From Hand To Mouth

One of the Best 5 Books of 2014 — Esquire "I’ve been waiting for this book for a long time. Well, not this book, because I never imagined that the book I was waiting for would be so devastatingly smart and funny, so consistently entertaining and unflinchingly on target. In fact, I would like to have written it myself – if, that is, I had lived Linda Tirado’s life and extracted all the hard lessons she has learned. I am the author of Nickel and Dimed, which tells the story of my own brief attempt, as a semi-undercover journalist, to survive on low-wage retail and service jobs. Tirado is the real thing." —from the foreword by Barbara Ehrenreich, New York Times bestselling author of Nickel and Dimed We in America have certain ideas of what it means to be poor. Linda Tirado, in her signature brutally honest yet personable voice, takes all of these preconceived notions and smashes them to bits. She articulates not only what it is to be working poor in America (yes, you can be poor and live in a house and have a job, even two), but what poverty is truly like—on all levels. Frankly and boldly, Tirado discusses openly how she went from lower-middle class, to sometimes middle class, to poor and everything in between, and in doing so reveals why “poor people don’t always behave the way middle-class America thinks they should.”

Writing with wit and eloquence, Corballis makes nimble reference to literature, mythology, natural history, sports, and contemporary politics as he explains in fascinating detail what is now known about the evolution of language. Line illustrations.

'One of the most original and audacious autobiographies ever written by a writer.' Le Monde Hand to Mouth tells the story of the young Paul Auster's struggle to stay afloat. By turns poignant and comic, Auster's memoir is essentially a book about money - and what it means not to have it. From one odd job to the next, from one failed scheme to another, Auster investigates his own stubborn compulsion to make art and, in the process, treats us to a series of remarkable adventures and unforgettable encounters. Hand to Mouth is essential reading for anyone interested in Paul Auster, in the figure of the struggling artist, in the nature of poverty, or in baseball.

A novel in which a successful art dealer confesses the story of his rise to a former classmate in an airport bar--a story that begins with his rescue and resuscitation of a drowning man with whom he becomes inextricably and disturbingly linked.

What is it that makes us human? This is one of the most challenging and important questions we face. Our species' defining characteristic is language - we appear to be unique in the natural world in having such an incredibly open-ended system for putting thoughts into words. If we are to truly understand ourselves as a species we must understand the origins of this strange and unique ability. To do so, we need to answer some of the most intriguing questions in contemporary scientific research: Where did language come from? How did it evolve? Why are we unique in possessing it? This book, for the first time, brings together the leading thinkers who are trying to unlock the puzzle of language evolution. Here we see the latest ideas and theories from fields as diverse as anthropology, archaeology, artificial life, biology, cognitive science, linguistics, neuroscience, and psychology. In a series of seventeen well-written and accessible chapters we get an unrivalled view of the state of the art in this exciting area. Current controversies are revealed and new perspectives uncovered, in a clear and readable guide to the latest theories. This collection marks a major step forward in our quest to understand the origins and evolution of human language. In doing so it sheds new light on the process of evolution, the workings of the brain, the structure of language, and - most importantly - what it means to be human. Language Evolution is essential reading for researchers and students working in the areas covered, and has been used as a textbook for courses in the field. It will also attract the general reader who wants to know more about this fascinating subject.

"Open these pages and let your heart and your life be transformed by love!!! You will discover fresh-flowing love for the very special people God has placed in your life. More than that, you will experience amazing insights on the secret for pouring His love into the lives of others. Open your heart to hear God's voice as you turn these anointed pages!" Glenna Salsbury Professional Speaker Author of The Art of The Fresh Start "Mimi is a gutsy gal whose relationship skills were forged in the crucible of a sometimes harsh life. But God sent her an angel, a mother-in-law with a heart of gold and an abundance of grace. Through this woman, Mimi let God transform her own life. Today she has opened to us all the rich store of advice and examples she gained in the process. Beautifully presented, this book is full of illustrations of the balance between loving those special in-laws God sends us and receiving grace with humility, then passing it on. Thank you, Mimi, for showing us that in-lawing can work to the glory of God." Ethel Herr, Christian Writer & Speaker Mimi Moseley's favorite saying is, "It's never too late to be who you were meant to be." A scared childhood could have produced a troubled adult had God not intervened. Mimi has served in various aspects of ministering to women for over 25 years. She and her husband, Marty, live in Northern California. They have two sons, Marty III and Matthew: two amazing daughters-in-law, Rebecca and Anna; and two adorable grandchildren, Marty IV and Malea. Mimi communicates her calling to encourage conference and retreat attendees, as well as one-on-one counseling, to cultivate practical changes, which enhances good relationships and give hope to those facing hopeless ones.

A versatile missive written from the intersections of gender, disability, trauma, and survival. “Some girls are not made,” torrin a. greathouse writes, “but spring from the dirt.” Guided by a devastatingly precise hand, Wound from the Mouth of a Wound—selected by Aimee Nezhukumatathil as the winner of the 2020 Ballard Spahr Prize for Poetry—challenges a canon that decides what shades of beauty deserve to live in a poem. greathouse celebrates “buckteeth & ulcer.” She odes the pulp of a bedsore. She argues that the vestigial is not devoid of meaning, and in kinetic and vigorous language, she honors bodies the world too often wants dead. These poems ache, but they do not surrender. They bleed, but they spit the blood in our eyes. Their imagery pulses on the page, fractal and fluid, blooming in a medley of forms: broken essays, haibun born of erasure, a sonnet meant to be read in the mirror. greathouse’s poetry demands more of language and those who wield it. “I’m still learning not to let a stranger speak / me into a funeral.” Concrete and evocative, Wound from the Mouth of a Wound is a testament to persistence, even when the body is not allowed to thrive. greathouse—elegant, vicious, “a one-girl armageddon” draped in crushed velvet—teaches us that fragility is not synonymous with flaw.