on an emotional world gone silently haywire, The Women's Room is a modern classic that offers piercing insight into the social norms accepted so blindly and revered so completely. Marilyn French questions those accepted norms and poignantly portrays the hopeful believers looking for new truths.

The Feminist Press celebrates its own coming of age with an anthology of distinguished women's writings.

New York Times–bestselling author of The Women’s Room: While a man lies in the hospital, his four daughters struggle to make peace with him—and one another. In a Massachusetts hospital, as distinguished presidential adviser Stephen Upton lies mortally ill, four women gather at his lavish mansion. Half sisters Elizabeth, Mary, Alex, and Ronnie have painful and poignant memories of their childhoods—and of their father. Born to different mothers, the sisters haven’t seen one another in years. As Upton hovers between life and death, his daughters begin to open up about the man they love and hate. They share their stories and discover the terrible secret that binds them all together . . . the secret they kept even as they fought for Upton’s approval and affection. As they struggle to make peace with their father—and with one another—the women finally begin to heal and forgive the sins of the past. Moving and eloquent, Our Father is a testament to the power of female bonding.

Famed feminist Marilyn French’s life-affirming saga celebrates the love and sacrifices of four generations of Polish-American mothers and daughters. With Bella Dabrowski close to death, her daughter Anastasia, who has reinvented herself as Stacey Stevens, is trying to penetrate the longstanding barriers between them to understand the woman who gave her life. Through the eyes of Stacey, a divorced, feminist New York photographer, we get to know Bella, a remarkable woman, wife, and mother. The daughter of Polish immigrants, Bella, who renamed herself Belle, clawed her way out of poverty and settled into a middle-class existence. Shifting perspectives between the two women, the reader is drawn into Belle’s life through the lean years of the Depression as well as Stacey’s recollections of her youthful marriage, a lesbian affair, and her tempestuous relationship with her own daughter, Arden. From the groundbreaking author of The Women’s Room, Her Mother’s Daughter explores past and present to reveal the complex, indestructible bonds between daughters and mothers.

The first volume of the New York Times–bestselling author’s monumental and unprecedented history: “Consistently thought-provoking” (The New York Review of Books). The internationally celebrated author of The Women’s Room, Marilyn French spent over fifteen years with a team of researchers and prominent historians examining women’s lives and activities in civilizations and societies spanning the ages. Beginning in prehistory, Origins moves on to examine women’s lives in ancient Egypt, China, India, Peru, Mexico, Greece, and Rome. In her reconstruction of wars, laws, and other activities affecting both women and men, French also traces the worldviews underpinning them. She also depicts how women’s relationship to Judaism, Christianity, and Islam changed for good and bad over the centuries. “She backs up even her more controversial theories with an impressive accumulation of academically accepted historical, anthropological and sociological sources . . . Written in concise, understated language, this is a significant addition to literature on women’s studies and history.” —Publishers Weekly