From Vinyl To Virtual

"From Vinyl to Virtual" is a comprehensive guide that takes you on a humorous yet insightful journey through the evolution, techniques, and creative processes of Boombap production, from crate digging in dusty record stores to mastering the art of sampling and crafting punchy beats in the digital age. 🎵 Dive into the world of Boombap production with "From Vinyl to Virtual"! 🎵 🔥 Are you ready to master the art of crafting authentic Boombap beats? Look no further! Our comprehensive e-book takes you on a journey from the dusty crates of vinyl records to the cutting-edge realm of digital production. 🎧 Uncover the secrets of sampling and groove that define the Boombap sound. Learn essential techniques for finding, selecting, and manipulating samples to create your signature vibe. 💻 Discover the essentials you need to set up your dream workspace, whether you're a seasoned producer or just starting out. 🔊 Master the intricacies of drum patterns, swing, and groove to infuse your beats with that unmistakable Boombap feel. Plus, explore advanced tips and tricks to push the boundaries of your creativity. 🚀 Join the Boombap revolution and unleash your full potential as a producer! Get your copy of "From Vinyl to Virtual" today and take your beats to the next level. Let's make some noise! 🎶

Virtuality has entered our lives making anything we desire possible. We are, as Gorillaz once sang, in an exciting age where 'the digital won't let [us] go...' Technology has revolutionized music, especially in the 21st century where the traditional rules and conventions of music creation, consumption, distribution, promotion, and performance have been erased and substituted with unthinkable and exciting methods in which absolutely anyone can explore, enjoy, and participate in creating and listening to music. Virtual Music explores the interactive relationship of sound, music, and image, and its users (creators/musicians/performers/audience/consumers). Areas involving the historical, technological, and creative practices of virtual music are surveyed including its connection with creators, musicians, performers, audience, and consumers. Shara Rambarran looks at the fascination and innovations surrounding virtual music, and illustrates key artists (such as Grace Jones, The Weeknd), creators (such as King Tubby, Kraftwerk, MadVillain, Danger Mouse), audiovisuals in video games and performances (such as Cuphead and Gorillaz), audiences, and consumers that contribute in making this musical experience a phenomenon. Whether it is interrogating the (un)realness of performers, modified identities of artists, technological manipulation of the Internet, music industry and music production, or accessible opportunities in creativity, the book offers a fresh understanding of virtual music and appeals to readers who have an interest in this digital revolution.

From the Archaeological Record to Virtual Reconstruction' describes the use of New Information Technologies (IT) for the analyses and interpretation of the archaeological record of an Iron Age fortified settlement, the San Chuis Hillfort (San Martín de Beduledo, Allande, Asturias, Spain).

Digital media present opportunities for new types of consumption including desiring, buying, collecting, making, and even selling digital virtual goods. To these activities we can add those taking place in virtual communities of consumption, online shops, brand websites, and online auction houses that together amount to a vast new landscape of consumption. Digital virtual consumption motivates concatenated practices which produce meaningful experience for their users as well as market opportunities to profit from them. Consumers create and maintain elaborate wish lists, engaging with simulations of brands on websites and in videogames, coveting items for use in online games and even spending ‘real’ money on these, undertaking entrepreneurial activity in virtual worlds, conjuring nostalgia via online auctions, engaging in playful consumption in other new retail formats, writing reviews of products as part of the consumption experience, engaging in online activist activities, and many other emerging behaviors. Analyses of consumption in the digital virtual realm are however limited. This collection brings together experienced researchers from the fields of consumer research, digital games, and virtual worlds to provide conceptual and empirical work that helps us understand these new and significant consumer activities. Online communities negotiate the ‘correct’ use of goods and offer technical advice, consumers develop new products, individuals create and distribute their own promotional material for their favorite brands, and entrepreneurial consumers marketing and selling their own products online. Here we may see a blurring of consumption and production, or work and leisure activity that requires further thought about what makes it meaningful for individuals. The chapters in this volume take stock of the emergence and likely importance of digital virtual consumption for consumer culture, including a review of both new and existing conceptual and methodological tools as well as a resource of key examples and analyses of practices.

