Gay Pride And Prejudice

Because Queer People Deserve Happily Ever After, Too. For the Bennet sisters, life in quiet Hertfordshire County is about to change. Netherfield Hall has just been let to a single man of large fortune. But while it is true that such a man is generally considered to be in want of a wife, it is equally true that not all men desire female companionship, just as not every woman dreams of being married. Like other variations on Jane Austen's classic romance novel, Gay Pride & Prejudice poses a question: What if some among Austen's characters preferred the company of their own sex? In this queer revision of the classic original, Kate Christie offers an alternate version of love, friendship, and marriage for Elizabeth Bennet, Mr. Darcy, and others among their circle of friends. But even as the path to love veers from the straight and narrow, the destination remains much the same. If you have an open mind, dear reader, you may discover the book Jane Austen would likely never have approved, but which, nonetheless, affords a window onto gay and lesbian life in early nineteenth century England.

TORY PRIDE AND PREJUDICE is an authoritative but highly accessible account of the Conservative Party's social attitudes from the 1950s to the present day, with a particular focus on homosexual law reform and equal rights for LGBT citizens. Presented in the context of contemporary social and political developments, it draws upon extensive primary research and exclusive interviews to chart the party's progress from a stubborn unwillingness to decriminalise homosexuality in the 1950s and 1960s, via tacit acceptance in the 1970s and Section 28 in the 1980s and 1990s, to the current Conservative-Liberal Democrat Coalition Government, which has produced the first comprehensive statement on equal rights in British history.

‘One of the most important books about gay culture in recent times’ The Quietus Long-listed for the Polari First Book Prize In 1984 the pulsing electronics and soft vocals of Smalltown Boy would become an anthem uniting gay men. A month later, an aggressive virus, HIV, would be identified and a climate of panic and fear would spread across the nation, marginalising an already ostracised community. Yet, out of this terror would come tenderness and 30 years later, the long road to gay equality would climax with the passing of same sex marriage. Paul Flynn charts this astonishing pop cultural and societal U-turn via the cultural milestones that effected change—from Manchester’s self-selection as Britain’s gay capital to the real-time romance of Elton John and David Furnish’s eventual marriage. Including candid interviews from major protagonists, such as Kylie, Russell T Davies, Will Young, Holly Johnson and Lord Chris Smith, as well as the relative unknowns crucial to the gay community, we see how an unlikely group of bedfellows fought for equality both front of stage and in the wings. This is the story of Britain’s brothers, cousins and sons. Sometimes it is the story of their fathers and husbands. It is one of public outrage and personal loss, the (not always legal) highs and the desperate lows, and the final collective victory as gay men were final recognised, as Good As You.

Because Queer People Deserve Happily Ever After, Too. For the Bennet sisters, life in quiet Hertfordshire County is about to change. Netherfield Hall has just been let to a single man of large fortune. But while it is true that such a man is generally considered to be in want of a wife, it is equally true that not all men desire female companionship, just as not every woman dreams of being married. Like other variations on Jane Austen's classic romance novel, Gay Pride & Prejudice poses a question: What if some among Austen's characters preferred the company of their own sex? In this queer revision of the classic original, Kate Christie offers an alternate version of love, friendship, and marriage for Elizabeth Bennet, Mr. Darcy, and others among their circle of friends. But even as the path to love veers from the straight and narrow, the destination remains much the same. If you have an open mind, dear reader, you may discover the book Jane Austen would likely never have approved, but which, nonetheless, affords a window onto gay and lesbian life in early nineteenth century England.

A loving and irreverent all-female adaptation of Jane Austen's unrivalled literary classic.

Over the past 75 years, gays and lesbians have experienced tremendous social change in America. Gay and lesbian culture, once considered a twilight world that could not be spoken of in daylight, has become today’s rainbow families, marriage equality victories, and record-breaking pride celebrations. For a medium-size Rust Belt city with German Protestant roots, Milwaukee was an unlikely place for gay and lesbian culture to bloom before the Stonewall Riots. However, Milwaukee eventually had as many—if not more—known LGBT+ gathering places as Minneapolis or Chicago, ranging from the back rooms of the 1960s to the video bars of the 1980s to the guerrilla gay bars of today.

Pride and Prejudice and Mistletoe from New York Times bestselling author, Melissa de la Cruz, is a sweet, sexy and hilarious gender-swapping, genre-satisfying re-telling, set in contemporary America and featuring one snooty Miss Darcy. Darcy Fitzwilliam is 29, beautiful, successful, and brilliant. She dates hedge funders and basketball stars and is never without her three cellphones—one for work, one for play, and one to throw at her assistant (just kidding). Darcy’s never fallen in love, never has time for anyone else’s drama, and never goes home for Christmas if she can help it. But when her mother falls ill, she comes home to Pemberley, Ohio, to spend the season with her family. Her parents throw their annual Christmas bash, where she meets one Luke Bennet, the smart, sardonic slacker son of their neighbor. Luke is 32-years-old and has never left home. He’s a carpenter and makes beautiful furniture, and is content with his simple life. He comes from a family of five brothers, each one less ambitious than the other. When Darcy and Luke fall into bed after too many eggnogs, Darcy thinks it’s just another one night stand. But why can’t she stop thinking of Luke? What is it about him? And can she fall in love, or will her pride and his prejudice against big-city girls stand in their way?