Funny Cuts

The market-leading guide to arguments, Writing Arguments, Brief edition, 9/e, has proven highly successful in teaching readers to read arguments critically and to produce effective arguments of their own. The text teaches how to write better arguments, and how to research for arguments. 0321846141 / 9780321846143 Writing Arguments: A Rhetoric with Readings, Brief Edition, with NEW MyCompLab Student Access Code Card 9/e Package consists of 0205171567 / 9780205171569 Writing Arguments: A Rhetoric with Readings, Brief Edition 0205890776 / 9780205890774 NEW MyCompLab with Pearson eText -- Access Card

In its first edition Dictionary of Literary Pseudonyms established itself as a comprehensive dictionary of pseudonyms used by literary writers in English from the 16th century to the present day. This new Second Edition increases coverage by 35%! There are two sequences: Part I - which now includes more than 17,000 entries- is an alphabetical list of pseudonyms followed by the writer's real name. Part II is an alphabetical list of writers cited in Part I-more than 10,000 writers included-providing brief biographical details followed by pseudonyms used by the wrter and titles published under those pseudonyms. Dictionary or Literary Pseudonyms has now become a standard reference work on the subject for teachers, student, and public, high school, and college/universal librarians. The Second Edition will, we believe, consolidate that reputation.

This monograph seeks to recover and assess the critically neglected comic strip work produced by the Irish painter Jack B. Yeats for various British publications, including Comic Cuts, The Funny Wonder, and Puck, between 1893 and 1917. It situates the work in relation to late-Victorian and Edwardian media, entertainment and popular culture, as well as to the evolution of the British comic during this crucial period in its development. Yeats’ recurring characters, including circus horse Signor McCoy, detective pastiche Chubblock Homes, and proto-superhero Dicky the Birdman, were once very well-known, part of a boom in cheap and widely distributed comics that Alfred Harmsworth and others published in London from 1890 onwards. The repositioning of Yeats in the context of the comics, and the acknowledgement of the very substantial corpus of graphic humour that he produced, has profound implications for our understanding of his artistic career and of his significant contribution to UK comics history. This book, which also contains many examples of the work, should therefore be of value to those interested in Comics Studies, Irish Studies, and Art History.

Your God is too somber if your posture before him lacks a spirit of joy and a commitment to rejoice as much as possible. While life has its sadness and tragedy, the good news of Jesus Christ is that God’s kingdom has won; and the suffering we face for a time is shorter compared with the endless delight that God promises. So, “Rejoice in the Lord always; again I will say, Rejoice!” (Phil 4:4). Your God is too somber if you embrace a theology of tears, rather than a theology of laughter. Of course, salvation and Christ’s sacrifice are serious business, and we should engage in moments of penitential reflection, confession, and atonement. But all of this so we can shake off the shackles of our shortcomings and celebrate God fully and joyfully. Your God is too somber if you fail to see the humor in the Bible: the calls to joy, paradox, irony, burlesque, play, and wordplay. God laughs, sometimes with us, sometimes at us, and Jesus’s humor is evident in parables and sayings, with the goal of teaching us the truth. Is your God too somber? This book aims to help you answer that question.

After winning an international audience with his novel Children of the Ghetto, Israel Zangwill went on to write numerous short stories, four additional novels, and several plays, including The Melting Pot. Author Meri-Jane Rochelson, a noted expert on Zangwill’s work, examines his career from its beginnings in the 1890s to the performance of his last play, We Moderns, in 1924, to trace how Zangwill became the best-known Jewish writer in Britain and America and a leading spokesperson on Jewish affairs throughout the world. In A Jew in the Public Arena, Rochelson examines Zangwill’s published writings alongside a wealth of primary materials, including letters, diaries, manuscripts, press cuttings, and other items in the vast Zangwill files of the Central Zionist Archives, to demonstrate why an understanding of Israel Zangwill’s career is essential to understanding the era that so significantly shaped the modern Jewish experience. Once he achieved fame as an author and playwright, Israel Zangwill became a prominent public activist for the leading social causes of the twentieth century, including women’s suffrage, peace, Zionism, and the Jewish territorialist movement and rescue efforts. Rochelson shows how Zangwill’s activism and much of his literary output were grounded in a universalist vision of Judaism and a commitment to educate the world about Jews as a way of combating antisemitism. Still, Zangwill’s position in favor of creating a homeland for the Jews wherever one could be found (in contrast to mainstream Zionism’s focus on Palestine) and his apparent advocacy of assimilation in his play The Melting Pot made him an increasingly controversial figure. By the middle of the twentieth century his reputation had fallen into decline, and his work is unknown to many modern readers. A Jew in the Public Arena looks at Zangwill’s literary and political activities in the context of their time, to make clear why he held such a place of importance in turn-of-the-century literary and political culture and why his life and work are significant today. Jewish studies scholars as well as students and teachers of late Victorian to Modernist British literature and culture will appreciate this insightful look at Israel Zangwill.

"This is the world's first attempt at a catalogue of comics. It aims to list the title of every comic published in Great Britain, from the first one in 1874 to the latest in 1974: some 1,900 titles in a century of comics. The entries contain details as to date of first and last issues; total number of issues published; names of publisher and distributor; original price and subsequent changes; amalgamations and incorporations of and into other comics; names of comic strip characters and their original artists with years of first appearance; names of editors, and even details of 'Grand Free Gifts'."--Introduction, page ix.

First published in 1988, this encyclopedia serves as an overview and point of entry to the complex interdisciplinary field of Victorian studies. The signed articles, which cover persons, events, institutions, topics, groups and artefacts in Great Britain between 1837 and 1901, have been written by authorities in the field and contain bibliographies to provide guidelines for further research. The work is intended for undergraduates and the general reader, and also as a starting point for graduates who wish to explore new fields.