Gatekeepers Of The Arab Past

This groundbreaking study illuminates the Egyptian experience of modernity by critically analyzing the foremost medium through which it was articulated: history. The first comprehensive analysis of a Middle Eastern intellectual tradition, Gatekeepers of the Past examines a system of knowledge that replaced the intellectual and methodological conventions of Islamic historiography only at the very end of the nineteenth century. Covering more than one hundred years of mostly unexamined historucal literature in Arabic, Yoav Di-Capua explores Egyptian historical thought, examines the careers of numerous critical historians, and traces this tradition's uneasy relationship with colonial forms of knowledge as well as with the post-colonial state.

Collecting has a long tradition in the Middle East but the museum as a public institution is relatively new. Today there are national museums for antiquities in most Arab countries. While in some cases the political and social climate has hindered the foundation of museums, with existing collections even destroyed at times, the recent museum boom in the Gulf States is again changing the outlook. This unique book is the first to explore collecting practices in archives and museums in the modern Arab world, featuring case studies of collecting practices in countries ranging from Egypt and Lebanon to Palestine, Jordan, Iraq and the Gulf, and providing a theoretical and methodological basis for future research. The authors are also concerned with investigating the relationship between past and present, since collecting practices tell us a great deal not only about the past but also about the ways we approach the past and present conceptions of our identities. Collections can be textual as well, as in the stories, memories or events selected, recalled, and retold in the pages of a text. As interest in memory studies as well as popular and visual culture grows in the Arab World, so collecting practices are at the heart of any critical approach to the past and the present in that region. The book will be of great interest not only to scholars and students of the modern Arab world but also to professionals in museums and collections in the region, as well as around the world.

Transformations of Tradition probes how the encounter with colonial modernity conditioned Islamic jurists' conceptualizations of the shari'a. Departing from the tendency to focus on reformist-minded thinkers and politically charged issues, Junaid Quadri directs his attention towards the overlooked jurisprudential writings of Muhammad Bakhit al-Muti-i (1854-1935), Mufti of Egypt and a frequent critic of the famed reformists Muhammad 'Abduh and Rashid Rida. There, he locates a remarkable series of foundational intellectual shifts. Offering a fresh perspective on a pivotal period in the history of Islamic thought, Quadri tracks how Bakhit reworks the relationship of the shari'a to categories of understanding as fundamental as history and authority, science and technology, and religion and the secular, thereby upending the very ground upon which Islamic law had until then functioned. Through close readings of complex legal texts and mining of oft-neglected archives, this carefully researched study situates its argument in both the contested scholarly world of a quickly-changing Cairo, and the transregional school of Hanafi law as represented by jurists writing in Kazan, Lucknow, and Baghdad. Examining Islamic jurisprudential discourse in the colonial moment, Transformations of Tradition uncovers a shari'a that is neither a medieval holdover nor merely a pragmatic concession to the demands of a new world, but rather deeply entangled with the epistemological commitments of colonial modernity.

This book explores how modern Egyptians understand the Mamluks and reveals the ways in which that historical memory is utilized for political and ideological purposes. It specifically examines the representations of the Mamluks from two historical periods: the Mamluk Sultanate era (1250–1517) and the Mamluks under the Ottoman era (1517–1811) focusing mostly on the years 1760–1811. Although the Mamluks have had a great impact on the Egyptian collective memory and modern thought, the subject to date has hardly been researched seriously, with most analyses given to stereotypical negative representations of the Mamluks in historical works. However, many Egyptian historians and intellectuals presented the Mamluk era positively, and even symbolized the Sultans as national icons. This book sheds light on the heretofore-neglected positive dimensions of the multifaceted representations of the Mamluks and addresses the ways in which modern Egyptians utilize that collective memory.

This book reinterprets US-Arab relations by examining conflicts between American Cold War policies and the modernizing visions of Arab nationalists, Islamists, and communists.

Cover -- Half Title -- Title Page -- Copyright Page -- Contents -- List of figures -- Avant-Propos -- 1 Introduction: a critique of Arab nationalism -- 2 The trials and tribulations of the poet Fu'ad al-Khatib: a biographical essay on the origins of Arab nationalism -- 3 Holding up the mirror: imperialism and the poetics of cultural pan-Arabism -- 3.1 Saladin the Victor: national Saints, Great Men, and the rise of the individual -- 3.2 From the glory of conquest to paradise lost: al-Andalus in Arab historical consciousness -- 4 Of Kings and Cavemen: museums and nationalist museology in twentieth-century Egypt -- 5 Damascus transfers: dead bodies and their translocal meanings -- 6 Nearly victorious: the art of staging Arab military prowess -- 7 Arab nationalism, fascism, and the Jews -- 8 Epilogue and conclusion: broken narratives -- Notes -- Bibliography -- Index

Printing Arab Modernity presents printed books and pamphlets as important sites for visual, material, and cultural analysis in nineteenth-century Beirut, during a time of an emerging Arab modernity.

A study of the Saudi Arabian monarchy’s efforts to construct and disseminate a historical narrative to legitimize its rule. The production of history is premised on the selective erasure of certain pasts and the artifacts that stand witness to them. From the elision of archival documents to the demolition of sacred and secular spaces, each act of destruction is also an act of state building. Following the 1991 Gulf War, political elites in Saudi Arabia pursued these dual projects of historical commemoration and state formation with greater fervor to enforce their postwar vision for state, nation, and economy. Seeing Islamist movements as the leading threat to state power, they sought to de-center religion from educational, cultural, and spatial policies. With this book, Rosie Bsheer explores the increasing secularization of the postwar Saudi state and how it manifested in assembling a national archive and reordering urban space in Riyadh and Mecca. The elites’ project was rife with ironies: in Riyadh, they employed world-renowned experts to fashion an imagined history, while at the same time in Mecca they were overseeing the obliteration of a thousand-year-old topography and its replacement with commercial megaprojects. Archive Wars shows how the Saudi state’s response to the challenges of the Gulf War served to historicize a national space, territorialize a national history, and ultimately refract both through new modes of capital accumulation. Praise for Archive Wars “An instant classic. With incredible insight, creativity, and courage, Rosie Bsheer peels away the political and institutional barriers that have so long mystified others seeking to understand Saudi Arabia. Bsheer tells us remarkable new things about the exercise and meaning of power in today’s Saudi Arabia.” —Toby Jones, Rutgers University, author of Desert Kingdom: How Oil and Water Forged Modern Saudi Arabia “There are now two distinct eras in the writing of Saudi Arabian history: before Rosie Bsheer’s Archive Wars and after.” —Robert Vitalis, University of Pennsylvania, author of Oilcraft “Archive Wars explores with conceptual brilliance and historical aplomb the various forms of historical erasure central not just to the Kingdom of Saudi Arabia but to all modern states. In a finely-grained analysis, Rosie Bsheer rethinks the significance of archives, historicism, capital accumulation, and the remaking of the built environment. A must-read for all historians concerned with the materiality of modern state formation.” —Omnia El Shakry, University of California, Davis, author of The Great Social Laboratory: Subjects of Knowledge in Colonial and Postcolonial Egypt