From Slaving To Neoslavery

Fernando Po, home to the Bantu-speaking Bubi people, has an unusually complex history. Long touted as the "key" to West Africa, it is the largest West African island and the last to enter the world economy. Confronted by both African resistance and ecological barriers, early British and Spanish imperialism foundered there. Not until the late nineteenth century did foreign settlement take hold, abetted by a class of westernized black planters. It was only then that Fernando Po developed a plantation economy dependent on migrant labor, working under conditions similar to slavery. In From Slaving to Neoslavery, Ibrahim K. Sundiata offers a comprehensive history of Fernando Po, explains the continuities between slavery and free contract labor, and challenges standard notions of labor development and progress in various colonial contexts. Sundiata's work is interdisciplinary, considering the influences of the environment, disease, slavery, abolition, and indigenous state formation in determining the interaction of African peoples with colonialism. From Slaving to Neoslavery has manifold implications. Historians usually depict the nineteenth century as the period in which free labor triumphed over slavery, but Sundiata challenges this notion. By examining the history of Fernando Po, he illuminates the larger debate about slavery current among scholars of Africa.

A Pulitzer Prize-winning history of the mistreatment of black Americans. In this 'precise and eloquent work' - as described in its Pulitzer Prize citation - Douglas A. Blackmon brings to light one of the most shameful chapters in American history - an 'Age of Neoslavery' that thrived in the aftermath of the Civil War through the dawn of World War II. Using a vast record of original documents and personal narratives, Blackmon unearths the lost stories of slaves and their descendants who journeyed into freedom after the Emancipation Proclamation and then back into the shadow of involuntary servitude thereafter. By turns moving, sobering and shocking, this unprecedented account reveals these stories, the companies that profited the most from neoslavery, and the insidious legacy of racism that reverberates today.

Fernando Po, home to the Bantu-speaking Bubi people, has an unusually complex history. Long touted as the "key" to West Africa, it is the largest West African island and the last to enter the world economy. Confronted by both African resistance and ecological barriers, early British and Spanish imperialism foundered there. Not until the late nineteenth century did foreign settlement take hold, abetted by a class of westernized black planters. It was only then that Fernando Po developed a plantation economy dependent on migrant labor, working under conditions similar to slavery. In From Slaving to Neoslavery, Ibrahim K. Sundiata offers a comprehensive history of Fernando Po, explains the continuities between slavery and free contract labor, and challenges standard notions of labor development and progress in various colonial contexts. Sundiata's work is interdisciplinary, considering the influences of the environment, disease, slavery, abolition, and indigenous state formation in determining the interaction of African peoples with colonialism. From Slaving to Neoslavery has manifold implications. Historians usually depict the nineteenth century as the period in which free labor triumphed over slavery, but Sundiata challenges this notion. By examining the history of Fernando Po, he illuminates the larger debate about slavery current among scholars of Africa.

After discerning the social and historical factors surrounding its first appearance in the 1960s, Neo-Slave Narratives explores the complex relationship between nostalgia and critique, while asking how African American intellectuals at different points between 1976 and 1990 remember and use the site of slavery to represent cultural debates that arose during the sixties."--BOOK JACKET.

This History is intended for a broad audience seeking knowledge of how novels interact with and influence their cultural landscape. Its interdisciplinary approach will appeal to those interested in novels and film, graphic novels, novels and popular culture, transatlantic blackness, and the interfacing of race, class, gender, and aesthetics.

As an increasingly polarized America fights over the legacy of racism, Susan Neiman, author of the contemporary philosophical classic Evil in Modern Thought, asks what we can learn from the Germans about confronting the evils of the past In the wake of white nationalist attacks, the ongoing debate over reparations, and the controversy surrounding Confederate monuments and the contested memories they evoke, Susan Neiman’s Learning from the Germans delivers an urgently needed perspective on how a country can come to terms with its historical wrongdoings. Neiman is a white woman who came of age in the civil rights–era South and a Jewish woman who has spent much of her adult life in Berlin. Working from this unique perspective, she combines philosophical reflection, personal stories, and interviews with both Americans and Germans who are grappling with the evils of their own national histories. Through discussions with Germans, including Jan Philipp Reemtsma, who created the breakthrough Crimes of the Wehrmacht exhibit, and Friedrich Schorlemmer, the East German dissident preacher, Neiman tells the story of the long and difficult path Germans faced in their effort to atone for the crimes of the Holocaust. In the United States, she interviews James Meredith about his battle for equality in Mississippi and Bryan Stevenson about his monument to the victims of lynching, as well as lesser-known social justice activists in the South, to provide a compelling picture of the work contemporary Americans are doing to confront our violent history. In clear and gripping prose, Neiman urges us to consider the nuanced forms that evil can assume, so that we can recognize and avoid them in the future.

“As you turn the pages of this novel and get lost in Dana’s story, allow yourself to relive the horrors of slavery....Allow yourself to know the pain of our nation’s past.”—Tomi Adeyemi, New York Times bestseller and Hugo and Nebula award-winning author, from the new foreword This brand new package for young adults includes a redesigned interior for better readability, specially commissioned cover art by Carlos Fama, metallic stock cover, and spot gloss on cover elements “I lost an arm on my last trip home. My left arm.” Dana’s torment begins when she suddenly vanishes on her 26th birthday from California, 1976, and is dragged through time to antebellum Maryland to rescue a boy named Rufus, heir to a slaveowner’s plantation. She soon realizes the purpose of her summons to the past: protect Rufus to ensure his assault of her Black ancestor so that she may one day be born. As she endures the traumas of slavery and the soul-crushing normalization of savagery, Dana fights to keep her autonomy and return to the present. Blazing the trail for neo-slavery narratives like Colson Whitehead’s The Underground Railroad and Ta-Nehisi Coates’s The Water Dancer, Butler takes one of speculative fiction’s oldest tropes and infuses it with lasting depth and power. Dana not only experiences the cruelties of slavery on her skin but also grimly learns to accept it as a condition of her own existence in the present. “Where stories about American slavery are often gratuitous, reducing its horror to explicit violence and brutality, Kindred is controlled and precise” (New York Times). “Reading Octavia Butler taught me to dream big, and I think it’s absolutely necessary that everybody have that freedom and that willingness to dream.” —N. K. Jemisin

An exhaustively researched history of black families in America from the days of slavery until just after the Civil War.