From The Heart Of Africa

A collection of African wisdom gorgeously illustrated by artists from Ghana, South Africa, Zimbabwe, Canada, the United States and more. Aphorisms are universal. They give guidance, context and instruction for life's issues, and they help us understand each other and the world around us. We use them every day, yet never think about where they came from or why they exist. In this beautifully illustrated collection, Eric Walters brings us classic sayings from the places where this shared wisdom began. Ashanti, Sukuma, Akan and Kikuyu: all of these cultures use the portable and easily shared knowledge contained in aphorisms, and from these cultures and more this communal knowledge spread. This book is a celebration of art, of community and of our common history.

In 1996, Scott Griffin left the comfortable routine of his life as a successful businessman to fly solo to Africa in his single-engine Cessna 180 to work for the Flying Doctors Service, an African organization that flies doctors and nurses to remote areas to administer medical assistance. My Heart is Africa is an engaging personal story of his two-year adventure but it is also the story of Africa -- its problems and people, its landscape and limitations, its culture and courage. Griffin's intrepid flying odyssey takes the reader on a journey across Africa and into the lives of the doctors, nurses, aid workers and eccentric characters that crossed his path along the way. All royalties from the sale of this book will be donated to the AMREF Flying Doctors Service.

The controversy surrounding the significant "Into the Heart of Africa" exhibit at the Royal Ontario Museum in Canada is explored in this compelling and analytical text. The exhibit has become an international, controversial touchstone for issues surrounding the politics of visual representation, such as the challenges to curatorial and ethnographic authority in multicultural and postcolonial contexts. Asking why the museum's exhibit failed so many people, the author examines such issues as institutional politics, the broad political and intellectual climate surrounding museums, the legacies of colonialism and traditions of representation of Africa, and the politics of irony. By drawing upon anthropological and cultural criticism, the book offers a unique account of the ways in which an ambiguous exhibit about colonialism became the site of an expansiveInto the Heart of Africa."

Banff Mountain Book Awards WINNER The spellbinding true story of retracing the extraordinary trek of Ewart "the Leopard" Grogan—the legendary British explorer who, in order to win the woman he loved, attempted to become the first person to cross Africa In 1898 the dashing British adventurer Ewart Grogan fell head-over-heels in love—but before he could marry, he needed the approval of his beloved's skeptical, aristocratic stepfather. Grogan, seeking to prove his worth and earn his love's hand, then set out on an epic quest to become the first man to cross the entire length of Africa, from Cape Town to Cairo, "a feat hitherto thought by many explorers to be impossible" (New York Times). A little more than a century later, American journalist Julian Smith also found himself madly in love with his girlfriend of seven years... but he was terrified by the prospect of marraige. Inspired by Grogan's story, which he discovered by chance, Smith decided to face his fears of commitment by retracing the explorer's amazing—but now forgotten—4,500-mile journey for love and glory through Africa. Crossing the Heart of Africa is the unforgettable account of these twin adventures, as Smith beautifully ineterweaves his own contemporary journey with Grogan's larger-than-life tale of cannibal attacks, charging elephants, deadly jungles, and romantic triumph. SOCIETY OF AMERICAN TRAVEL WRITERS WESTERN WRITING AWARDS WINNER: GOLD PRIZE (TRAVEL) BANFF MOUNTAIN BOOK COMPETITION WINNER: SPECIAL JURY MENTION AMERICAN SOCIETY OF JOURNALISTS AND AUTHORS AWARDS BEST-BOOK WINNER: MEMOIR

Africa’s Media Image in the 21st Century is the first book in over twenty years to examine the international media’s coverage of sub-Saharan Africa. It brings together leading researchers and prominent journalists to explore representation of the continent, and the production of that image, especially by international news media. The book highlights factors that have transformed the global media system, changing whose perspectives are told and the forms of media that empower new voices. Case studies consider questions such as: how has new media changed whose views are represented? Does Chinese or diaspora media offer alternative perspectives for viewing the continent? How do foreign correspondents interact with their audiences in a social media age? What is the contemporary role of charity groups and PR firms in shaping news content? They also examine how recent high profile events and issues been covered by the international media, from the Ebola crisis, and Boko Haram to debates surrounding the "Africa Rising" narrative and neo-imperialism. The book makes a substantial contribution by moving the academic discussion beyond the traditional critiques of journalistic stereotyping, Afro-pessimism, and ‘darkest Africa’ news coverage. It explores the news outlets, international power dynamics, and technologies that shape and reshape the contemporary image of Africa and Africans in journalism and global culture.

Thirteen years before the bloody 1994 genocide that swept across Rwanda and left more than a million people dead, the Virgin Mary and Jesus Christ appeared to eight young people in the remote village of Kibeho. Through these visionaries, Mary and Jesus warned of the looming holocaust, which they assured could be averted if Rwandans opened their hearts to God and embraced His love.

"This book serves as a basic primer on how one of the world's most mineral-rich countries was turned into one of its greatest tragedies." - Publishers Weekly Written over a century ago, Joseph Conrad's Heart of Darkness continues to dominate our vision of the Congo, unlikely as it might seem that a late-Victorian novella could encapsulate a country roughly equal in size to the United States east of the Mississippi. Conrad's Congo is hell itself, a place where civilization won't take, where literal and metaphor darknesses converge, and where human conduct, unmoored from social (Western, in other words) norms, turns barbaric. As Robert Edgerton shows in this crisply narrated yet sweeping work of history, the Congo is still trying to awaken from the nightmare of its past, struggling to pull free from the grip of the "heart of darkness" cliche. Plundered for centuries for its natural resources (which remain Africa's most abundant), the Congo was not always a place of horror. Before the Portuguese landed on its shores at the end of the 15th century, it was a prosperous and thriving region. The Congo River, the world's second longest as well as the deepest, and one of the only routes to the continent's interior, provided indigenous populations with ample means for living and trading. What the Portuguese found first to exploit were people, and with the slave trade began a dizzying downward spiral of conquest and degradation that continued for centuries. By the 19th century the race to explore the full length of the legendary river masked a fight for territorial and moral control among the French, Arabs, British, Germans, as well as American missionaries, all of whom dreamed of possessing Africa's very heart. When King Leopold of Belgium managed to solidify control in 1885, the Congo "question" seemed solved. His reign, of course, was almost pathological in its cruelty-the true source of Conrad's "horror"-and its grim legacy endures to this day. Edgerton documents the Congo's long, sad history with a sense of empathy with and admiration for the character of the land and its inhabitants. Since independence in June 1960, the country has endured the machinations and disappointments of one dictator after another, beginning with Patrice Lumumba, and continuing through Joseph Mobutu, Laurent Kabila, and today Kabila's son, Joseph, who assumed power after his father was assassinated in January 2001. Whether called the "Congo Free State," or "Zaire," or the Democratic Republic of the Congo, the country remains perilously unstable. The Troubled Heart of Africa is the only book to give a complete history of the Congo, filling in the blanks in the country's history before the advent of Henry Stanley, David Livingstone, King Leopold, and other figures, and carrying us straight into today's headlines. The Congo continues today to be the subject of intense speculation and concern, and with good reason: upon it hangs the fate of sub-Sahara Africa as a whole. Here is a book that helps us face the stark truths of the Congo's past and appreciate both the enormous potential and uncertainty of its future.