Gangland S Decree

Sexton Blake fights New York's gangs on their own ground in his great campaign to rescue Mademoiselle Roxane. A nerve-tingling tale of drama and thrill?COMPLETE. Gangland decreed that Mademoiselle Roxane should die. Sexton Blake decided otherwise. He has got her out of some tight corners before this, but never out of anything so difficult as an unknown hiding-place, or so desperate as the clutches of Cluck Snyder.

The "post-classic" era of American gangster films began in 1967 with the release of Bonnie and Clyde, achieving a milestone five years later with the popular and highly influential The Godfather. This historical study explores the structure, myths and intertextual narratives found in the gangster films produced since The Godfather. The intense relationship between masculinity and ethnicity in the gangster film, especially within the movie-generated mythology of the Mafia, is carefully analyzed, and the book tracks the trends in the genre up to and including the landmark HBO television series The Sopranos (1999-2007). A selected filmography is included. Instructors considering this book for use in a course may request an examination copy here.

Robbers, gangsters, murderers, and criminals of every description have long been a staple of popular entertainment. Movies are no exception, and film buffs and scholars alike now have a complete guide to the vast array of films that make up the fascinating world of crime cinema. The BFI Companion to Crime offers detailed information on the sub-genres and motifs of movies dealing with criminals and their behavior: prison dramas, heist stories, kidnappings, the exploits of serial killers, juvenile delinquents, and hired guns. Phil Hardy also includes articles on the historical and social background of crime movies. The Mafia, the Japanese yakuza, the FBI, and the underworld of union rackets, prostitution, and drugs are some of the topics covered. Fictional characters such as Sherlock Holmes, Inspector Maigret, Philip Marlow, and Pretty Boy Floyd appear in these pages, along with the literary sources of many crime films. The works of Graham Greene, Dashiell Hammett, Mickey Spillane, and Eric Ambler are among those featured. Abundantly illustrated with more than 500 photographs, this is the book for film enthusiasts and anyone interested in the crime genre.

Gangland Sydney details the exploits of an unforgettable cast of villains, crooks and mobsters who have defined the criminal and gangland scene in Sydney from the mid-1800s to the present day.In this compelling book, Britain's top true crime author James Morton and barrister and legal broadcaster Susanna Lobez track the rise and fall of Sydney's standover men, contract killers, robbers, brothel keepers, biker gangs and drug dealers, and also examine the role of police, politicians and lawyers who have helped and hindered the growth of these criminal empires.Vivid and explosive, Gangland Sydney is compulsive reading.

What do Babes in Arms, Beau Geste, Gunga Din, The Hunchback of Notre Dame, Only Angels Have Wings, and Young Mr. Lincoln all have in common? They are all classic films released in the same year, but none of them received Academy Award nominations for best picture. Why? In that same year, Hollywood produced Dark Victory, Goodbye Mr. Chips, Mr. Smith Goes to Washington, and Ninotchka, as well as two of the most beloved films of all time, Gone with the Wind and The Wizard of Oz. In 1939 Hollywood created an unprecedented number of great films, a year that has yet to be surpassed in cinematic achievement. In 1939: Hollywood’s Greatest Year, Thomas S. Hischak looks at the most remarkable 365 days in film history. Arranged chronologically from January 1 to December 31, 1939, each entry covers one day and features major news events (national and international) as well as minor curiosities or news items that would prove to be more important in the future. The activities on Broadway, radio, the music business, literature, and other arts are included, as are noteworthy sporting events. Most significantly, this book provides a full description and commentary on the Hollywood movies that were released on that day. All 510 feature films from all the Hollywood studios are included in the book, along with notable shorts, cartoons, newsreels, and foreign releases. While others have looked at the movie highlights of this momentous year, Hischak evaluates Hollywood’s entire screen output of 1939, from B pictures and serial installments to the international blockbusters—and every film in between. 1939: Hollywood’s Greatest Year is a captivating look at this phenomenon and will fascinate any film aficionado.

Peter Bleksley was the best of the best. An undercover detective with CID and SO10, he was the man called in to deal with the most sensitive situations and the most dangerous criminals. This is the story of his life and career.

The Oxford Handbook of Carl Schmitt collects thirty original chapters on the diverse oeuvre of one of the most controversial thinkers of the twentieth century. Carl Schmitt (1888-1985) was a German theorist whose anti-liberalism continues to inspire scholars and practitioners on both the Left and the Right. Despite Schmitt's rabid anti-semitism and partisan legal practice in Nazi Germany, the appeal of his trenchant critiques of, among other things, aestheticism, representative democracy, and international law as well as of his theoretical justifications of dictatorship and rule by exception is undiminished. Uniquely located at the intersection of law, the social sciences, and the humanities, this volume brings together sophisticated yet accessible interpretations of Schmitt's sprawling thought and complicated biography. The contributors hail from diverse disciplines, including art, law, literature, philosophy, political science, and history. In addition to opening up exciting new avenues of research, The Oxford Handbook of Carl Schmitt provides the intellectual foundations for an improved understanding of the political, legal, and cultural thought of this most infamous of German theorists. A substantial introduction places the trinity of Schmitt's thought in a broad context.