From Photography To 3d Models And Beyond Visualizations In Archaeology

This book explores the history of visual technology and archaeology and outlines how the introduction of interactive 3D computer modelling to the discipline parallels very closely the earlier integration of photography into archaeological fieldwork.

This book explores the expressly pictorial type of visual archaeology, the transcribing of three-dimensional materiality into two-dimensional depictions, and its influential history within the discipline. The picturing of ancient sites and artifacts to convey information links visual reporting with the workings of the imagination and indicates that the study of antiquity has always had a hybrid identity: part artistic and part scientific. In examining expressly pictorial forms of visual story-telling about the past, this book looks beyond certain supposed "creative turns" and focuses instead on creative continuities, answering key questions about the power of picturing and its ability to not only inform documentary practices but actively structure those practices. How are prints, drawings, paintings and photographs able to collapse the three-dimensional world of the ancient past onto a flat page but also convey a sense of material reality? In contemporary practice, how do pictorial ways of seeing enable the interpretation of material remains but also shape the recognition of digital traces on a computer screen? Published illustrations, both historical and contemporary, are primary sources of evidence for answering such questions and identifying common patterns of pictorial information. This book provides a framework for scholars researching the visual culture of archaeology as well as the history of archaeology. It is also recommended for professionals in the fields of heritage studies, conservation and community archaeology.

Effective spatial analysis is an essential element of archaeological research; this book is a unique guide to choosing the appropriate technique, applying it correctly and understanding its implications both theoretically and practically. Focusing upon the key techniques used in archaeological spatial analysis, this book provides the authoritative, yet accessible, methodological guide to the subject which has thus far been missing from the corpus. Each chapter tackles a specific technique or application area and follows a clear and coherent structure. First is a richly referenced introduction to the particular technique, followed by a detailed description of the methodology, then an archaeological case study to illustrate the application of the technique, and conclusions that point to the implications and potential of the technique within archaeology. The book is designed to function as the main textbook for archaeological spatial analysis courses at undergraduate and post-graduate level, while its user-friendly structure makes it also suitable for self-learning by archaeology students as well as researchers and professionals.

Technological revolutions have changed the field of architecture exponentially. The advent of new technologies and digital tools will continue to advance the work of architects globally, aiding in architectural design, planning, implementation, and restoration. The Handbook of Research on Emerging Digital Tools for Architectural Surveying, Modeling, and Representation presents expansive coverage on the latest trends and digital solutions being applied to architectural heritage. Spanning two volumes of research-based content, this publication is an all-encompassing reference source for scholars, IT professionals, engineers, architects, and business managers interested in current methodologies, concepts, and instruments being used in the field of architecture.

Computer-Generated Images (CGIs) are widely used and accepted in the world of entertainment but the use of the very same visualization techniques in academic research in the Arts and Humanities remains controversial. The techniques and conceptual perspectives on heritage visualization are a subject of an ongoing interdisciplinary debate. By demonstrating scholarly excellence and best technical practice in this area, this volume is concerned with the challenge of providing intellectual transparency and accountability in visualization-based historical research. Addressing a range of cognitive and technological challenges, the authors make a strong case for a wider recognition of three-dimensional visualization as a constructive, intellectual process and valid methodology for historical research and its communication. Intellectual transparency of visualization-based research, the pervading theme of this volume, is addressed from different perspectives reflecting the theory and practice of respective disciplines. The contributors - archaeologists, cultural historians, computer scientists and ICT practitioners - emphasize the importance of reliable tools, in particular documenting the process of interpretation of historical material and hypotheses that arise in the course of research. The discussion of this issue refers to all aspects of the intellectual content of visualization and is centred around the concept of 'paradata'. Paradata document interpretative processes so that a degree of reliability of visualization outcomes can be understood. The disadvantages of not providing this kind of intellectual transparency in the communication of historical content may result in visual products that only convey a small percentage of the knowledge that they embody, thus making research findings not susceptible to peer review and rendering them closed to further discussion. It is argued, therefore, that paradata should be recorded alongside more tangible outcomes of research, preferably as an integral part of virtual models, and sustained beyond the life-span of the technology that underpins visualization.

Archaeology in Malay Archipelago and Beyond In Archaeology in Malay Archipelago and Beyond, researchers from various fields incorporate key research findings to examine archaeology in the region of Malay Archipelago and her surroundings. Drawing on works from rock art researches, historical seaport, latest archaeological sciences, cultural study and contemporary heritage management issues, this book provides illuminating insights into contemporary archaeological topics and issues in recent years.

Collection of original articles that examines issues in reconstructing archaeological sites fo the public, both physically and virtually.

This book constitutes the refereed proceedings of the 17th Iberoamerican Congress on Pattern Recognition, CIARP 2012, held in Buenos Aires, Argentina, in September 2012. The 109 papers presented, among them two tutorials and four keynotes, were carefully reviewed and selected from various submissions. The papers are organized in topical sections on face and iris: detection and recognition; clustering; fuzzy methods; human actions and gestures; graphs; image processing and analysis; shape and texture; learning, mining and neural networks; medical images; robotics, stereo vision and real time; remote sensing; signal processing; speech and handwriting analysis; statistical pattern recognition; theoretical pattern recognition; and video analysis.