From The Old Country

Though he lived mostly in rural South Taiwan, Zhong Lihe (1915–1960) spent several years in Manchuria and Peking, moving among an eclectic mix of ethnicities, classes, and cultures. His fictional portraits unfold on Japanese battlefields and in Peking slums, as well as in the remote, impoverished hill-country villages and farms of Zhong Lihe’s native Hakka districts. His scenic descriptions are deft and atmospheric, and his psychological explorations are acute. The first anthology to present his work in English, this volume features two novellas, ten short stories, and four short prose works.

From the winner of the 2004 Caldecott Medal comes a memorable new work, a novel of singular insight and imagination that transports readers to the Old Country, where "all the fairy tales come from, where there was magic -- and there was war." There, Gisella stares a moment too long into the eyes of a fox, and she and the fox exchange shapes. Gisella's quest to get her girl-body back takes her on a journey across a war-ravaged country that has lost its shape. She encounters magic, bloodshed, and questions of power and justice -- until finally, looking into the eyes of the fox once more, she faces a strange and startling choice about her own nature. Part adventure story and part fable; exciting, beautifully told, rich in humor and wisdom, The Old Country is the work of an artist and storyteller at the height of his powers.

A young man stumbles into danger in his Brooklyn neighborhood in this “inspired” crime novel that is “part coming-of-age story, part thriller” (Entertainment Weekly). In working-class Bay Ridge, Michael drives for a car service and gives lifts to his father, a former sanitation worker and current small-time bookie. He has a friend with a heroin habit, and a longtime girlfriend who expects they’ll get married one of these days. Michael spends most of his time on the familiar streets where he grew up, but now he’s crossing the bridge into Manhattan for some college classes—where he meets a seductive female classmate who seems to come from a whole different world. He is pulled in two directions, but it seems like he has time to figure it all out—until he finds himself in the periphery of a murder that will change his destiny forever . . . “Sweet, sardonic and by turns hilarious and tragic . . . Powerfully describes the bonds between Michael and his father . . . The novel’s greatest achievement is its tender depiction of Michael as a would-be tough guy, trying to follow his father’s dictum of ‘Give them nothing,’ while undergoing a painful education in the real world.” —Publishers Weekly “Reads like an inspired cross between Richard Price’s Bloodbrothers and Ross Macdonald’s The Chill.” —Entertainment Weekly

A collection of short stories of rural Ireland in the classic Irish mode: full of love (and sex), melancholy and magic, bedecked in some of the most gorgeous prose being written today—from the author of the wildly acclaimed Night Boat to Tangier. With three novels and two short story collections published, Kevin Barry has steadily established his stature as one of the finest writers not just in Ireland but in the English language. All of his prodigious gifts of language, character, and setting in these eleven exquisite stories transport the reader to an Ireland both timeless and recognizably modern. Shot through with dark humor and the uncanny power of the primal and unchanging Irish landscape, the stories in That Old Country Music represent some of the finest fiction being written today.

This is the book that put Britain's 'heritage industry' on the map, opening one of the defining cultural and political debates of its time, and showing why conservation was a subject of broad significance, far broader than its professional status might suggest.

From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road comes a "profoundly disturbing and gorgeously rendered" novel (The Washington Post) that returns to the Texas-Mexico border, setting of the famed Border Trilogy. The time is our own, when rustlers have given way to drug-runners and small towns have become free-fire zones. One day, a good old boy named Llewellyn Moss finds a pickup truck surrounded by a bodyguard of dead men. A load of heroin and two million dollars in cash are still in the back. When Moss takes the money, he sets off a chain reaction of catastrophic violence that not even the law—in the person of aging, disillusioned Sheriff Bell—can contain. As Moss tries to evade his pursuers—in particular a mysterious mastermind who flips coins for human lives—McCarthy simultaneously strips down the American crime novel and broadens its concerns to encompass themes as ancient as the Bible and as bloodily contemporary as this morning’s headlines. No Country for Old Men is a triumph. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.

“The idea is inspired and the treatment piercingly beautiful . . . Two formidable artists have shown respect for the integrity of each other’s work here and the result is magnificent.” —Independent “Bob Dylan’s back catalogue is used to glorious effect in Conor McPherson’s astonishing cross-section of hope and stoic suffering . . . It is the constant dialogue between the drama and the songs that makes this show exceptional.” —Guardian “Beguiling and soulful and quietly, exquisitely, heartbreaking. A very special piece of theatre.” —Evening Standard “A populous, otherworldly play that combines the hard grit of the Great Depression with something numinous and mysterious.” —Telegraph Duluth, Minnesota. 1934. A community living on a knife-edge. Lost and lonely people huddle together in the local guesthouse. The owner, Nick, owes more money than he can ever repay, his wife Elizabeth is losing her mind, and their daughter Marianne is carrying a child no one will account for. So when a preacher selling bibles and a boxer looking for a comeback turn up in the middle of the night, things spiral beyond the point of no return . . . In Girl from the North Country, Conor McPherson beautifully weaves the iconic songbook of Bob Dylan into a show full of hope, heartbreak and soul. It premiered at the Old Vic, London, in July 2017, in a production directed by the author. Conor McPherson is an award-winning Irish playwright. His best-known works include The Weir (Royal Court; winner of the 1999 Olivier Award for Best New Play), Dublin Carol (Atlantic Theater Company) and The Seafarer (National Theatre). Bob Dylan, born in Duluth, Minnesota, in 1941, is one of the most important songwriters of our time. Dylan was awarded the Nobel Prize for Literature in 2016. He released his thirty-ninth studio album, Triplicate, in April 2017, and continues to tour worldwide.