From Squeaky Clean To Dirty Water My Life With The Sixties Garage Rock Trailblazers The Standells

The lead vocalist for the iconic rock band Queen, Freddie Mercury's unmatched skills as a songwriter and his flamboyant showmanship made him a superstar and Queen a household name. The author, a rock journalist, conducted more than a hundred interviews with key figures in Mercury's life, to offer this account of one man's legendary life in the spotlight and behind the scenes.

Brothers Anthony and Christopher Donnelly were raised in, and grew up surrounded by, what was allegedly one the UK's most legendary and elusive crime families - Manchester's Quality Street Gang. How they found riches and fame as celebrated fashion kings is one of the most astonishing stories in the history of the rag trade. In their early twenties, as Acid House and street clothing pioneers, they were called both 'ambassadors for a generation' by Vivienne Westwood and 'a menace to society' by Parliament. Their fashion label, Gio-Goi, became a worldwide hit at the height of the 'Madchester' phenomenon, sported by the Happy Mondays, New Order, The Stone Roses and many more. Then, in 1994, Anthony and Chris were arrested as part of a huge police investigation into the Quality Street Gang, and the Donnelly Brothers lost everything amid lurid 'drugs and guns' headlines. After years in the wilderness, they made a remarkable comeback in 2005 with Pete Doherty (then dating Kate Moss) designing a high-profile collection for the re-launched Gio-Goi. Further attention-grabbing headlines featuring Robbie Williams, Arctic Monkeys, Liam Gallagher, Kasabian, Rihanna, Amy Winehouse, Plan B, Calvin Harris and Deadmau5 emphasised the label's runaway success. The Donnelly Brothers were more notorious than ever as Gio-Goi hit the top of The Sunday Times Fast Track 100 in 2009 with a £19 million turnover (and would peak at £40 million annual turnover). They bought a pub, promoted club nights in Ibiza with Cream, made award winning pop videos and launched new fashion label, Your Own [YO]. Gio-Goi was hit by further scandal in 2013 and a spectacular crash saw investors, including The Donnelly Brothers, lose millions. The saga of the brand continues. Anthony and Christopher's journey from creeping and rifling safes, ticket touting and bootlegging pop merchandise to the front page of Vogue is told here for the first time - in their own words.

Steve Marriott, lead singer of the Small Faces and Humble Pie, had a voice coveted by Bob Dylan, Robert Plant, Roger Daltrey and David Bowie, amongst many others. All or Nothing, Simon Spence's oral history biography, is drawn from over 125 interviews with those who knew Marriott intimately: his wives, children, bandmates and closest friends, managers, record producers, record label bosses and his fellow musicians. Included are scores of people who have never told their story before.

Was John Lennon meeting Paul McCartney more significant than John Lennon meeting Yoko Ono? Rubber Soul or Revolver? Which Wings album was Paul McCartney's solo pinnacle? In 100 brief chapters, John M. Borack discusses and ranks the greatest moments in Beatles history. An avid Fab Four fan since childhood and a music journalist for more than thirty-five years, Borack has created a book to agree with and disagree with, and one that is sure to spark conversations. A love letter to the greatest rock band of all time, The Beatles 100 is a book for Beatles buffs and casual fans alike.

(Book). One of the most successful songwriters and composers of the last 25 years, Steve Dorff has penned over 20 Top 10 hits for pop and country artists around the world, including Barbra Streisand, Celine Dion, Blake Shelton, Smokey Robinson, Kenny Rogers, Ray Charles, Anne Murray, Whitney Houston, George Strait, Dolly Parton, Judy Collins, Cher, Dusty Springfield, Ringo Starr, and Garth Brooks. He has scored for television shows, including Growing Pains , Major Dad , Murder She Wrote , Reba , and several films, including Any Which Way but Loose for which he penned the titular song, and more recently, he has embarked on Broadway (forthcoming musical Josephine ). Chronicling his four decades behind the music, Steve Dorff gives anecdotes, advice, and insights into his journey. The book follows Steve from his childhood in Queens to Manhattan to Nashville and to his eventual arrival in Los Angeles, California. Oftentimes, songs are attributed to the singers who perform them, but it is the songwriter who really knows the story behind the story from conception to execution. Full of heartfelt stories, hard-earned wisdom, and delightful wit, I Wrote That One, Too . . . is a great read for musicians, music fans, and whoever has chased their dreams and survived the surprising but often serendipitous turns in the road.

THE postcard on the cover of this book says it all. The card was written by John Lennon and sent to his friend Chris Hutchins. On the card's photograph of the Beatles, John had drawn a fifth member - the founder of the group Stuart Sutcliffe who John went on to describe as the best friend he ever had. This is the kind of confidence John, Paul George and Ringo shared with writer Hutchins who they befriended in their days as 'unknowns' in Hamburg. He shared their adventures during the heady days of Beatlemania; he was with them during their American tours in the 60s, sharing their euphoria and their sad moments. It was, for example, at Hutchins' Chelsea apartment that Paul met the actress Jane Asher, who he later became engaged to. And it was Hutchins who arranged a party with Elvis Presley, the man they had always wanted to meet - alas, a meeting which was to cause a cataclysmic feud between Presley and Lennon which the author explains in detail along with how President Nixon and J Edgar Hoover got involved. This is the Beatles story from the inside . . .

The Beatles, the most popular, influential, and important band of all time, have been the subject of countless books of biography, photography, analysis, history, and conjecture. But this long and winding road has produced nothing like Baby You're a Rich Man, the first book devoted to the cascade of legal actions engulfing the band, from the earliest days of the loveable mop-heads to their present prickly twilight of cultural sainthood. Part Beatles history, part legal thriller, Baby You're a Rich Man begins in the era when manager Brian Epstein opened the Pandora's box of rock 'n' roll merchandising, making a hash of the band's licensing and inviting multiple lawsuits in the United States and the United Kingdom. The band's long breakup period, from 1969 to 1971, provides a backdrop to the Machiavellian grasping of new manager Allen Klein, who unleashed a blizzard of suits and legal motions to take control of the band, their music, and Apple Records. Unsavory mob associate Morris Levy first sued John Lennon for copyright infringement over "Come Together," then sued him again for not making a record for him. Phil Spector, hired to record a Lennon solo album, walked off with the master tapes and held them for a king's ransom. And from 1972 to 1975, Lennon was the target of a deportation campaign personally spearheaded by key aides of President Nixon (caught on tape with a drug-addled Elvis Presley) that wound endlessly through the courts. In Baby You're a Rich Man, Stan Soocher ties the Beatles' ongoing legal troubles to some of their most enduring songs. What emerges is a stirring portrait of immense creative talent thriving under the pressures of ill will, harassment, and greed. Praise for They Fought the Law: Rock Music Goes to Court "Stan Soocher not only ably translates the legalese but makes both the plaintiffs and defendants engrossingly human. Mandatory reading for every artist who tends to skip his contract's fine print."-Entertainment Weekly