For millennia, the rituals of death and remembrance have been fixed by time and location, but in the twenty-first century, grieving has become a virtual phenomenon.. Today, the dead live on through social media profiles, memorial websites, and saved voicemails that can be accessed at any time. Virtual Afterlives: Grieving the Dead in the Twenty-First Century investigates popular and emerging bereavement traditions.

In a world where music and technology dance in perfect synchronization, a new breed of artists emerges, wielding beats and algorithms to craft transcendent sonic experiences. "Harmonic Fusion: The Digital DJ's Journey" invites you to step into this dynamic realm, exploring the evolution of DJing through the lens of Justin Nunez, the acclaimed DJ Express. From vinyl records to virtual decks, this captivating journey navigates the historical tapestry of music technology, revealing how digital platforms democratized DJing, allowing creativity to flourish beyond physical constraints. Explore the technical intricacies of beatmatching, where analog meets digital precision, and the canvas of waveform displays transforms mixing into an art form. Delve into the world of controllers and software, where the digital DJ deftly navigates tools that bridge the tactile and the virtual. Witness the fusion of genres, as the digital DJ curates sets that transcend boundaries, evoking emotions that linger long after the last note fades. Step into the spotlight as the digital DJ curates unforgettable journeys, steering the emotional arc of the night. Discover the power of music and emotion, where beats become conduits for feelings that resonate universally. Traverse the landscapes of DJ culture and online communities, where global connections redefine collaboration and fan engagement. As the final notes resound, "Harmonic Fusion" peers into the future, where AI-generated music and virtual reality performances beckon new horizons. In the hands of a digital DJ, technology isn't just a tool; it's a catalyst for innovation, a canvas for connection, and a gateway to uncharted creative territories. Justin Nunez, known as DJ Express, a beacon in the world of music, leads this symphony of innovation. Recognized by industry icons like Sean Paul and DJ Tygga Ty, his journey embodies the fusion of tradition and evolution. "Harmonic Fusion: The Digital DJ's Journey" isn't just a book; it's an invitation to join the chorus of a timeless melody, where technology's harmony with music shapes a legacy that resonates across generations.

Although the body has been the focus of much contemporary cultural theory, the models that are typically applied neglect the most salient characteristics of embodied existence—movement, affect, and sensation—in favor of concepts derived from linguistic theory. In Parables for the Virtual Brian Massumi views the body and media such as television, film, and the Internet, as cultural formations that operate on multiple registers of sensation beyond the reach of the reading techniques founded on the standard rhetorical and semiotic models. Renewing and assessing William James's radical empiricism and Henri Bergson's philosophy of perception through the filter of the post-war French philosophy of Deleuze, Guattari, and Foucault, Massumi links a cultural logic of variation to questions of movement, affect, and sensation. If such concepts are as fundamental as signs and significations, he argues, then a new set of theoretical issues appear, and with them potential new paths for the wedding of scientific and cultural theory. Replacing the traditional opposition of literal and figural with new distinctions between stasis and motion and between actual and virtual, Parables for the Virtual tackles related theoretical issues by applying them to cultural mediums as diverse as architecture, body art, the digital art of Stelarc, and Ronald Reagan's acting career. The result is an intriguing combination of cultural theory, science, and philosophy that asserts itself in a crystalline and multi-faceted argument.

The International Handbook of Virtual Learning Environments was developed to explore Virtual Learning Environments (VLE’s), and their relationships with digital, in real life and virtual worlds. The book is divided into four sections: Foundations of Virtual Learning Environments; Schooling, Professional Learning and Knowledge Management; Out-of-School Learning Environments; and Challenges for Virtual Learning Environments. The coverage ranges across a broad spectrum of philosophical perspectives, historical, sociological, political and educational analyses, case studies from practical and research settings, as well as several provocative "classics" originally published in other settings.