Sites Unseen

Sites Unseen challenges conventions for viewing and interpreting the landscape, using visual theory to move beyond traditional practices of describing and classifying objects to explore notions of audience and context. Treats landscape as a spatial, psychological, and sensory encounter, opening a new dialogue for discussing the landscape outside the boundaries of current art criticism and theory.

From a dive bar in New Orleans to a leafy residential street in Minneapolis, many establishments and homes in cities across the nation share a troubling and largely invisible past: they were once sites of industrial manufacturers, such as plastics factories or machine shops, that likely left behind carcinogens and other hazardous industrial byproducts. In Sites Unseen, sociologists Scott Frickel and James Elliott uncover the hidden histories of these sites to show how they are regularly produced and reincorporated into urban landscapes with limited or no regulatory oversight. By revealing this legacy of our industrial past, Sites Unseen spotlights how city-making has become an ongoing process of social and environmental transformation and risk containment. To demonstrate these dynamics, Frickel and Elliott investigate four very different cities—New Orleans, Minneapolis, Philadelphia, and Portland, Oregon. Using original data assembled and mapped for thousands of former manufacturers’ locations dating back to the 1950s, they find that more than 90 percent of such sites have now been converted to urban amenities such as parks, homes, and storefronts with almost no environmental review. And because manufacturers tend to open plants on new, non-industrial lots rather than on lots previously occupied by other manufacturers, associated hazards continue to spread relatively unabated. As they do, residential turnover driven by gentrification and the rising costs of urban living further obscure these sites from residents and regulatory agencies alike. Frickel and Elliott show that these hidden processes have serious consequences for city-dwellers. While minority and working class neighborhoods are still more likely to attract hazardous manufacturers, rapid turnover in cities means that whites and middle-income groups also face increased risk. Since government agencies prioritize managing polluted sites that are highly visible or politically expedient, many former manufacturing sites that now have other uses remain invisible. To address these oversights, the authors advocate creating new municipal databases that identify previously undocumented manufacturing sites as potential environmental hazards. They also suggest that legislation limiting urban sprawl might reduce the flow of hazardous materials beyond certain boundaries. A wide-ranging synthesis of urban and environmental scholarship, Sites Unseen shows that creating sustainable cities requires deep engagement with industrial history as well as with the social and regulatory processes that continue to remake urban areas through time. A Volume in the American Sociological Association's Rose Series in Sociology.

Sites Unseen is no ordinary travel book. Laura Walker takes the reader on an extraordinary journey to four great American cities Boston, New York, Chicago, and San Francisco. See well-known landmarks like youve never seen them before as she shares her unique perspective as a blind woman travelling across the country. Meet her intrepid companions who guide Laura along her way, and soon discover there are perks of blindness. Each chapter concludes with a few Sites Unseen Tips, designed to humorously educate the reader about how to travel as a blind person, as well as with one. However, as the author herself said, This isnt just a HOW-TO book; its much more of an I-DID one. Sites Unseen is more than a travel log of hilarious adventures from a woman of limited sight. Laura takes special care to reveal new ways to see the world around us, and encourages the reader to experience life and all its offerings. Using her other senses, including humor and imagination, Laura engages with others and her surroundings head on sometimes literally.

Sites Unseen examines the complex intertwining of race and architecture in nineteenth and early-twentieth century American culture, the period not only in which American architecture came of age professionally in the U.S. but also in which ideas about architecture became a prominent part of broader conversations about American culture, history, politics, and—although we have not yet understood this clearly—race relations. This rich and copiously illustrated interdisciplinary study explores the ways that American writing between roughly 1850 and 1930 concerned itself, often intensely, with the racial implications of architectural space primarily, but not exclusively, through domestic architecture. In addition to identifying an archive of provocative primary materials, Sites Unseen draws significantly on important recent scholarship in multiple fields ranging from literature, history, and material culture to architecture, cultural geography, and urban planning. Together the chapters interrogate a variety of expressive American vernacular forms, including the dialect tale, the novel of empire, letters, and pulp stories, along with the plantation cabin, the West Indian cottage, the Latin American plaza, and the “Oriental” parlor. These are some of the overlooked plots and structures that can and should inform a more comprehensive consideration of the literary and cultural meanings of American architecture. Making sense of the relations between architecture, race, and American writing of the long nineteenth century—in their regional, national, and hemispheric contexts—Sites Unseen provides a clearer view not only of this catalytic era but also more broadly of what architectural historian Dell Upton has aptly termed the social experience of the built environment.

Gerald Jacob views the history of public policy regarding nuclear waste, culminating in the 1982 Nuclear Waste Policy act and its aftermath. The 1982 act promised a solution, but Jacob believes it deferred to the interests of the nuclear utilities and the U.S. Department of Energy. He describes how the nuclear establishment used science and geography to protect its interests and dominate nuclear waste policy making. He examines the federal promotion of nuclear power, and asserts that federal policies strong-armed public opposition, and locked the country into a single, but flawed waste disposal solution.

Residues properties -- Legacy -- Accretion -- Apprehension -- Residual materialism.

Soils, invaluable indicators of the nature and history of the physical and human landscape, have strongly influenced the cultural record left to archaeologists. Not only are they primary reservoirs for artifacts, they often encase entire sites. And soil-forming processes in themselves are an important component of site formation, influencing which artifacts, features, and environmental indicators (floral, faunal, and geological) will be destroyed and to what extent and which will be preserved and how well. In this book, Holliday will address each of these issues in terms of fundamentals as well as in field case histories from all over the world. The focus will be on principles of soil geomorphology , soil stratigraphy, and soil chemistry and their applications in archaeological research.

Site Reading offers a new method of literary and cultural interpretation and a new theory of narrative setting by examining five sites—supermarkets, dumps, roads, ruins, and asylums—that have been crucial to American literature and visual art since the mid-twentieth century. Against the traditional understanding of setting as a static background for narrative action and character development, David Alworth argues that sites figure in novels as social agents. Engaging a wide range of social and cultural theorists, especially Bruno Latour and Erving Goffman, Site Reading examines how the literary figuration of real, material environments reorients our sense of social relations. To read the sites of fiction, Alworth demonstrates, is to reveal literature as a profound sociological resource, one that simultaneously models and theorizes collective life. Each chapter identifies a particular site as a point of contact for writers and artists—the supermarket for Don DeLillo and Andy Warhol; the dump for William Burroughs and Mierle Laderman Ukeles; the road for Jack Kerouac, Joan Didion, and John Chamberlain; the ruin for Thomas Pynchon and Robert Smithson; and the asylum for Ralph Ellison, Gordon Parks, and Jeff Wall—and shows how this site mediates complex interactions among humans and nonhumans. The result is an interdisciplinary study of American culture that brings together literature, visual art, and social theory to develop a new sociology of literature that emphasizes the sociology in literature.