Future Narratives

This head volume of the 'Narrating Futures' series defines and identifies Future Narratives. It parses their characteristic features and aims at an abstract classification of the whole corpus, irrespective of its concrete manifestations across the media. Drawing on different theorems and approaches, it offers a unified theory and a poetics of Future Narratives. Locating the media-historical moment of their emergence, this volume paves the way for the following volumes, which deal with how Future Narratives are refracted through different media.

This compilation of future narratives by Australian women writers contain projections of life in 2122. Women were invited to construct a possible world for a female identity to inhabit, designing all social, political and environmental systems of life. In a markedly divergent set of creative works, themes of utopia, dystopia, female identity, gender diversity and motherhood have emerged. Notably, projections of climate change catastrophe were present in many narratives alongside multiple instances of women exerting influence as organisers and providers of solutions. These narratives were gathered for the purposes of projective narrative inquiry analysis as part of Fiona Wilkie's Masters thesis project at Victoria University.

The New York Times bestselling author of Origin Story, who Bill Gates has "long been a fan of," turns his attention to the future of humanity -- and how we think about it -- in this ambitious book. The future is uncertain, a bit spooky, possibly dangerous, maybe wonderful. We cope with this never-ending uncertainty by telling stories about the future, future stories. How do we construct those stories? Where is the future, the place where we set those stories? Can we trust our future stories? And what sort of futures do they show us? This book is about future stories and future thinking, about how we prepare for the future. Think of it as a sort of User's Guide to the Future. We all need such a guide because the future is where we will spend the rest of our lives. David Christian, historian and author of Origin Story, is renowned for pioneering the emerging discipline of Big History, which surveys the whole of the past. But with Future Stories, he casts his sharp analytical eye forward, offering an introduction to the strange world of the future, and a guide to what we think we know about it at all scales, from the individual to the cosmological. Christian consults theologians, philosophers, scientists, statisticians, and scholars from a huge range of places and times as he explores how we prepare for uncertain futures, including the future of human evolution, artificial intelligence, interstellar travel, and more. By linking the study of the past much more closely to the study of the future, we can begin to imagine what the world will look like in a hundred years and consider solutions to the biggest challenges facing us all.

A wonderful anthology of eight stories addressing children's rights and sustainable development, written by child authors from all around the world and produced in conjunction with UNESCO's Voices of Future Generations initiative. UNESCO's Voices of Future Generations initiative works to empower children all around the world. The stories in this book are written by children aged between 8 and 12 from every corner of the globe: Canada, Mexico, Papua New Guinea, Samoa, South Africa, Taiwan, Uruguay and United Arab Emirates. With beautiful, full colour illustrations throughout by four talented illustrators, Jhonny Nunez, Giovana Medeiros, Marco Guadalupi and Mona Meslier Menaua, this book is the perfect way to engage children with the issues facing the planet and the lives of children in other countries. The children's stories are imaginative, empowering and inspiring. They focus on the UN Convention on the Rights of the Child and the Sustainable Development Goals and present likeable characters who go on problem-solving adventures to fix the problems faced in each region. The book features a foreword by Irina Bokova, Director General of UNESCO. '... and together, the children could build a better future.' Book band: Dark Blue

The New York Times bestselling author of Origin Story, who Bill Gates has “long been a fan of,” turns his attention to the future of humanity — and how we think about it — in this ambitious book. The future is uncertain, a bit spooky, possibly dangerous, maybe wonderful. We cope with this never-ending uncertainty by telling stories about the future, future stories. How do we construct those stories? Where is the future, the place where we set those stories? Can we trust our future stories? And what sort of futures do they show us? This book is about future stories and future thinking, about how we prepare for the future. Think of it as a sort of User’s Guide to the Future. We all need such a guide because the future is where we will spend the rest of our lives. David Christian, historian and author of Origin Story, is renowned for pioneering the emerging discipline of Big History, which surveys the whole of the past. But with Future Stories, he casts his sharp analytical eye forward, offering an introduction to the strange world of the future, and a guide to what we think we know about it at all scales, from the individual to the cosmological. Christian consults theologians, philosophers, scientists, statisticians, and scholars from a huge range of places and times as he explores how we prepare for uncertain futures, including the future of human evolution, artificial intelligence, interstellar travel, and more. By linking the study of the past much more closely to the study of the future, we can begin to imagine what the world will look like in a hundred years and consider solutions to the biggest challenges facing us all.

"Abbott offers a fruitful new way to read science fiction, one that also greatly enriches our understanding of western history and its impact on our collective imagination. Detailing the overlap of science fiction and western fiction - especially relating to their mutual interest in and concerns about frontier expansionism - he reveals an unsuspected common ground that informs the writings of both camps." "Reviewing the work of many Hugo and Nebula Award winners, as well as drawing upon popular film and television series (like the Buck Rogers serials), Abbott's study journeys across the far reaches of science fiction's universe."

This series explores a hitherto unidentified type of narrative: Future Narratives. Future Narratives preserve essential aspects of future time, namely its openness and undecidedness. They do this by operating with 'nodes' as their basic unit - situations that allow for more than one continuation. Future Narratives can be found in print, in film, in video games, in scenarios of world climate change, and in other simulations of future trends. Cutting across all media and genre classifications, this burgeoning corpus still lacks a theory and a poetics. This series offers both - and detailed case studies.

The annals of field primatology are filled with stories about charismatic animals native to some of the most challenging and remote areas on earth. There are, for example, the chimpanzees of Tanzania, whose social and family interactions Jane Goodall has studied for decades; the mountain gorillas of the Virungas, chronicled first by George Schaller and then later, more obsessively, by Dian Fossey; various species of monkeys (Indian langurs, Kenyan baboons, and Brazilian spider monkeys) studied by Sarah Hrdy, Shirley Strum, Robert Sapolsky, Barbara Smuts, and Karen Strier; and finally the orangutans of the Bornean woodlands, whom Biruté Galdikas has observed passionately. Humans are, after all, storytelling apes. The narrative urge is encoded in our DNA, along with large brains, nimble fingers, and color vision, traits we share with lemurs, monkeys, and apes. In Storytelling Apes, Mary Sanders Pollock traces the development and evolution of primatology field narratives while reflecting upon the development of the discipline and the changing conditions within natural primate habitat. Like almost every other field primatologist who followed her, Jane Goodall recognized the individuality of her study animals: defying formal scientific protocols, she named her chimpanzee subjects instead of numbering them, thereby establishing a trend. For Goodall, Fossey, Sapolsky, and numerous other scientists whose works are discussed in Storytelling Apes, free-living primates became fully realized characters in romances, tragedies, comedies, and never-ending soap operas. With this work, Pollock shows readers with a humanist perspective that science writing can have remarkable literary value, encourages scientists to share their passions with the general public, and inspires the conservation community.