From Object To Concept

Ming porcelain is widely regarded among the world's finest cultural treasures. From ordinary household items patiently refined for imperial use, porcelain became a dynamic force in domestic consumption in China and a valuable commodity in export trade. In the modern era, it has reached unprecedented heights in art auctions and other avenues of global commerce. This book examines the impact of consumption on the evolution of porcelain and its transformation into a foreign cultural icon. The book begins with an examination of ways in which porcelain was appreciated in Ming China, followed by a discussion of encounters with Ming porcelain in several global regions including Europe and the Americas. The book also looks at the invention of the phrase and concept of 'the Ming vase' in English-speaking cultures and concludes with a history of the transformation of Ming porcelain into works of art.

“There they rest, inert, impertinent, in gallery space—those book forms either imitated or mutilated, replicas of reading matter or its vestiges. Strange, after its long and robust career, for the book to take early retirement in a museum, not as rare manuscript but as functionless sculpture. Readymade or constructed, such book shapes are canceled as text when deposited as gallery objects, shut off from their normal reading when not, in some yet more drastic way, dismembered or reassembled.” So begins Bookwork, which follows our passion for books to its logical extreme in artists who employ found or simulated books as a sculptural medium. Investigating the conceptual labor behind this proliferating international art practice, Garrett Stewart looks at hundreds of book-like objects, alone or as part of gallery installations, in this original account of works that force attention upon a book’s material identity and cultural resonance. Less an inquiry into the artist’s book than an exploration of the book form’s contemporary objecthood, Stewart’s interdisciplinary approach traces the lineage of these aggressive artifacts from the 1919 Unhappy Readymade of Marcel Duchamp down to the current crisis of paper-based media in the digital era. Bookwork surveys and illustrates a stunning variety of appropriated and fabricated books alike, ranging from hacksawed discards to the giant lead folios of Anselm Kiefer. The unreadable books Stewart engages with in this timely study are found, again and again, to generate graphic metaphors for the textual experience they preclude, becoming in this sense legible after all.

“There they rest, inert, impertinent, in gallery space—those book forms either imitated or mutilated, replicas of reading matter or its vestiges. Strange, after its long and robust career, for the book to take early retirement in a museum, not as rare manuscript but as functionless sculpture. Readymade or constructed, such book shapes are canceled as text when deposited as gallery objects, shut off from their normal reading when not, in some yet more drastic way, dismembered or reassembled.” So begins Bookwork, which follows our passion for books to its logical extreme in artists who employ found or simulated books as a sculptural medium. Investigating the conceptual labor behind this proliferating international art practice, Garrett Stewart looks at hundreds of book-like objects, alone or as part of gallery installations, in this original account of works that force attention upon a book’s material identity and cultural resonance. Less an inquiry into the artist’s book than an exploration of the book form’s contemporary objecthood, Stewart’s interdisciplinary approach traces the lineage of these aggressive artifacts from the 1919 Unhappy Readymade of Marcel Duchamp down to the current crisis of paper-based media in the digital era. Bookwork surveys and illustrates a stunning variety of appropriated and fabricated books alike, ranging from hacksawed discards to the giant lead folios of Anselm Kiefer. The unreadable books Stewart engages with in this timely study are found, again and again, to generate graphic metaphors for the textual experience they preclude, becoming in this sense legible after all.

Playing a key role in our lives, as a vehicle for our thoughts and a powerful medium of communication, language is at the centre of philosophical investigation. The fifteen specially commissioned essays in this book introduce and explore the ideas of major philosophers who have shaped philosophical thinking about language, providing insights into crucial developments in this fascinating field over the last 140 years. Chapters examine the work of Frege, Russell, Wittgenstein, Carnap, Austin, Quine, Chomsky, Grice, Davidson, Dummett, Kripke and Derrida. This second edition broadens coverage of the area with new chapters on Susan Stebbing and on recent developments in feminist philosophy of language. Featuring contributions from Arif Ahmed, Kent Bach, Thomas Baldwin, Michael Beaney, Siobhan Chapman, Kirk Ludwig and other leading experts in the field, Philosophy of Language: The Key Thinkers provides a thorough introduction to the puzzles, debates and ideas that animate contemporary philosophy of language. It is an ideal resource for undergraduate students in philosophy, linguistics and related disciplines.

Originally published in 1988. This text gives a lucid account of the most distinctive and influential responses by twentieth century philosophers to the problem of the unity of the proposition. The problem first became central to twentieth-century philosophy as a result of the depsychoiogising of logic brought about by Bradley and Frege who, responding to the ’Psychologism’ of Mill and Hume, drew a sharp distinction between the province of psychology and the province of logic. This author argues that while Russell, Ryle and Davidson, each in different ways, attempted a theoretical solution, Frege and Wittgenstein (both in the Tractatus and the Investigations) rightly maintained that no theoretical solution is possible. It is this which explains the importance Wittgenstein attached in his later work to the idea of agreement in judgments. The two final chapters illustrate the way in which a response to the problem affects the way in which we think about the nature of the mind. They contain a discussion of Strawson’s concept of a person and provide a striking critique of the philosophical claims made by devotees of artificial intelligence, in particular those made by Daniel Dennett.

This book is dedicated to the memory of Ole-Johan Dahl who passed away in June 2002 at the age of 70, shortly after he had received, together with his colleague Kristen Nygaard, the ACM Alan M. Turing Award: "For ideas fundamental to the emergence of object-oriented programming, through their design of the programming languages Simula I and Simula 67." This Festschrift opens with a short biography and a bibliography recollecting Ole-Johan Dahl's life and work, as well as a paper he wrote entitled: "The Birth of Object-Orientation: the Simula Languages." The main part of the book consists of 14 scientific articles written by leading scientists who worked with Ole-Johan Dahl as students or colleagues. In accordance with the scope of Ole-Johan Dahl's work and the book's title, the articles are centered around object-orientation and formal methods.

In Object Relations Theories and Psychopathology: A Comprehensive Text, Frank Summers provides thorough, lucid, and critically informed accounts of the work of major object relations theorists: Fairbairn, Guntrip, Klein, Winnicott, Kernberg, and Kohut. His expositions achieve distinction on two counts. First, the work of each object relations theorist is presented as a comprehensive whole, with separate sections expounding the theorist's ideas and assumptions about metapsychology, development, psychopathology, and treatment, with a critical evaluation of the strengths and limitations of the theory in question. Second, the emphasis in each chapter is on issues of clinical understanding and technique. Making extensive use of case material provided by each of the theorists, he shows how each object relations theory yields specific clinical approaches to a variety of syndromes, and how these approaches entail specific modifications in clinical technique. Beyond his detailed attention to the theoretical and technical differences among object relations theories, Summers' penultimate chapter discusses the similarities and differences of object relations and interpersonal theories. And his concluding chapter outlines a pragmatic object relations approach to development, psychopathology, and technique that combines elements of all object relations theories without opting for any single theory. Object Relations Theories and Psychopathology is that rare event in psychoanalytic publishing: a substantial, readable text that surveys a broad expanse of theoretical and clinical landscape with erudition, sympathy, and critical perspective. It will be essential reading for all analysts, psychologists, psychiatrists, and social workers who wish to familiarize themselves with object relations theories in general, sharpen their understanding of the work of specific object relations theorists, or enhance their ability to employ these theories in their clinical work.