From Quetta To Delhi A Partition Story

This story is a cameo set against the backdrop of Partition - a decision taken by political leaders in Britain and India that shattered the lives of ordinary people like the family in this narrative who at that time were living in Quetta, Baluchistan. Viewing victims of the Partition of Punjab in the light of post traumatic stress has been long overdue. The narrator's mother's method of coping with the traumatic present was to escape into the past by reliving her memories of Quetta and her beloved Pathans along with the mundane, insignificant little details of the women's daily lives. Her recall hinges on the drama of the trivial, on food,rituals, clothes, religious practices and neighbourhood bonding. It was a syncretic culture, of multilinguism - Urdu,Punjabi and Seraiki, Persian and Sanskrit, of multiple identities through the biradaris - caste,mohalla and religion. The author's grandmother kept the Guru Granth Sahib at home, her mother and sisters practiced Hindu rituals, while her husband was an agnostic. And everyone made pilgrimages to Sufi pirs.

This book expands the scope of understanding of the vast, albeit uneven, experience of the 1947 Partition of India by including localities and life stories from and beyond the regions of Punjab and Bengal. Building on existing research on Partition, the chapters present and analyse the consequences of Partition displacement and the resilience of communities in different parts of the nation. Regions discussed include the Chitmahals, Assam, Tripura, Mizoram, Hyderabad, Andaman Islands, and Jammu and Kashmir. The contributors show that the heterogeneity of people’s experiences reside in spaces of the family, home, neighbourhoods, villages, towns and cities refugee settlements, letters, memoirs, biographies, films, fiction, oral histories, and testimonies. The book examines the Partition’s complex effects in regions, localities and contexts and its material and psychological ramifications. This book is a unique and comprehensive contribution in enabling a more complex understanding of how Partition played out and continues to do so for groups and generations across India. It will be of interest to a multidisciplinary audience, including history, literature, comparative literature, colonial and postcolonial studies, modern Asian studies, studies of South Asia, and studies of memory and trauma.

In South Asia massive anticolonial movements in the twentieth century created nation-states and reset national borders, forming the basis for emerging film cultures. Following the upheaval of the partition of India and Pakistan in 1947 and the Bangladesh Liberation War of 1971, new national cinemas promoted and reinforced prevailing hierarches of identity and belonging. At the same time, industrial and independent cinemas contributed to remarkably porous and hybrid film cultures, reflecting the intertwining of South Asian histories and their reciprocal cultural influences. This cross-fertilization within South Asian cultural production continues today. South Asian Filmscapes excavates these complex politics and poetics of bordered identity and crossings through selected histories of cinema in South Asia. Several essays reveal ways in which fixed notions of national identity have been destabilized by the cross-border mobility of filmed arts and practitioners, while others interrogate how filmic politics intersects with discourses of nationalism, sexuality and gender, religion, and language. Together, they offer a fluid approach to the multiple histories and encounters that conjure “South Asia” as a geographic and political entity in the region and globally through a cinematic imagination.

This book interrogates representations – fiction, literary motifs and narratives – of the Partition of India. Delving into the writings of Khushwant Singh, Balachandra Rajan, Attia Hosain, Abdullah Hussein, Rahi Masoom Raza and Anita Desai, among many others, it highlights the modes of ‘fictive’ testimony that sought to articulate the inarticulate – the experiences of trauma and violence, of loss and longing, and of diaspora and displacement. The author discusses representational techniques and formal innovations in writing across three generations of twentieth-century writers in India and Pakistan, invoking theoretical debates on history, memory, witnessing and trauma. With a new afterword, the second edition of this volume draws attention to recent developments in Partition studies and sheds new light as regards ongoing debates about an event that still casts a shadow on contemporary South Asian society and culture. A key text, this is essential reading for scholars, researchers and students of literary criticism, South Asian studies, cultural studies and modern history.

Seventy years on, the Partition of India fades from memory. Can it be restored?

The Indian Independence Act of 1947 granted India freedom from British rule, signaling the formal end of the British Raj in the subcontinent. This freedom, though, came at a price: partition, the division of the country into India and Pakistan, and the communal riots that followed. These riots resulted in the deaths of an estimated 1 million Hindus and Muslims and the displacement of about 20 million persons on both sides of the border. This watershed socioeconomic–geopolitical moment cast an enduring shadow on India’s relationship with neighboring Pakistan. Presenting a perspective of the middle-class refugees who were forced from their homes, jobs, and lives with the withdrawal of British rule in India, Home, Uprooted delves into the lives of forty-five Partition refugees and their descendants to show how this epochal event continues to shape their lives. Exploring the oral histories of three generations of refugees from India’s Partition—ten Hindu and Sikh families in Delhi, Home, Uprooted melds oral histories with a fresh perspective on current literature to unravel the emergent conceptual nexus of home, travel, and identity in the stories of the participants. Author Devika Chawla argues that the ways in which her participants imagine, recollect, memorialize, or “abandon” home in their everyday narratives give us unique insights into how refugee identities are constituted. These stories reveal how migrations are enacted and what home—in its sense, absence, and presence—can mean for displaced populations. Written in an accessible and experimental style that blends biography, autobiography, essay, and performative writing, Home, Uprooted folds in field narratives with Chawla’s own family history, which was also shaped by the Partition event and her self-propelled migration to North America. In contemplating and living their stories of home, she attempts to show how her own ancestral legacies of Partition displacement bear relief. Home—how we experience it and what it says about the “selves” we come to occupy—is a crucial question of our contemporary moment. Home, Uprooted delivers a unique and poignant perspective on this timely question. This compilation of stories offers an iteration of how diasporic migrations might be enacted and what “home” means to displaced populations.

Seventy years on from the partition of India, a momentous event now recedes in memory. Despite being born into a family affected by the great divide, artist and oral historian Aanchal Malhotra had thought little about it until she encountered the objects her own great-grandparents had saved as they fled their homes: jewelry, kitchen utensils, photographs, and a pocketknife. Remnants of Partition is a unique revisiting of Partition through dozens of personal belongings carried between the new India and Pakistan, amid the chaos of communal killings and mass displacement. Hidden in these objects is the memory of a time and place, a story of migration, and a life that once was. Malhotra unearths possessions from both sides of the border, interviewing their owners and uncovering a rich tapestry of struggle, sacrifice, pain, and identities forged and unforged. From a string of pearls gifted by a maharaja to a young woman's poetry notebook, this is an extraordinary alternative history of Partition, both powerful and poignant. Aanchal Malhotra takes the material legacy of a unique human drama, and places it back in our hands as vivid, living memory.

The Journey of Partition itself -- after Partition. The Partition of British India and the subsequent creation of two antagonist countries is a phenomenon that we are still trying to comprehend. Millions displaced, thousands slaughtered, families divided and redefined, as home became alien land and the unknown became home. So much has been said about it but there is still no writer, storyteller or poet who has been able to explain the madness of Partition.Using the oral narratives of four generations of people -- mainly Pakistanis but also some Indians -- Anam Zakaria, a Pakistani researcher, attempts to understand how the perception of Partition and the 'other' has evolved over the years. Common sense dictates that the bitter memories of Partition would now be forgotten and new relationships would have been forged over the years, but that is not always the case. The memories of Partition have been repackaged through state narratives, and attitudes have only hardened over the years. Post-Partition events -- wars, religious extremism, terrorism -- have left new imprints on 1947. This book documents the journey of Partition itself -- after Partition.