Gardens Landscape And Vision In The Palaces Of Islamic Spain

Western admirers have long seen the Islamic garden as an earthly reflection of the paradise said to await the faithful. However, such simplification, Ruggles contends, denies the sophistication and diversity of the art form. Islamic Gardens and Landscapes immerses the reader in the world of the architects of the great gardens of the Islamic world, from medieval Morocco to contemporary India. Just as Islamic culture is historically dense, sophisticated, and complex, so too is the history of its built landscapes. Islamic gardens began from the practical need to organize the surrounding space of human civilization, tame nature, enhance the earth's yield, and create a legible map on which to distribute natural resources. Ruggles follows the evolution of these early farming efforts to their aristocratic apex in famous formal gardens of the Alhambra in Spain and the Taj Mahal in Agra. Whether in a humble city home or a royal courtyard, the garden has several defining characteristics, which Ruggles discusses. Most notable is an enclosed space divided into four equal parts surrounding a central design element. The traditional Islamic garden is inwardly focused, usually surrounded by buildings or in the form of a courtyard. Water provides a counterpoint to the portioned green sections. Ranging across poetry, court documents, agronomy manuals, and early garden representations, and richly illustrated with pictures and site plans, Islamic Gardens and Landscapes is a book of impressive scope sure to interest scholars and enthusiasts alike.

An inviting, fascinating compendium of twenty-one of history's most famous lost places, from the Tower of Babel to the Twin Towers Buildings are more like us than we realize. They can be born into wealth or poverty, enjoying every privilege or struggling to make ends meet. They have parents—gods, kings and emperors, governments, visionaries and madmen—as well as friends and enemies. They have duties and responsibilities. They can endure crises of faith and purpose. They can succeed or fail. They can live. And, sooner or later, they die. In Fallen Glory, James Crawford uncovers the biographies of some of the world’s most fascinating lost and ruined buildings, from the dawn of civilization to the cyber era. The lives of these iconic structures are packed with drama and intrigue. Soap operas on the grandest scale, they feature war and religion, politics and art, love and betrayal, catastrophe and hope. Frequently their afterlives have been no less dramatic—their memories used and abused down the millennia for purposes both sacred and profane. They provide the stage for a startling array of characters, including Gilgamesh, the Cretan Minotaur, Agamemnon, Nefertiti, Genghis Khan, Henry VIII, Catherine the Great, Adolf Hitler, and even Bruce Springsteen. The twenty-one structures Crawford focuses on include The Tower of Babel, The Temple of Jerusalem, The Library of Alexandria, The Bastille, Kowloon Walled City, the Berlin Wall, and the Twin Towers of the World Trade Center. Ranging from the deserts of Iraq, the banks of the Nile and the cloud forests of Peru, to the great cities of Jerusalem, Istanbul, Paris, Rome, London and New York, Fallen Glory is a unique guide to a world of vanished architecture. And, by picking through the fragments of our past, it asks what history’s scattered ruins can tell us about our own future.

Sites Unseen challenges conventions for viewing and interpreting the landscape, using visual theory to move beyond traditional practices of describing and classifying objects to explore notions of audience and context. Treats landscape as a spatial, psychological, and sensory encounter, opening a new dialogue for discussing the landscape outside the boundaries of current art criticism and theory.

Palaces like the Aljafería and the Alhambra rank among the highest achievements of the Islamic world. In recent years archaeological work at Córdoba, Kairouan and many other sites has vastly increased our knowledge about the origin and development of Islamic palatial architecture, particularly in the Western Mediterranean region. This book offers a comprehensive and up-to-date overview of Islamic palace architecture in Spain, Morocco, Algeria, Tunisia and southern Italy. The author, who has himself conducted archaeological field work at several prominent sites, presents all Islamic palaces known in the region in ground plans, sections and individual descriptions. The book traces the evolution of Islamic palace architecture in the region from the 8th to the 19th century and places them within the context of the history of Islamic culture. Palace architecture is a unique source of cultural history, offering insights into the way space was conceived and the way rulers used architecture to legitimize their power. The book discusses such topics as the influence of the architecture of the Middle East on the Islamic palaces of the western Mediterranean region, the role of Greek logic and scientific progress on the design of palaces, the impact of Islamic palaces on Norman and Gothic architecture and the role of Sufism on the palatial architecture of the late medieval period.

A critical biography of Zah?r al-Din Muhammad B?bur, the founder, in 1526, of the Timurid-Mughal Empire of India, offering

Diverging Paths? investigates an important question, to which the answers must be very complex: “why did certain sorts of institutionalisation and institutional continuity characterise government and society in Christendom by the later Middle Ages, but not the Islamic world, whereas the reverse end-point might have been predicted from the early medieval situation?” This core question lies within classic historiographical debates, to which the essays in the volume, written by leading medievalists, make significant contributions. The papers, drawing on a wide range of evidence and methodologies, span the middle ages, chronologically and geographically. At the same time, the core question relates to matters of strong contemporary interest, notably the perceived characteristics of power exercised within Islamic Middle Eastern regimes. Contributors are Stuart Airlie, Gadi Algazi, Sandro Carocci, Simone Collavini, Emanuele Conte, Nadia El Cheikh, Maribel Fierro, John Hudson, Caroline Humfress, Michel Kaplan, Hugh Kennedy, Simon MacLean, Eduardo Manzano, Susana Naroztky, Annliese Nef, Vivien Prigent, Ana Rodríguez, Magnus Ryan and Bernard Stolte.