From Eve To Dawn A History Of Women In The World Volume I

The first volume of the New York Times–bestselling author’s monumental and unprecedented history: “Consistently thought-provoking” (The New York Review of Books). The internationally celebrated author of The Women’s Room, Marilyn French spent over fifteen years with a team of researchers and prominent historians examining women’s lives and activities in civilizations and societies spanning the ages. Beginning in prehistory, Origins moves on to examine women’s lives in ancient Egypt, China, India, Peru, Mexico, Greece, and Rome. In her reconstruction of wars, laws, and other activities affecting both women and men, French also traces the worldviews underpinning them. She also depicts how women’s relationship to Judaism, Christianity, and Islam changed for good and bad over the centuries. “She backs up even her more controversial theories with an impressive accumulation of academically accepted historical, anthropological and sociological sources . . . Written in concise, understated language, this is a significant addition to literature on women’s studies and history.” —Publishers Weekly

ONE OF THE MOST INFLUENTIAL AND BESTSELLING NOVELS OF THE MODERN FEMINIST MOVEMENT 'It was about the need to change things from top to bottom; it was a declaration of independence' OBSERVER 'The first and last international bestseller of the women's movement' GUARDIAN 'They said this book would change lives - and it certainly changed mine' JENNI MURRAY, BBC RADIO 4 A landmark in feminist literature, The Women's Room is a biting social commentary of a world gone silently haywire. Written in the 1970s but with profound resonance today, this is a modern allegory that offers piercing insight into the social norms accepted blindly and revered so completely. It follows the transformation of Mira Ward and her circle as the women's movement begins to have an impact on their lives. A biting social commentary on an emotional world gone silently haywire, The Women's Room is a modern classic that offers piercing insight into the social norms accepted so blindly and revered so completely. Marilyn French questions those accepted norms and poignantly portrays the hopeful believers looking for new truths.

A girl comes of age in the radical 1960s in this “beautifully written” novel by the groundbreaking author of The Women’s Room (Kate Mosse). It’s 1968 in Cambridge, Massachusetts. Jess Leighton, the daughter of a temperamental painter and a proto-feminist Harvard professor, is struggling to make sense of her world amid racial tensions, Vietnam War protests, anti-government rage, her own burgeoning sexuality, and bad relationships. With more options than her mother’s generation, but no role model for creating the life she desires, Jess experiments with sex and psychedelic drugs as she searches for happiness on her own terms. In the midst of joining and fleeing a commune, growing organic vegetables, and operating a sustainable restaurant, Jess grapples with the legacy of her mother’s generation while building a future for herself, and for the postmodern woman. “French’s meticulous and affecting tale of the forging of one woman’s conscience encompasses thoughtful portraits of ‘love children,’ from peace activists to members of unconventional families, and a forthright critique of the counterculture that puts today’s wars, struggles for equality, and environmental troubles into sharp perspective” (Booklist).

Offers a three-volume examination of the history of women.

The Feminist Press celebrates its own coming of age with an anthology of distinguished women's writings.

INSTANT NEW YORK TIMES BESTSELLER A dramatically new understanding of human history, challenging our most fundamental assumptions about social evolution—from the development of agriculture and cities to the origins of the state, democracy, and inequality—and revealing new possibilities for human emancipation. For generations, our remote ancestors have been cast as primitive and childlike—either free and equal innocents, or thuggish and warlike. Civilization, we are told, could be achieved only by sacrificing those original freedoms or, alternatively, by taming our baser instincts. David Graeber and David Wengrow show how such theories first emerged in the eighteenth century as a conservative reaction to powerful critiques of European society posed by Indigenous observers and intellectuals. Revisiting this encounter has startling implications for how we make sense of human history today, including the origins of farming, property, cities, democracy, slavery, and civilization itself. Drawing on pathbreaking research in archaeology and anthropology, the authors show how history becomes a far more interesting place once we learn to throw off our conceptual shackles and perceive what’s really there. If humans did not spend 95 percent of their evolutionary past in tiny bands of hunter-gatherers, what were they doing all that time? If agriculture, and cities, did not mean a plunge into hierarchy and domination, then what kinds of social and economic organization did they lead to? The answers are often unexpected, and suggest that the course of human history may be less set in stone, and more full of playful, hopeful possibilities, than we tend to assume. The Dawn of Everything fundamentally transforms our understanding of the human past and offers a path toward imagining new forms of freedom, new ways of organizing society. This is a monumental book of formidable intellectual range, animated by curiosity, moral vision, and a faith in the power of direct action. Includes Black-and-White Illustrations